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Joseph M. Kramp 《Pastoral Psychology》2007,55(5):619-635
In this third and final of three successive essays, the author argues that Thomas Merton suffered from narcissistic personality
disorder in conjunction with his melancholic condition. The author argues that contemplative prayer disabled Merton from working
through his melancholic condition. Finally, the author argues that Merton’s melancholia, coupled with his heightened identity
conflicts lead him to kill himself. 相似文献
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Nathan Carlin 《Pastoral Psychology》2007,56(2):121-141
This article tells, or advocates, a bizarre story about male revenge. By drawing from literature in the psychology of religion
that deals with the Book of Job and by assuming the standpoint of “cultural hermeneutics” in biblical studies, the author
playfully takes up an issue identified by Donald Capps: the issue of repressed rage in male melancholia. The author takes
his cue from a recent doctoral dissertation from Princeton Theological Seminary. Jacobus Hamman (2000) applies a Winnicottian
analysis to the Book of Job and argues that the Book of Job can be a useful pastoral resource today in a number of ways, including
his proposal for believers to direct their aggression toward God. Implicit in Hamman’s Winnicottian analysis, but never explicitly
stated, is the fact that God is Mother. The plot here is how the Book of Job might lead contemporary American men to hate
Mother God and the maternal Jesus, thereby aiding them in externalizing their repressed and self-directed rage. Mel Gibson
stars, if only briefly, in this childish story that presses the limits of Christian theology. 相似文献
3.
John Prine’s Images of God and Male Melancholia: Terror,Forgiveness, and the Persistence of Desire 总被引:1,自引:0,他引:1
Philip Browning Helsel 《Journal of religion and health》2007,46(3):359-368
Examines the God-representations of the country-folk singer John Prine in the light of psychological theory about male melancholia,
drawing from Donald Capps and Erik H. Erikson. Describes the manner in which songwriting serves as a therapeutic enterprise
to express and interpret melancholia in Prine's lyrics, especially in the songs "Saddle in the Rain" and "Fish and Whistle."
At times these images evoke terror and at other times they humorously erase the authority divide between the divine and the
human, suggesting that God may even need to be forgiven. Describing how melancholia is rooted in the man's experience with
mother, this article interprets Prine's image of God in light of the need for sustenance, acknowledgement, and care.
相似文献
Philip Browning HelselEmail: |
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Nathan Steven Carlin 《Pastoral Psychology》2006,54(5):439-456
This article is a response to the psychoanalytic study of mathematical genius John Nash by Donald Capps, and I apply Capps's own theory of male melancholia to John Nash. Capps interpreted Nash's life by dividing it into three phases: 1) predelusional; 2) delusional; and 3) postdelusional. I correlate Capps's three forms of male religiousness (i.e., honor, hope, and humor) with these three phases, respectively. The explanatory value of this interpretation is that it locates Capps's psychobiography of Nash within Capps's larger writings, thus providing an understanding of Nash as a deeply (if unconventionally) religious man. 相似文献
5.
Many young adult Christians are highly influenced by relativism of all sorts, which can lead them to a state of doubt. If they voice their doubts too loudly, they are often shamed and abandoned by their elder Christians who do not have (or, perhaps better, do not voice) these doubts. I suggest that those of us involved in youth ministry must meet our youth where they are at, that is, meet them in their doubt, which is not, in my view, a bad place to be. This article focuses on a psychoanalytic understanding of shame and draws from the work of Donald Capps, Erik H. Erikson, Heinz Kohut, and D. W. Winnicott. 相似文献
6.
Joseph M. Kramp 《Pastoral Psychology》2007,55(3):321-338
In this article, the author argues that heavily ritualized cultures need heroic religious personalities to sustain their hierarchical
structures. The religious hero becomes the central symbol of what is socially peripheral in the culture, and though these
heroes are thought to perform superhuman altruistic deeds, they actually are the cornerstone of the maintenance of oppressive
social orders. While the heroic or resigned religious posture is a legitimately religious posture, the author argues for the
superiority of an aesthetic religious posture in light of anthropological and psychological studies of religion. 相似文献
7.
Joseph M. Kramp 《Pastoral Psychology》2007,55(3):307-319
In this first of several successive articles on Thomas Merton, the author interprets Merton’s vocational call, identity conflicts,
and radical asceticism in light of the psychoanalytic study of Donald Capps, Erik Erikson, and Sigmund Freud. The author argues
that Merton’s early identity and religious development formed deep conflicts in his psyche. These conflicts remained unconscious
and unresolved, leading to disastrous consequences. This article examines Merton’s life until his affair with Margie Smith
in 1966. 相似文献
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