The effects of auditory streaming on duplex perception

When a formant transition and the remainder of a syllable are presented to subjects' opposite ears, most subjects perceive two simultaneous sounds: a syllable and a nonspeech chirp. It has been demonstrated that, when the remainder of the syllable (base) is kept unchanged, the identity of the perceived syllable will depend on the kind of transition presented at the opposite ear. This phenomenon, called duplex perception, has been interpreted as the result of the independent operation of two perceptual systems or modes, the phonetic and the auditory mode. In the present experiments, listeners were required to identify and discriminate such duplex syllables. In some conditions, the isolated transition was embedded in a temporal sequence of capturing transitions sent to the same ear. This streaming procedure significantly weakened the contribution of the transition to the perceived phonetic identity of the syllable. It is likely that the sequential integration of the isolated transition into a sequence of capturing transitions affected its fusion with the contralateral base. This finding contrasts with the idea that the auditory and phonetic processes are operating independently of each other. The capturing effect seems to be more consistent with the hypothesis that duplex perception occurs in the presence of conflicting cues for the segregation and the integration of the isolated transition with the base.     

Resetting the pitch-analysis system: 1. Effects of rise times of tones in noise backgrounds or of harmonics in a complex tone

The question of whether sudden increases in the amplitude of pure-tone components would perceptually isolate them from a more complex spectrum was investigated in two experiments. In Experiment 1, a 3.5-sec noise was played as a masker. During the noise, two pure-tone components of different frequencies appeared in succession. Subjects were asked to judge whether the pitch sequence went up or down. The rise time of these components had only a small and inconsistent effect on discrimination. In Experiment 2, the 3.5-sec background signal was a complex tone. The amplitudes of two of its components were incremented in succession. Again, subjects judged whether the pitch pattern went up or down. This time there was a sizable, monotonic effect of the rise time of the increments, with more rapid increments leading to better discrimination. The difference between the two results is interpreted in terms of the auditory system’s response to changing and unchanging signals and the role of its “sudden-change” responses in attracting perceptual processing to certain spectral regions.     

Auditory streaming and vertical localization: Interdependence of “what” and “where” decisions in audition

When a sequence of two tones is presented over headphones in an ascending or descending order of pitch, it is heard as correspondingly ascending or descending in space. The illusion of spatial change that accompanies pitch change can be induced onto a pair of noise bursts by presenting them in synchrony with the tones. When cues known to produce stream segregation are introduced, the perceived position of the noises is less influenced by the tones. Stream organization is seen to be implicated in the ability to separately localize concurrent sources of sound. This suggests that “what” and “where” decisions are highly interactive and that neurological evidence that suggests separate pathways for these decisions must be interpreted with caution.     

Playfulness and humor in the psychoanalytic relationship

This paper, which was presented at the Postgratuate Center for Mental Health, New York, February 10, 1990, is a much abbreviated version of Playfulness in the Psychoanalytic Relationship,Contemporary Psychoanalysis, 26(1), 74–95, 1990.     

Is a common grouping mechanism involved in the phenomena of illusory continuity and stream segregation?

Two auditory phenomena--stream segregation and illusory continuity through a wide-band noise interruption--were studied to determine whether the same principles of perceptual organization applied to both. A cycle was formed of a repeating alternation of two short bursts of narrow-band noise (NBN), one centered at a high frequency (H) and the other at a low frequency (L), with shorter bursts of wide-band noise (WBN) inserted between successive NBNs (H WBN L WBN H WBN...). In some conditions, listeners could hear a single NBN moving up and down behind the WBN bursts, although there was no NBN present with the WBN. Listeners rated the strength of this illusory continuity. Center frequency separation, rate of onsets, and bandwidth of the NBNs were varied. Increases in values of all three variables decreased illusory continuity. Other listeners rated the stream segregation of the H and L bands when successive NBNs were separated either by WBN bursts (as above) or by silences. The same three acoustic variables were manipulated. Increases in all three variables decreased the perception of a single stream. The similar disruptive effects on illusory continuity and on the one-stream percept in the stream segregation task support the idea that both phenomena depend on a common preliminary process of linking together the parts of a sequence that have similar frequencies.     

Bias in Eyewitness Accounts: The Effects of Question Format,Delay Interval,and Stimulus Presentation

One of three representations of a staged automobile collision was shown to 180 students from introductory psychology classes. We then questioned the students about details of the accident, using either marked or unmarked modifiers. Half the students were questioned immediately after viewing the stimulus material and half after a 20-min delay. The results indicated that estimates of the magnitude of a number of aspects of the collision were significantly greater when unmarked modifiers were used in phrasing the relevant questions. Students who were questioned after the 20-min delay gave significantly greater estimates of monetary damage than the students who answered immediately after viewing the representation. The nature of the stimulus material had inconsistent but significant effects.