Escaping from Rama: Portraits of Indian women

This study examines visual, post-colonial portraits of the Indian women of the Sanskrit epics, in order to show the sociocultural, historical-ideological roots of this aesthetic. After independence, Hindu movements found in the epics a female archetype, who stands for the Hindu community. Post-colonial visual representations maintained this idealistic characterisation within a binary system, according to which women can be angelic guarantors of the social order or devilish, sexually uncontrolled creatures. This ambiguity derives from the double nature of the female principle of the world, shakti, and the visual storytelling tradition or chitrakatha. Using the same Indian storytelling tradition, female points of view have begun to criticise this nationalistic, ‘male gaze’. In the graphic novel Sita's Ramayana, Rama and male activities, particularly war, are secularised and criticised as selfish by female characters, foremost of whom is Sita, a model of the devoted and pure bride or pativrata.     

Adolescent Decisional Autonomy Regarding Participation in an Emergency Department Youth Violence Interview

Much attention has been given to determining whether an adolescent patient has the capacity to consent to research. This study explores the factors that influence adolescents' decisions to participate in a research study about youth violence and to determine positive or negative feelings elicited by being a research subject. The majority of subjects perceived their decision to participate to be free of coercion, and few felt badly about having participated. However, adolescents who were alone in the room during the assent process were more likely to report that they chose freely to be a research subject. This study may influence the ways physicians communicate with adolescent patients around research assent within a clinical care environment.