Evidence for attentional capture by a surprising color singleton in visual search

Three experiments were conducted to investigate whether surprising color singletons capture attention. Participants performed a visual search task in which a target letter had to be detected among distractor letters. Experiments 1 and 2 assessed accuracy as the dependent variable. In Experiment 1, the unannounced presentation of a color singleton 500 ms prior to the letters (and in the same position as the target letter) resulted in better performance than in the preceding conjunction search segment, in which no singleton was presented, and performance was as good in this surprise–singleton trial as in the following feature search segment, in which the singleton always coincided with the target. In contrast, no improvement was observed when the color singleton was presented simultaneously with the letters in Experiment 2, indicating that attentional capture occurred later in the surprise trial than in the feature search segment. In Experiment 3, set size was varied, and reaction time was the dependent variable. Reaction time depended on set size in the conjunction search segment, but not in the surprise trial nor in the feature search segment. The results of the three experiments support the view that surprising color singletons capture attention independently of a corresponding attentional set.     

Pure colour novelty captures the gaze

While it is common wisdom that a salient visual event draws attention, experimental research provided mixed support for this hypothesis. The present experiment seeks evidence that a singleton draws attention to the degree that its feature is novel or unexpected. Two visual search experiments were conducted where an irrelevant colour singleton is presented on each pre-critical trial to familiarize participants with the presence of the singleton. In the critical trial of Experiment 1, the singleton was presented in a novel colour without prior announcement. The singleton was gazed at significantly earlier and longer in the critical trial, as compared to pre-critical trials. This result is consistent with predictions from the expectancy discrepancy hypothesis that colour novelty is sufficient to capture attention. Experiment 2 tested the alternative explanation that a surprising event mainly leads to a breakdown of the previously acquired attentional set, which in turn causes a reorientation towards perceptual salience. An unannounced change of the background colour in the critical trial while the singleton colour remained unchanged did not induce an attentional capture by the singleton like in Experiment 1. This result further confirms that surprising events capture attention in a spatial manner.     

Empathy,Einfühlung,and aesthetic experience: the effect of emotion contagion on appreciation of representational and abstract art using fEMG and SCR

Since the advent of the concept of empathy in the scientific literature, it has been hypothesized, although not necessarily empirically verified, that empathic processes are essential to aesthetic experiences of visual art. We tested how the ability to “feel into” (“Einfühlung”) emotional content—a central aspect of art empathy theories—affects the bodily responses to and the subjective judgments of representational and abstract paintings. The ability to feel into was measured by a standardized pre-survey on “emotional contagion”—the ability to pick up and mirror, or in short to “feel into”, emotions, which often overlaps with higher general or interpersonal empathetic abilities. Participants evaluated the artworks on several aesthetic dimensions (liking, valence, moving, and interest), while their bodily reactions indicative of empathetic engagement (facial electromyography—EMG, and skin conductance responses—SCR) were recorded. High compared to low emotion contagion participants showed both more congruent and more intense bodily reactions (EMG and SCR) and aesthetic evaluations (higher being moved, valence, and interest) and also liked the art more. This was largely the case for both representational and abstract art, although stronger with the representational category. Our findings provide tentative evidence for recent arguments by art theorists for a close “empathic” mirroring of emotional content. We discuss this interpretation, as well as a potential tie between emotion contagion and a general increase in emotion intensity, both of which may impact, in tandem, the experience and evaluation of art.     

Using Geospatial Research Methods to Examine Resource Accessibility and Availability as it Relates to Community Participation of Individuals with Serious Mental Illnesses

Greater community participation among individuals with serious mental illnesses is associated with better psychosocial and health outcomes. Typically, studies examining community participation have utilized self‐report measures and been conducted in limited settings. The introduction of methodological advances to examining community participation of individuals with serious mental illnesses has the potential to advance the science of community mental health research and invigorate the work of community psychologists in this area. This study employed an innovative geospatial approach to examine the relationship between community participation and resource accessibility (i.e., proximity) and availability (i.e., concentration) among 294 individuals utilizing community mental health services throughout the United States. Findings suggest small but significant associations between community participation and the accessibility and availability of resources needed for participation. Furthermore, findings demonstrate the importance of car access for individuals residing in both urban and non‐urban settings. The methods and results presented in this study have implications for community mental health research and services and provide an illustration of ways that geospatial methodologies can be used to investigate environmental factors that impact community inclusion and participation of individuals with serious mental illnesses.     

A reversal of the search asymmetry favouring negative schematic faces

Quite a number of studies have tested whether the affective valence of stimuli can guide attention in visual search. Studies using schematic affective faces frequently found a relative search asymmetry (RSA), with more efficient search for a negative face in a friendly crowd than vice versa. Whether, however, this effect relates to differences in affect or to the confounded differences in perceptual features is unknown. The present study proposes and tests a similarity-based account for the RSA. Experiments 1a and 1b first replicate the typical RSA. Experiment 2 shows that the stimulus could be simplified to some degree without losing the RSA. Experiments 3 and 4, finally, demonstrate that the RSA could be reversed by a rather simple stimulus change, that leaves the facial expression intact. It is concluded that the strong dependence of the RSA on stimulus factors seriously questions the claim that emotional factors drive the RSA.     

Labeled Calculi and Finite-Valued Logics

A general class of labeled sequent calculi is investigated, and necessary and sufficient conditions are given for when such a calculus is sound and complete for a finite-valued logic if the labels are interpreted as sets of truth values (sets-as-signs). Furthermore, it is shown that any finite-valued logic can be given an axiomatization by such a labeled calculus using arbitrary "systems of signs," i.e., of sets of truth values, as labels. The number of labels needed is logarithmic in the number of truth values, and it is shown that this bound is tight.