Effects of positive and negative adult-child interactions on children's task performance and task preferences

In individual sessions, an adult directed three boys to work on each of three different tasks. Within a given session the on-task behavior for one task was praised, the off-task behavior for another task was verbally reprimanded, and all behavior was ignored with the third task. Using a multielement baseline design, the manner in which the adult interacted with the children on a given task varied from day to day. Across 18 sessions, verbal reprimands produced the highest task rates, with praise producing only a slightly higher rate of responding than noninteraction. After each session the children were given the choice of which of the three tasks they wished to work on when the adult left the room for a few minutes. Tasks associated with verbal reprimands of off-task behavior were never chosen. The first and second choices were always the task associated with praise for on-task behavior or the task where the children were ignored. These preferences generalized to similar tasks.     

A modern assessment of the basic forms of aphasia

A brief survey of the field of aphasia is presented. Many of the facts described in the neurological classics remain valid, but the interpretation of these facts must be altered. The basic principles of aphasia are reassessed in the light of neuropsychology. Neuropsychological analysis shows sensory (acoustico-gnostic) aphasia to be based upon an impairment in phonemic hearing. Motor aphasia breaks down into afferent (kinesthetic) and efferent (kinetic) aphasia. The former is based upon an impaired kinesthetic input into the speech functions, which results in a special type of oral apraxia. Efferent (kinetic) aphasia is based upon a breakdown in the kinetic organization of speech motor acts. Nominative (amnestic) aphasia consists of a number of forms, each based on either a weakness of visual or auditory analysis or difficulty in selection between evoked memory traces. “Transcortical motor aphasia” proves to be either perseverative aphasia, i.e., aphasia in which the dynamics of plasticity are impaired, or the result of the impairment of internal speech. The basic defect underlying “conduction” aphasia is beginning to be understood as a weakened acoustico-gnostic function or difficulties in retarding sideline associations.     

The effect of response choice relatedness on pantomime and verbal recognition ability in aphasic patients

Twenty aphasic and twenty control subjects were examined on two versions of a pantomime recognition and a verbal recognition test; one version containing response choices conceptually/semantically related to target responses, the other containing unrelated response choices. The aphasic group was inferior to controls on the pantomime and verbal recognition tests, although the magnitude and consistency of the differences between aphasics and controls were greater for the pantomime test. The presence of conceptually/semantically related response choices on the pantomime recognition test significantly reduced test scores of aphasic patients, and this reduction was related to the magnitude of the effect of response choice relatedness on their verbal recognition test performance. The findings are consistent with an interpretation of aphasia as an impairment of a central symbolic ability which can affect processing for meaning in both verbal and nonverbal modes of communication.     

Between the imaginary and the real: photographic portraits of mourning and of melancholia in Argentina

During Argentina's 'Dirty War' (1976-83), the military regime attempted to erase an entire population; today the photographs of the dead/missing stand in defiance, contradicting that attempted erasure of the desaparecidos. In this essay, I explain the connection between photography and loss, and how photography fits within Lacan's understanding of the Imaginary, the Symbolic, the Real, and the 'gaze'. I discuss complicated mourning (circumstances which inhibit/delay mourning) and the difficulties created by political disappearances: as long as the family members maintain the belief that their loved one(s) might still be alive, they cannot begin the process of mourning the permanently lost object. Beginning with the Madres de Plaza de Mayo and, using the web-based art exhibits of Marcelo Brodsky and Inés Ulanovsky, I analyze the role of the photograph in Argentina, how it serves as a linking object, how it is used to symbolize the dead/missing, and how it can function to facilitate mourning, or to serve as proof of pathological melancholia. I argue that such artistic representations of loss function to reinscribe healthy mourning rituals within the Argentine society.