‘The doing is everything’: a middle-voiced reading of agency in Nietzsche

ABSTRACT

Nietzsche's famous claim, ‘das Thun ist Alles’, is usually translated as ‘the deed is everything’. I argue that it is better rendered as ‘the doing is everything’. Accordingly, I propose a processual reading of agency in GM 1 13 which draws both on Nietzsche's reflections on grammar, and on the Greek middle voice, to displace the opposition between deeds and events, agents and patients by introducing the notion of middle-voiced ‘doings’. The relevant question then is not ‘is this a doing or a happening?’ but ‘what is the process unfolding in the doer, and what is her engagement with it?’. I argue (a) that this middle voiced reading makes better sense than either naturalist or expressivist interpretations of the key thought in GM 1 13 that ‘there is no doer behind the doing’, and (b) that GM 1 13 does not only provide us with a critique of slave morality, as is often said, but also with an example of a middle-voiced doing: self-deception. I explore the phenomenology of middle-voiced doings in other passages and show that it has at least three features: (pre-)reflective awareness of being engaged with an internal process, responsiveness, and absence of reflective control.     

Control of voice gender in pre‐pubertal children

Adult listeners are capable of identifying the gender of speakers as young as 4 years old from their voice. In the absence of a clear anatomical dimorphism in the dimensions of pre‐pubertal boys' and girls' vocal apparatus, the observed gender differences may reflect children's regulation of their vocal behaviour. A detailed acoustic analysis was conducted of the utterances of 34 6‐ to 9‐year‐old children, in their normal voices and also when asked explicitly to speak like a boy or a girl. Results showed statistically significant shifts in fundamental and formant frequency values towards those expected from the sex dimorphism in adult voices. Directions for future research on the role of vocal behaviours in pre‐pubertal children's expression of gender are considered.     

自我嗓音吸引力的评价偏向及抑郁的作用

探讨自我嗓音吸引力评价的积极偏向及抑郁因素的作用。以34名女性和32名男性大学生为被试,采用主观评定法分别对自我、熟人和陌生他人的嗓音吸引力进行评价,同时施测贝克抑郁量表。结果显示:男性和女性被试均对自我嗓音表现出更高评价,随着抑郁分数的增高,女性对自我嗓音吸引力的评价会随之降低。结果提示嗓音吸引力评价的自我积极偏向具有稳定性并与抑郁关系密切,女性抑郁程度越高,自我嗓音吸引力评价越低。