The modulation of the flash-lag effect by voluntary attention

In the flash-lag effect (FLE), a flashing object appears to lag behind a moving object when both happen to be physically aligned to each other. According to an earlier account of the FLE (Baldo and Klein 1995 Nature 378 565-566), this perceptual phenomenon would result from differential delays in the perceptual processing of moving and flashing stimuli, presumably involving attentional mechanisms. Here, we have attempted to demonstrate in a more convincing way the participation of voluntary attention as a major component of the FLE. In experiment 1 the observer's attentional set was induced by the spatial probability structure of the visual stimulus. A flashing dot (relative to which the location of a moving dot should be judged) was presented, in separate blocks, at fixed, alternating, or randomly chosen locations. The two former conditions, providing a higher spatial predictability, yielded a smaller FLE than the latter condition, which provided a lower spatial predictability of the flashing dot. In experiment 2 we employed a standard cueing procedure, in which a participant was instructed to shift covertly his/her attentional focus according to a symbolic cue. The cue indicated, with a validity of 80%, the visual hemifield at which the flashing dot would be presented. As predicted by our conceptual model, the mean magnitude of the FLE in the valid trials was significantly smaller than that found in the invalid ones. Therefore, both experiments provided strong evidence supporting the participation of voluntary attention in the FLE. Attentional mechanisms should be seen not as the primary cause of the FLE, but rather as an important modulatory component of a broader process whose spatiotemporal dynamics engenders the FLE and possibly other related phenomena. Even though we elected an account based on the influence of attention on perceptual latencies, our empirical findings are compatible with other theoretical models embraced by the current flash-lag controversy and should be accommodated by every attempt to explain this perceptual phenomenon.     

Continuous judgment of level-fluctuating sounds and the relationship between overall loudness and instantaneous loudness

Summary The present investigation was designed to examine the most appropriate duration of instantaneous loudness and to find out the relationship between overall loudness and instantaneous loudness using 20-min road traffic noise. Instantaneous loudness was judged using the method of continuous judgment by category. The results suggest that instantaneous loudness is determined by the sound energy averaged during the 2.5-s period preceding each judgment, the duration of which seems to reflect the psychological present. It was also found that overall loudess is not an average of the instantaneous loudness of every moment, but that it is based on the instantaneous loudness above a certain level.     

Relationship of Prosody Perception to Personality and Aggression

One-hundred-fifteen participants (73 female, 42 male) were evaluated for prosody, or vocal emotion, perception, personality factors, relational aggression and physical aggression. The male participants reported higher levels of physical aggression, and the female participants reported greater Neuroticism, consistent with other data. For the male participants, better perception of prosody was related to both greater Extraversion and greater Conscientiousness, all involved in interpersonal functioning. These relationships were not found in the female participants, but there was a relationship between perception of prosody and relational aggression. Women who were better at perceiving the emotional status of others based on vocal cues were less relationally aggressive. Perhaps greater relational aggression reflects a poor adaptation to diminished ability to perceive emotional status.     

Relationships of smiling and flirtation to aggression and 2D:4D, a prenatal androgen index

Smiling has been reported to be a signal of submission/lower status, or a sign of cooperation. In the present study, use of smiling and flirtation to "make people receptive to my ideas" was conceptualized as mild aggression, since it is mildly manipulative of the perception of others as to one's internal emotional status. For 91 participants (55 female, 36 male), use of smiling and flirtation to make others receptive to one's ideas were associated with relational aggression and a more male-typical (smaller) right 2D:4D finger length ratio. The only significant relationship in the male sample alone was the relationship between smiling and relational aggression. In the female sample alone, use of smiling and flirtation to "make people receptive to my ideas" was associated with a more male-typical 2D:4D finger length ratio pattern, and there was a trend for flirtation to be associated with greater physical aggression. Both 2D:4D and physical aggression have been associated with higher prenatal androgen level. It is concluded that deliberate smiling and flirtation are mild forms of relational aggression, and are related to prenatal androgenic activity in a manner similar to physical aggression. These findings are discussed in terms of the different evolutionary strategies of men and women to control their social environments.     

Evidence for an attentional component of the perceptual misalignment between moving and flashing stimuli

If a pair of dots, diametrically opposed to each other, is flashed in perfect alignment with another pair of dots rotating about the visual fixation point, most observers perceive the rotating dots as being ahead of the flashing dots (flash-lag effect). This psychophysical effect was first interpreted as the result of a perceptual extrapolation of the position of the moving dots. Also, it has been conceived as the result of differential visual latencies between flashing and moving stimuli, arising from purely sensory factors and/or expressing the contribution of attentional mechanisms as well. In a series of two experiments, we had observers judge the relative position between rotating and static dots at the moment a temporal marker was presented in the visual field. In experiment 1 we manipulated the nature of the temporal marker used to prompt the alignment judgment. This resulted in three main findings: (i) the flash-lag effect was observed to depend on the visual eccentricity of the flashing dots; (ii) the magnitude of the flash-lag effect was not dependent on the offset of the flashing dot; and (iii) the moving stimulus, when suddenly turned off, was perceived as lagging behind its disappearance location. Taken altogether, these results suggest that neither visible persistence nor motion extrapolation can account for the perceptual flash-lag phenomenon. The participation of attentional mechanisms was investigated in experiment 2, where the magnitude of the flash-lag effect was measured under both higher and lower predictability of the location of the flashing dot. Since the magnitude of the flash-lag effect significantly increased with decreasing predictability, we conclude that the observer's attentional set can modulate the differential latencies determining this perceptual effect. The flash-lag phenomenon can thus be conceived as arising from differential visual latencies which are determined not only by the physical attributes of the stimulus, such as its luminance or eccentricity, but also by attentional mechanisms influencing the delays involved in the perceptual processing.     

Impression of smoothness of a sound stream in relation to legato in musical performance

Physically continuous sounds do not always produce the subjective impression of legato. In the present study, the effect of temporal factors on the impression of smoothness of a sound stream was systematically investigated in relation to the dynamic characteristics of hearing. The results showed that decaying sounds, successively presented, were perceived as being marginally connected when the sounds physically overlapped, while steady-state sounds were perceived as being marginally connected when they were physically separated. It was also shown that judgments by the subjects agreed quite well with the effect intended by the pianist when the passage was given in different temporal interpretations.