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Abstract

Children enter a world that is full of symbols, most of which have become inaccessible. This is true not only because of a positivistic attitude that views analogical truth as nonsensical, but also because of the fragmentation that we experience. This situation is impoverishing children’s awareness, connectedness as well as their ability to access and express existential concerns and the answers different generations have tried to provide. It is for this reason that children need to learn a variety of symbols and the ‘grammar’ of how they form meaning. A symbolic literacy approach not only helps them to read symbols but also enables them to formulate meaning and to connect with the deeper reality and facilitates their ability to transcend physical reality. The paper will also refer to the development of an interdisciplinary pedagogy and its implementation through a project that is being done in collaboration with Maltese primary schools.  相似文献   
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By exploring the evidence brought forward by palaeontologists and archaeologists, this paper will investigate the hypothesis that spirituality is rooted in our primordial origins. It will be claimed that as a fundamental human dimension that distinguishes humans, spirituality needs to interact with the other constituent dimensions that make us human, including our need for community, our characteristics of learning, of being rational and of developing tools that change us. If spirituality emerged so early in the evolutionary process, and if it is tied to the quest of search for meaning, one could put forward an argument that it precedes most of the tools and knowledges developed by humans. There seems to be evidence that its ability to spur human development is mainly done through the development and use of symbols which, if understood in a wider sense, seem to be the primary language of spirituality.  相似文献   
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This paper will explore the type of spiritual expression of adolescents and young people in and through current popular music culture. In particular, the paper will propose the music and industry constructed by and around the popular singer and songwriter Lady Gaga as a test case. Her incessant use of religious language and religious symbolism has equally attracted praise and criticism. This paper will acknowledge that Lady Gaga is not simply an icon of this hypermodernity, but she is a complex phenomenon which brings together various elements as well as actors. It will explore if and to what extent the main spiritual elements are traceable in this phenomenon.  相似文献   
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