Something Covered with an Old Blanket”: Nancy and Other Dead Mothers in <Emphasis Type="Italic">Oliver Twist</Emphasis>

In Powers of Horror: An Essay on Abjection, Julia Kristeva outlines her theory of abjection as a simultaneous fascination and horror stemming from sensorial reminders of the subject’s primal, psychological relation to the mother. In this essay, I show how these psychological perspectives can potentially result in acts of physical violence, which I call the “abject response.” Applied to literature, a study of the abject response explains why sexually active female characters, such as Nancy, the prostitute, in Oliver Twist, suffer extreme acts of physical violence: not simply because they are sexual, as critics of Victorian domestic ideology most often argue, but rather because their particularly female bodies give them an agency which threatens to destroy the mastery of women on which Victorian male identity is based. Reading Oliver Twist through the lens of Kristeva reveals the ways in which Sikes, Nancy’s murderer, psychically links her sexuality to the fatal potential he perceives in her body. This threatening construction of women’s sexuality derives from an imbalanced focus in the male psyche on the repulsion aspect of abjection, a focus socially inscribed as a threatening power, which is used to justify violent usurpations of the feminine in masculine constructions of gender.     

从佛教量论看翻译的实质及类型划分--兼论翻译理论中的不可译性问题

本文首先从佛教量论的角度对翻译的实质做出界定,指出翻译的实质是一种为他(社会性)的比量活动。根据翻译为他比量的实质,可以引导出翻译的两种类型：比知翻译和喻知翻译。比知翻译是具有事先直接约定性的语言传递活动;喻知翻译是没有事先直接约定的语言传递活动。根据从佛教量论对翻译实质和类型的规定,本文分析了不可译性问题,揭示出不可译性在认识论上的误区,指出不可译性是不可知论或怀疑论在翻译领域的显现。     

阅读障碍学生创造力特征的研究

本研究采用问卷测量的方法,对76名阅读障碍学生的创造力特征以及教师对其创造力评价的客观性进行了研究,结果表明:(1)阅读障碍学生的创造力总分与正常学生并无显著差异,但阅读障碍学生创造力的独特性和抽象性成绩显著优于正常学生。(2)对阅读障碍学生而言,流畅性、精细性和创造力总分存在性别差异;创造力总分亦存在年级差异;独特性与创造力总分在年级与性别因素上均存在交互作用。(3)不同学科教师对正常学生的创造力评价显著高于阅读障碍学生,他们对正常学生的创造力评价基本客观,对阅读障碍学生创造力的评价则与测验成绩呈显著负相关。     

关于《易传》美学—文学思想的若干问题——兼论《易传》是我国最早作专书批评的文章—文学理论著作

《易传》作者有意表明了对《易经》的研究与评价的立场 ,《易传》文本包含有关美学—文学思想的内容。在前人研究的基础上 ,本文拾遗补阙 ,论述《易传》之“美”有美在自然、自然美高于艺术美、美乃自然而然、无所为而为等方面的内容以及阴柔之为美及其含蓄的特征 ;又 ,关于“修辞立其诚”的意义及其影响 ,关于“衰世之意”、“忧患”著书的意义及其对司马迁“发愤著书”说的影响等等。论述结合了与古今中外美学—文学理论的比较 ,加强证明了《易传》实为《文心雕龙》之先导 ,是我国最早作专书批评的文章—文学理论著作。     

大学生心理健康教育教学模式的构建与实践研究

采用自然教学实验法,探索提高大学生心理健康水平的有效途径与教学模式。结果表明（1）开设心理健康教育课程并辅以心理咨询是眼下提高大学生心理健康水平的有效措施之一;（2）不同系科心理健康教育的效果不同,心理健康教育课程应根据学生的个别差异有针对性地进行;（3）大学生心理健康教育课程的教学模式为“面上集中释疑,线上互相解疑,点上个别辅导”。     

从“关系”的思维模式来探索朱熹宇宙本体论

本论文的目的在于运用“关系范畴”说明朱熹的宇宙本体论。近代以后对宋明理学的研究受到西方一些思想的影响 ,而以西方的思维模式来说明理学的范畴 ,最终丧失了理学本来所具有的哲学意义。因此 ,本论文要论证冯友兰先生所主张的“共相”和“殊相”不能说明朱熹理学的本来意义。本论文试图用“阴阳 ,动静关系”范畴来说明朱熹的宇宙本体论 ,说明阴阳两个体一方面保存自己的个体性 ,而另一方面也维持相生的整体性 ,并进一步说明个体必须以整体为依归 ,整体必须以个体为前提。     

Breaking the Solid Ground of Common Sense: Undoing “Structure” with Michael Balint

Balint's great merit was to question what, in the classical perspective, was assumed as a prerequisite for analysis and thus located beyond analysis: the maturity of the ego. A fundamental premise of his work was Ferenczi's distrust for the structural model, which praised the maturity of the ego and its verbal, social, and adaptive abilities. Ferenczi's view of ego maturation as a trauma derivative was strikingly different from the theories of all other psychoanalytic schools and seems to be responsible for Balint's understanding of regression as a sort of inverted process that enables the undoing of the sheltering structures of the mature mind. Balint's understanding of the relation between mature ego and regression diverged not only from the ego psychologists, who emphasized the idea of therapeutic alliance, but also from most of the authors who embraced the object-relational view, like Klein (who considered regression a manifestation of the patient's craving for oral gratification), Fairbairn (who gave up the notion of regression), and Guntrip (who viewed regression as a schizoid phenomenon related to the ego weakness). According to Balint, the clinical appearance of a regression would depend also on the way the regression is recognized, is accepted, and is responded to by the analyst. In this respect, his position was close to Winnicott's reformulation of the therapeutic action. Yet, the work of Balint reflects the persuasion that the progressive fluidification of the solid structure could be enabled only by the analyst's capacity for becoming himself or herself [unsolid].     

How I became a Jungian analyst

This paper is a reflection on the significance of 80 years of my life and the 40 years of it I have spent working as a Jungian analyst in Europe and in Israel. If my Jewish identity and my experience of the tragic events of the Holocaust have profoundly influenced the course of my life, it has been my training as a Jungian analyst in Zürich that permitted me to establish a new relationship with the traditional Jewish symbols and created the possibility of a new way of experiencing what it means to be a Jew. This new understanding has in turn helped me both in my work with Holocaust survivors and victims of Israel's various wars and in my theoretical reflections on this subject.     

Psychoanalytic theory in times of terror

Recent events have underlined in the most tragic and dramatic way the need for depth psychology to turn its attention to the psychology of terror. The present paper attempts to distinguish between the psychological modes of horror and terror and explores the different theoretical approaches of Burke, Freud, Kristeva and Jung to this problem in order to cast light on the individual and collective functions that horror and terror play. While all these authors stress that terror and horror play a role in structuring the sense of identity and in strengthening community bonds, Freud and Kristeva believe that the experience of horror works to increase the exclusion of otherness through mechanisms of repression or foreclosure while Burke and Jung see in the encounter with the Negative Sublime or with the Shadow the possibility of widening the boundaries of ego consciousness and of integration of 'otherness'. The paper then uses the analysis of two horror movies and of a particular socio-cultural context to illustrate these different functions of horror and terror and to delineate possible solutions to the problems facing society.