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Religious anti-discrimination legislation institutionalises non-violent ways of living with radical difference associated with religious diversity. The need to govern the growing number of conflicts generated by increasingly pluralistic societies is a major reason governments have introduced a range of new laws relating to religion. These laws are important not only because they protect human rights, which they do, but also because they shape social processes that generate extreme harms such as mass murder and the sexual abuse of minors. A detailed examination of three case studies of minority religions illustrates this argument. The histories of the Fundamentalist Latter Day Saints and The Family demonstrate that the socio-cultural processes that result in sexual abuse in minority religions are similar to the processes that result in extreme violence and that litigation plays a key role in preventing the escalation of these processes, although it is of a post hoc nature. The case of the Ordo Templi Orientis demonstrates that religious anti-discrimination legislation proactively disrupts the socio-cultural processes that lead to the escalation of tension that results in serious forms of harm.  相似文献   
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Drawing on interviews with 90 young people who have become Witches, we explore the visual media's influence on identity formation and maintenance. Witchcraft is a late modern religion that is highly individualistic and many young people report they have become a Witch without any interaction with other Witches. The rapid growth of interest in this religion among the young since The Craft was first shown provides an important example of the mass media's role in formation of contemporary religious identity. We argue that representations of Witchcraft in the visual mass media (along with other cultural trends such as environmentalism, feminism, and individualism) and cultural resources such as books, Internet sites, and magazines provide a mediated form of social interaction that sustains the plausibility of Witchcraft as a religion. It also helps the young to develop and legitimate their beliefs and practices and develop their Witchcraft persona.  相似文献   
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Witchcraft is entering mainstream culture through movies, magazines, websites, novels, and spell books. This paper examines a small number of popular spell books to investigate the effects of popularisation on the beliefs and practices of Witchcraft. I interrogate the debate about Witchcraft's relationship to the New Age to identify characteristics that might be present in a popularised Witchcraft. The characteristics include: the self-ethic, a this-worldly orientation, holism, evolutionary development and ephemeral participation. I argue that popularised Witchcraft has some New Age characteristics, but that other interesting trends include the re-enchantment of everyday life and the sacralisation of the sensuous through love spells, body confidence spells, and material prosperity spells. Spell books provide a technology of the self for young women. I argue that the paraphernalia of New Age Witchcraft are a site in which central contemporary identity issues are contested.  相似文献   
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What is white Witchcraft and how is it different to black magic? The books and practices of the purveyors of white Witchcraft are examined alongside other popular Witches oriented toward consumerism. White Witchcraft is also compared to traditional Witchcraft. I argue that white Witchcraft is a marketing label for a type of Witchcraft consistent with consumer Capitalism. White Witchcraft emphasises growth and success eliding the understanding of loss, death, and the dark that is found in traditional Witchcraft. White Witchcraft also celebrates individual pleasure and instrumental self-gratification at the expense of locating individuals in ecological and human networks of relationships. Consumer-oriented Witchcraft has popularised and facilitated the growth of Witchcraft, but consumer capitalism has also shaped Witchcraft to be consistent with consumer values and ethics. The purveyors of white Witchcraft do not challenge or question the goals and values of consumer capitalism, but explicitly celebrate them. The mass media and consumerism are central sites of ethical struggle for contemporary Witches.  相似文献   
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