Infant state in relation to its environmental context

Two neonatal intensive care units (NICU) were observed every 15 minutes for at least 72 consecutive hours. Although infants on both NICUs were exposed to considerable amounts of stimulation, there were differences between the units for each environmental measure in the amount of stimulation and/or the pattern of circadian periodicity. The two NICUs also differed in the amount of time infants spent in various states and in the pattern of state periodicity. In general, the diurnal rhythms of the infant states were associated with the diurnal rhythms of different environmental events; furthermore, the patterns of association were not the same on the two NICUs. The results point to potential problems in depicting a “typical” NICU. More importantly, they suggest that the environmental of NICUs has a recognizable influence on aspects of their inhabitants' behavior and that the nature of influence is different from NICU to NICU. The effects are potentially significant for physical, social, and cognitive development.     

年轻成年人昼夜体温“钟”的研究

年轻成年被试在现代人类觉醒期间“标准环境温度”(standard ambient tem-perature)(～20℃)和人体产生和散发热量保持最佳平衡状态的睡眠期间“热中性”(thermal neutrality)环境温度(～30℃)条件下。24-h昼夜测量体(口腔)和皮肤(中背,耳后,肘,手背,足背)温度。皮肤温度借助特制WMSX-01巡回检测温度仅远距离连续测温和自动打印。结果表明;(1)在“标准环境温度”(～20℃)和“热中性”环境温度[～30℃间可见四肢(特别足部)]皮肤温度呈现显著相位性倒转。(2)“非午睡组”和“午睡组”均可见在14:00左右呈现一个体温“钟”的“次要低谷”(Minor nadir),从而表示成年人的体温“钟”也可能具有“半24-h昼夜节律”(Circasemidian rhythm)的内源性特征。     

Rhythmic information in working memory: effects of concurrent articulation on reproduction of rhythms

The study addressed a previously neglected issue in the concept of working memory, namely whether or not rhythmical information is coded and maintained in a phonological loop. Thirty subjects engaged in a task which required them to reproduce the temporal sequence of rhythm. The results showed that the reproduction of rhythm was dramatically reduced by a concurrent articulation, and that the deterioration of rhythm reproduction was larger than that obtained with a concurrent spatial task which would not diminish the activity of the phonological loop directly. An articulatory component of the working memory apparently plays an important role in memorizing rhythms. Furthermore, the sparse-dense rhythm (a pattern which started with sparse temporal structure and ended with a dense one) allowed better memorization than a dense-sparse pattern. The sources of the sparse-dense superiority effect are discussed in terms of the working memory for rhythmic information.     

Multitimescale dynamical interactions between speech rhythm and gesture

Temporal patterns in human movement, and in speech in particular, occur on multiple timescales. Regularities in such patterns have been observed between speech gestures, which are relatively quick movements of articulators (e.g., tongue fronting and lip protrusion), and also between rhythmic units (e.g., syllables and metrical feet), which occur more slowly. Previous work has shown that patterns in both domains can be usefully modeled with oscillatory dynamical systems. To investigate how rhythmic and gestural domains interact, an experiment was conducted in which speakers performed a phrase repetition task, and gestural kinematics were recorded using electromagnetic articulometry. Variance in relative timing of gestural movements was correlated with variance in rhythmic timing, indicating that gestural and rhythmic systems interact in the process of planning and producing speech. A model of rhythmic and gestural planning oscillators with multifrequency coupling is presented, which can simulate the observed covariability between rhythmic and gestural timing.     

Perceiving speech rhythm in music: Listeners classify instrumental songs according to language of origin

Recent evidence suggests that the musical rhythm of a particular culture may parallel the speech rhythm of that culture’s language (Patel, A. D., & Daniele, J. R. (2003). An empirical comparison of rhythm in language and music. Cognition, 87, B35-B45). The present experiments aimed to determine whether listeners actually perceive such rhythmic differences in a purely musical context (i.e., in instrumental music without words). In Experiment 1a, listeners successfully classified instrumental renditions of French and English songs having highly contrastive rhythmic differences. Experiment 1b replicated this result with the same songs containing rhythmic information only. In Experiments 2a and 2b, listeners successfully classified original and rhythm-only stimuli when language-specific rhythmic differences were less contrastive but more representative of differences found in actual music and speech. These findings indicate that listeners can use rhythmic similarities and differences to classify songs originally composed in two languages having contrasting rhythmic prosody.