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In visual images, we perceive both space (as a continuous visual medium) and objects (that inhabit space). Similarly, in dynamic visual experience, we perceive both continuous time and discrete events. What is the relationship between these units of experience? The most intuitive answer may be similar to the spatial case: time is perceived as an underlying medium, which is later segmented into discrete event representations. Here we explore the opposite possibility--that our subjective experience of time itself can be influenced by how durations are temporally segmented, beyond more general effects of change and complexity. We show that the way in which a continuous dynamic display is segmented into discrete units (via a path shuffling manipulation) greatly influences duration judgments, independent of psychophysical factors previously implicated in time perception, such as overall stimulus energy, attention and predictability. It seems that we may use the passage of discrete events--and the boundaries between them--in our subjective experience as part of the raw material for inferring the strength of the underlying "current" of time.  相似文献   
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Selective attention not only influences which objects in a display are perceived, but also directly changes the character of how they are perceived--for example, making attended objects appear larger or sharper. In studies of multiple-object tracking and probe detection, we explored the influence of sustained selective attention on where objects are seen to be in relation to each other in dynamic multi-object displays. Surprisingly, we found that sustained attention can warp the representation of space in a way that is object-specific: In immediate recall of the positions of objects that have just disappeared, space between targets is compressed, whereas space between distractors is expanded. These effects suggest that sustained attention can warp spatial representation in unexpected ways.  相似文献   
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