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1.
To understand how individuals adapt to and anticipate each other in joint tasks, we employ a bidirectional delay–coupled dynamical system that allows for mutual adaptation and anticipation. In delay–coupled systems, anticipation is achieved when one system compares its own time‐delayed behavior, which implicitly includes past information about the other system’s behavior, with the other system’s instantaneous behavior. Applied to joint music performance, the model allows each system to adapt its behavior to the dynamics of the other. Model predictions of asynchrony between two simultaneously produced musical voices were compared with duet pianists’ behavior; each partner performed one voice while auditory feedback perturbations occurred at unpredictable times during live performance. As the model predicted, when auditory feedback from one musical voice was removed, the asynchrony changed: The pianist’s voice that was removed anticipated (preceded) the actions of their partner. When the auditory feedback returned and both musicians could hear each other, they rapidly returned to baseline levels of asynchrony. To understand how the pianists anticipated each other, their performances were fitted by the model to examine change in model parameters (coupling strength, time‐delay). When auditory feedback for one or both voices was removed, the fits showed the expected decrease in coupling strength and time‐delay between the systems. When feedback about the voice(s) returned, the coupling strength and time‐delay returned to baseline. These findings support the idea that when people perform actions together, they do so as a coupled bidirectional anticipatory system.  相似文献   
2.
Pain experienced by Black individuals is systematically underestimated, and recent studies have shown that part of this bias is rooted in perceptual factors. We used Reverse Correlation to estimate visual representations of the pain expression in Black and White faces, in participants originating from both Western and African countries. Groups of raters were then asked to evaluate the presence of pain and other emotions in these representations. A second group of White raters then evaluated those same representations placed over a neutral background face (50% White; 50% Black). Image-based analyses show significant effects of culture and face ethnicity, but no interaction between the two factors. Western representations were more likely to be judged as expressing pain than African representations. For both cultural groups, raters also perceived more pain in White face representations than in Black face representations. However, when changing the background stimulus to the neutral background face, this effect of face ethnic profile disappeared. Overall, these results suggest that individuals have different expectations of how pain is expressed by Black and White individuals, and that cultural factors may explain a part of this phenomenon  相似文献   
3.
Two recent experiments (Moray, 1959; Oswald, Taylor and Treisman, 1960) have shown that in dichotic listening, and in sleep one's own name seems to be responded to selectively. We have shown for 10 subjects, each listening binaurally to the same recording of a list of their names repeated at random 10 times, and masked by noise, that the subject's own name had a significantly lower threshold than other names. The effect we found was not significantly different from the one found by Oswald et al. during sleep and by Moray for the dichotic situation.

These three experiments taken together suggest that the same pattern-analysing mechanism is involved in normal listening, dichotic listening to the rejected message, and in discrimination during sleep.  相似文献   
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She is guest editor for this special issue ofScience and Engineering Ethics on “Trustworthy Research”.  相似文献   
6.
Two experiments addressed the influences of harmonic relations, melody location, and relative frequency height on the perceptual organization of multivoiced music. In Experiment 1, listeners detected pitch changes in multivoiced piano music. Harmonically related pitch changes and those in the middle-frequency range were least noticeable. All pitch changes were noticeable in the high-frequency voice containing the melody (the most important voice), suggesting that melody can dominate harmonic relations. However, the presence of upper partials in the piano timbre used may have accounted for the harmonic effects. Experiment 2 employed pure sine tones, and replicated the effects of Experiment 1. In addition, the influence of the high-frequency melody on the noticeability of harmonically related pitches was lessened by the presence of a second melody. These findings suggest that harmonic, melodic, and relative frequency height relationships among voices interact in the perceptual organization of multivoiced music.  相似文献   
7.
The birth-order variables assessed included sex and number of siblings, assignment to 2- or 3-child family for separate sample analysis, family position as appropriate to given sample, spacing effect—was the birth of the second child spaced 4 years or more after the first child—dominance relationships in the family, sex of nearest siblings, sex of other siblings as appropriate, whether raised by both original parents, whether raised by foster parent(s). The personality variables assessed included sociability, anxiety, dominance, superego, phlegmatic temperament, involvement, self-regard and other scales measured by the new Howarth Personality Questionnaire. Samples of 50 for the 2-child families and 58 for the 3-child families were analyzed and it was found that: (a) in the 2-child families eldest children were less cooperative than younger, that those reporting dominance by another sibling were higher in state anxiety and this also applied to the younger of the pair, that those spaced in birth order were less afraid of being socially unacceptable, that those raised by both parents were higher in involvement; (b) in the 3-child families those dominated by a sibling, regardless of position, had more hypochondriac symptoms (a sign of anxiety), and that those spaced in birth order showed less cooperativeness. A biobehavioral theory to encompass biological-hormonal spacing effects and dominance as well as other intrafamilial behaviors was proposed.  相似文献   
8.
Seventeen personality scales were administered to 133 subjects to investigate the relation of three new psychoanalytically-derived scales to the personality scales of Howarth and Eysenck, respectively. A previous study (Howarth, 1980a) suggested that Kline's oral optimism scale related to Eysenck's extraversion scale, oral pessimism to neuroticism, and Kline's anal syndrome scale to Eysenck's psychoticism scale. In order to investigate this further Eysenck's scales were included as well as ten scales of Howarth's and Kline's three scales. The factors found among the 17 variables were: I. Anxiety; II. Psychoticism; III. Sociability; IV. Anality; V. Lie scale; VI. Conscience.The present study found that the anal scale was relatively independent of all of Eysenck's ‘superfactor’ scales and did not verify the possibility that this anal scale might relate to psychoticism (as measured by Eysenck). However, the present study verified the previously found relation between oral optimism and extraversion and, of the three Kline scales, oral pessimism related more to psychoticism than the anal syndrome scale.  相似文献   
9.
The distinctive skills of child psychotherapy can be utilized in the development of a form of conjoint family therapy especially applicable to the field of child psychiatry. It is suggested that the engagement of children in the process particularly enhances the specific characteristics and potentialities of this form of treatment.  相似文献   
10.
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