What It Means to Be a Man: Aging and Anxiety in Beckett's Krapp's Last Tape and That Time

One of the great writers of Twentieth-century doubt, Samuel Beckett is perhaps best known for endowing his protagonists with some of the more classic symptoms of anxiety and depression. The result is an extraordinary corpus that unfolds how the intricacies and excesses of anxiety affect the behavior of men and women involved in intimate relationships, and how that behavior is exhibited in their aging years. While this discussion of Krapp's Last Tape (1960) and That Time (1976) will explore anxiety from a specifically male point of view, the works themselves compel various responses from readers of both sexes. Both pieces also may be of interest to those concerned with the rethinking of sexual roles in intimate relationships in light of an individual's response to the physical and emotional aspects of aging.     

The inner witness

The inner witness is a mechanism that develops in response to a reasonable experience of infantile helplessness, the resulting maternal impingement and the presence of a sufficient experience of a third. Being crucial to the subject's capacity to shift between the first person and the third person of experience, it also has an essential role in coping with trauma. Three types of testimonial narrative are differentiated in terms of the presence of the inner witness in their syntax. The first mode is one in which the inner witness is accessible, enabling the imaginary shift between the voice of the victim and the voice of the witness. The second mode, which remains a 'first-person' mode of report, preserves and enacts the traumatic memories and the traumatic features. The third, psychotic mode attacks both the first and the third person, separating the subject from both his memories and his sense of selfhood. This mode can evolve as a reaction to an adult massive trauma, but is more likely to emerge as a result of early traumatization. The above ideas and their implications for recovery are illustrated by a case study and through a reading of Samuel Beckett's Waiting for Godot.     

Bion and C.G. Jung. How did the container‐contained model find its thinker? The fate of a cryptomnesia

This paper investigates the possible impact of C.G. Jung's Tavistock Lectures on Bion's concept of the living container. In the first part of the paper, the author offers clues pointing to such an essential impact, which can be found in text passages as well as in the facts of the Bion‐Beckett case, up to and including Bion's first publication of ‘The imaginary twin'. The author suggests that cryptomnesia is the result of repression targeting a highly cathected author's communication which functions like a deep interpretation for the recipient, whose new theory then is a return of the repressed content as well as a transformation of it. The second part of the paper investigates the fate of the assumed cryptomnesia. From this point of view Bion's concept of the container in itself appears to be the result of growth in the container‐contained mode. Finally the author deals with the question whether cryptomnesia in psychoanalytical literature can frequently be seen as the result of psychic growth.