The Interpretation of Anaphoric Noun Phrases Time Course, and Effects of Overspecificity

Two experiments investigated the interpretation of anaphoric noun phrases, and in particular those thatcould only be linked to their antecedents via knowledge-based inferences. The first experiment showed that much of the inferential processing was carried out as the anaphoric noun phrase was read, although there was some indication that inferential processing continued to the end of the clause. The second experiment attempted to establish why anaphoric noun phrases that are more specific than their antecedents cause problems. It showed that the difficulty did not lie in adding the extra information carried by the anaphor to the representation of the referent. Rather, we suggest, putting extra information in the anaphoric noun phrase disrupts the process of linking that noun phrase to its antecedent.     

Role Models for Lower Class Negro Boys

Much has been written about ways in which lower class Negro students can be motivated to seek middle class goals. Providing middle class role models for these students is one technique that is usually recommended, but seldom discussed analytically. The popular practice of providing only Negro adult role models to Negro children is challenged as being an activity that impedes the movement of lower class Negroes into the mainstream of American life.     

Freud as Leonardo: Why the First Psychobiography Went Wrong

ABSTRACT The first genuine psychobiography, Sigmund Freud's Leonardo da Vinci and a Memory of His Childhood (1910/1957b), presented several important guidelines for psychobiographical research Among them were the rejection both of pathography and of idealization, and the avoidance both of arguments built upon a single clue and of strong conclusions based upon inadequate data Though the guidelines are sound, Freud violated those guidelines in the very work where they first appeared Freud's methodological errors and his “obsession” with the Leonardo book are traced in part to his projective identification with Leonardo, incorporating aspects of his own sexual history and his anxieties about the future of the psychoanalytic movement