永生即厌倦——论B.威廉斯的永生观

B.威廉斯在其论文《马克洛普罗事件:对永生之厌倦的反思》中认为,永生是没有意义的。威廉斯指出死亡与有死是不同的,若永生则厌倦;只有满足同一性与吸引力两个条件,永生才不会无聊。尽管威廉斯的理论遭到一些学者的反驳,但本文通过分析得出,威廉斯的这一理论是深刻而富有洞见的。当然他的理论也不是无懈可击的,其同一性条件太严又太宽,但无论如何也不影响永生导致无聊的判断,因为破除对永生的期待,才可让有限的生命更有意义。     

Two ways of learning associations

How people learn chunks or associations between adjacent items in sequences was modelled. Two previously successful models of how people learn artificial grammars were contrasted: the CCN, a network version of the competitive chunker of Servan‐Schreiber and Anderson [J. Exp. Psychol.: Learn. Mem. Cogn. 16 (1990) 592], which produces local and compositionally‐structured chunk representations acquired incrementally; and the simple recurrent network (SRN) of Elman [Cogn. Sci. 14 (1990) 179], which acquires distributed representations through error correction. The models' susceptibility to two types of interference was determined: prediction conflicts, in which a given letter can predict two other letters that appear next with an unequal frequency; and retroactive interference, in which the prediction made by a letter changes in the second half of training. The predictions of the models were determined by exploring parameter space and seeing howdensely different regions of the space of possible experimental outcomes were populated by model outcomes. For both types of interference, human data fell squarely in regions characteristic of CCN performance but not characteristic of SRN performance.     

上海市健将级运动员的智力状况分析

本课题研究的对象是上海市31名(其中男17名,女14名)年龄在19—29岁的健将级运动员,他们所从事的运动项目有:篮球、手球、棒球、技巧、射箭、跳高、撑杆跳高、跳远、标枪、中长跑、短跑和十项全能等。为了揭示他们的智商(IQ)和智力结构,我们运用了我国修订的韦克斯勒成人量表对他们逐个进行智力测验。结果表明:(1)所测健将级运动页的言语智商(VIQ)、操作智商(PIQ)和总智商(FIQ)的平均值都在105—110之间,男女性别无明显差异;(2)智商值达到120以上的运动员,他们的技能水平也相应地较高,特别是十项全能、技巧和篮球运动员;(3)健将级运动员的智力结构是全面和完好的。     

立体视觉的心理物理和VEP比较研究

心理物理试验是研究立体视觉的主要方法。70年代VEP开始用于体视研究,并取得许多结果。由于VEP信号复杂,这些结果不能令人满意。本文使用心理物理试验和VEP对比方法对体视加以研究。我们的结果是:VEP波形中第一个正峰与刺激图形的亮度有关;N_2峰和P_3峰的潜伏期对判断体视存在与否有重要价值;本试验确定N_2峰潜伏期在体视存在时约为240ms—280ms,无体视存在时约为290ms—310ms;P_3峰潜伏期在体视存在时约为280ms—310ms,无体视存在时约为340ms—360ms;体视存在时的VEP与无体视存在时的VEP的互相关系数小于0.1;有体视的VEP其功率谱密度在8Hz附近有一峰;心理物理试验中使用强制选择得到的结果从VEP波形比较中可以确认是可靠的;有体视的VEP其N_2和P_3的潜伏期随视差变化呈现规律性改变。     

Factor structure of the Treatment Evaluation Inventory: Implications for measurement of treatment acceptability

The Treatment Evaluation Inventory (TEI), a frequently used measure of treatment acceptability, was used by 164 undergraduates to rate the acceptability of each of the following treatments: differential reinforcement of other behavior, exclusionary time-out, overcorrection, medical restraint, contingent electric shock, and physical restraint. TEI ratings of each treatment type were grouped separately, variance-covariance matrices were formed and compared, and data were subjected to factor analysis. The results indicated that the factor structure of the TEI varied with the treatment it was used to evaluate. Item analysis of the TEI indicated a high degree of internal consistency, although item-total correlations varied between rated treatments. The findings suggest that although the TEI is a reliable instrument, sensitive assessment of the treatment acceptability construct probably requires multidimensional measurement.     

照明水平、亮度对比和视标大小对视觉功能的影响

本研究在不同背景照度条件下对不同大小、不同对比度的兰道尔环的辨认进行了实验。主要结果表明:(1)视觉作业水平的提高依赖于视标大小、对比度和背景照度这三个变量及其相互间的关系;在视觉作业水平一定时,视标大小、对比度和背景照度存在着两两对应的代偿关系;(2)以中国人为被试的RCS结果与国外欧美人为被试的CIE推荐的结果基本一致,但前者在低亮度范围内要明显高于后者。     

关于短时记忆编码方式的实验研究

本文以汉字为材料,用信号检测法对短时记忆的编码方式进行研究,实验结果表明,汉字从总体上是以形状编码为主,这与 Conrard用英文字母为材料所作实验中得到的短时记忆以声音编码为主的结论不同;同时,各类型汉字的短时记忆编码方式也有差别。上述实验结果支持了关于短时记忆随情境而变换编码策略的设想。     

Death by 1000 ‘true fans’: Do marketing laws apply to music listening?

The advice to musicians and marketers is to focus on what they love: a truism for practitioners is to find 1000 ‘true fans’ and make $100 from each of them (Kelly, 2008. 1000 True fans. The Technium). If this advice is correct, we should see musicians with loyal user bases engaging more with their favourite artists and less with other music, suggesting a narrow targeting strategy would suffice. On the other hand, the established marketing laws indicate that the listeners of very different genres should overlap more than conventional wisdom would suggest, supporting the need for a much broader approach to targeting potential audiences. Given these conflicting views, musicians need to know if they should market to their existing listeners, the listeners of music similar to theirs (i.e., the same genre), or if they should try to reach a much wider audience. We turn to established choice patterns from the marketing literature to address these questions in the music context. This study examines 84,000,000 observations of music listening from 27,000 unique global users between 2013 and 2014 and survey data from 2019 containing music listening from over 1000 representative respondents in the United States. The results show that listening follows the Duplication of Purchase law for genres, artists, albums, and songs, at an annual, 6-months, 3-months, 1-month, and 1-week period, with no indication of partitioned music listening. The implication is that musicians should try to reach all potential listeners, regardless of what they already listen to. These findings contribute to the theoretical knowledge about duplication analyses of various durations, extend the contexts of choice behaviour that exhibit this pattern, and managerially, to knowledge about the extent of potential audiences and ‘share of ear’ competition.