Developmental differences in remembering sentences after integrative or selective semantic processing

Fifth graders (age: 10 years) and college undergraduates performed one of four different semantic orienting activities on a series of agent-action-object sentences. Afterwards all subjects received a memory test combining recognition for whole sentences with cued recall for component agents, actions, and objects. Overall levels of both recall and recognition varied with the orienting activities. Relative recallability of agents, actions, and objects varied with orienting activity as well. Recognition performance improved with grade level but recall did not. The interaction between type of memory test and grade level was taken to indicate that organization of material in memory increases during adolescence even when the total amount of material stored does not.     

美式反恐战略给无辜者带来的道德伤害

恐怖主义是全人类的共同敌人。在美国主导国际社会反恐话语权的宏观背景下,美式反恐战略在美国国内造就了一个放弃“美国价值”的美国;在国际社会,给无数无辜者带来了巨大的道德伤害。其对人类社会伦理秩序破坏所造成的损害尚无法评估。     

Romancing the Family: Umberto Eco’s <Emphasis Type="Italic">Baudolino</Emphasis>

Referencing Umberto Eco’s novel Baudolino, the author discusses issues concerning the authenticity of the narrative, specifically the distortions in the story presented to the audience and doubts surrounding the veracity of the tale. The act of narration is associated with the shame caused by the abuse and neglect that is an integral part of this story. The ambivalence of the protagonist—to tell his story and to keep it (and his true identity) concealed—associates narration, a creative act, with lying. Trauma generates the lies and hiddenness as a means of coping with abuse and indifference. In order to deal with the feelings of inadequacy caused by his humble birth, the traumatized protagonist lies: he romanticizes his family origins, the illusion of being the offspring of distinguished parents. His attempt to win the love of the parents, by being both good and all-knowing, is one of the motivating forces of his family romance. Telling lies makes the protagonist omniscient: he is the only one who knows if and when he is telling the truth. Paradoxically, the narrator creates and undermines that image of omniscience by revealing the thought processes of one character while leaving opaque those of the protagonist, and by denying the trueness of the tale affirmed when he presents as objective his own subjective sentiments by indirectly attributing them to the protagonist. The uncertainty that underpins the narration is indicative of the storyteller’s absence. This vacancy structures the work because it allows kindred spirits, nonjudgmental readers (listeners) who willingly suspend disbelief, to enter the world of the narrator. This uncritical participation counters the chaos of the storyteller’s reality, as they create their own new world where the split parental images are united.     

论马一浮"六艺之学"视野中的易学研究

作为现代新儒家早期思想的代表人物,马一浮先生提出了以儒家"六艺之学"统摄天下诸学的主张.这是马先生的一个创举,体现着他对传统儒学有意识地改造和发扬.作为"六艺之学"的一个分支,易学研究在马一浮先生的学术研究中无疑具有着"本体论"地位和作用,它所体现的"心之本体",不仅是"六艺"所自出的本原,也是"六艺之学"共同的目的和归宿.     

麦金太尔论社会关系、共同利益与个人利益

我们从出生到死亡都处在一种接受与给予的关系中 ,我们从谁那里接受和给予谁往往是不对称的。这是我们参与到这个网络中不得不懂得的。在这个接受与给予的关系中 ,有我们的共同利益和我们个人的利益。同时 ,处在这样一种关系中 ,也需要我们遵守相应的德性规则。     

诚信如何可能——儒家诚说的意蕴

诚信缺失是目前中国社会生活中的严重问题之一。信赖社会的构建有赖于充分挖掘和吸收中国传统伦理道德学说中的诚信思想资源。怎样才能成为一个诚信的主体 ?这是传统儒家诚信理论的重心所在。而诚信主体的确立又主要表现在是否“诚意”之上。欲使主体的“意诚” ,就必须通过“存养”和“省察”工夫来使人性中的“诚性”呈现与挺立起来。因而从本质上说 ,儒家的诚信论是一种道德修养论。     

Hegel: Death of God and Recognition of the Self

Abstract

This paper covers the theme of the death of God considered from a Hegelian standpoint. For Aristotle, the image of God as ‘thought thinking itself’ was an image of the knowledge aspired to in philosophy. With the notion of God becoming man and his insistence on the icon of the Cross, Hegel challenged the Aristotelian goal of philosophy as immutable knowledge of an ‘ultimate’ reality. Hegel viewed the crisis of normativity (the death of the Cartesian divine guarantor) as strictly linked to the conception of the self. It is Nietzsche who is best known for alluding to the full significance of this image for modern life, but Hegel’s thought on the complex relations of philosophy and religion in the modern world can be regarded as an attempt to think through this same historical phenomenon. In this paper, I focus on the philosophical relevance of Hegel’s notion of the death of God. I argue that unpacking the significance of the ‘truths’ presented symbolically in modern Christianity is crucial in understanding the requirements that an idealistic philosophy must meet.     

6～14岁儿童对想象物的文字与图画描述

本研究采用开放式问卷法,通过调查810名6-14岁儿童头脑中想象物的文字与图画描述,考察了儿童想象发展的特点。结果发现：(1)儿童对想象物的文字与图画描述可以分划分为3种水平：表象的记忆水平、表象的再造水平和表象创造水平。其中,对想象物的文字描述水平,年龄发展趋势明显,从小学一至二年级之间和四到五年级之间的发展变化最大;而对想象物的图画描述水平,年龄发展趋势不明显。(2)根据儿童对想象物的文字描述和图画描述的发展的匹配程度,可以把儿童的想象发展分为3种类型：文字与图形符号均衡发展型、文字符号型和图形符号型。     

Constraints on the visual accuracy of drawings produced by young children

Errors made by young children when they are asked to draw a model were investigated in two studies. In the first study, the experimenter asked 5- and 8-year-old children to draw a cup that had a flower decal (transfer) attached to its outside surface, attached to its inside surface or positioned beside it. The 8-year-old children in all conditions produced visually accurate drawings. The 5-year-old children produced visually accurate drawings when the flower decal was positioned beside the cup and when the flower decal was attached to the inside surface of the cup but not when the flower decal was attached to the cup's outside surface. In the second study, 5- and 8-year-old children were asked to draw a cup that had either an intact or a broken handle. The handle area of the cup was either in view or not in view. The 5- and 8-year-old children performed comparably in this experiment. The children had difficulty producing accurate copies of the model only when the cup had a handle and the handle was not in view. Taken together, these studies indicate that 5-year-old children are more likely to produce visually accurate drawings than has previously been supposed. Difficulty in producing accurate drawings occurred when drawing rules and drawing conventions interfered with the task.     

What is the Thematic Structure of Science?

The paper justifies the concept of “thematic structure” or “order of knowledge” over the traditional “classification of sciences” due to the uncertainty of many classification criteria. The thematic structure of science has, of course, various levels and various dimensions. Arguments against any forms of separating the humanities from sciences in the traditional sense of the term are presented and discussed. Equally unacceptable are attempts at sharp separation of technical disciplines and humanities. The thematic structure of humanities is not created by some material aspects but rather through the interest — or problem-oriented aspects. In addition to the natural sciences and the humanities there exists an important sphere of sciences on artefacts or, using the term by H. Simon, the sciences of the artificial. For the contemporary research activities is typical what could be denoted as “interdisciplinary or multidisciplinary complex.” The paper traces a set of epistemological criteria for the justification of the relative independence of a scientific discipline. This revised version was published online in August 2006 with corrections to the Cover Date.