The effect of fear‐inducing content on memory for advertisements and on retroactive and proactive interference of programme information

The current study focused on whether fear‐inducing content in television advertisements leads to better memory for the advertisement but also impairs memory for programme information that either precedes the advertisements (retroactive interference) or that follows the advertisements (proactive interference). Fifty‐four participants (48 female) aged 18 to 55 watched a programme that had an advertisement break in the centre. This consisted of 6 advertisements with either fear‐inducing or nonfear‐inducing content. Participants were tested on their recall and recognition of the advertisement information as well as their recall of the first half and second half of the programme. The results indicated that fear‐inducing advertisements were better recalled than those that elicited no fear, and there was also evidence of proactive interference from fear‐inducing advertisements on programme recall. Limitations and implications of the study are discussed.     

天人合一心理研究范式发微

从学科本体对心理学做重新审视。在方法论上,把意识和物质等同犯了“范畴错误”; 在科学性上,心理学不该用证实主义而应用证伪主义的标准,且心理学难以成为自然科学意义的科学却有望成为胡塞尔“严格意义的科学”; 在认识论上,主客二分研究范式具有“‘主-客-间'双重障碍”。天人合一范式可解决双重障碍,并以直观内省体察普遍性定理。故汲取中国哲学中的观物取象法、虚壹而静原则、中国式内省并结合西方现象学提出天人合一研究范式的初步构想。     

幼儿观看电视时间、节目类型及父母监督情况的初步调查研究

本研究调查了幼儿电视观看的现状以及父母对他们看电视的监督情况、结果发现,幼儿的电视观看时间普遍很长,他们所观看的节目类型受年龄和性别的影响;幼儿的言语发展与电视观看之间关系密切;父母对幼儿的电视观看时间和节目类型基本上不限制,他们鼓励幼儿看电视,而且通常是看些成人节目,因此可知对家长的监督工作提供指导是很必要和迫切的.针对上述调查结果,研究者提出了几点建议.以期各位家长及有关人员能够重视这个被疏忽的重要问题——电视监督(家长监督).     

The Relation of Story Structure Properties to Recall of Television Stories in Young Children with Attention-Deficit Hyperactivity Disorder and Nonreferred Peers

In this study, the authors examined memory for televised stories to gain insight into similarities and differences in story comprehension between young children with attention-deficit hyperactivity disorder (ADHD) and their typical peers. In particular, the authors investigated the extent to which 4- to 6-year-old children's free recall of story events is predicted by several structural properties of story events (number of causal connections, whether an event is on or off the story's causal chain, story-grammar category, and position in the story's hierarchical structure), whether differences exist between children with ADHD and nonreferred comparison children in their sensitivity to structural features of stories, and whether age differences in sensitivity to structural features are similar for both groups. For both groups, recall of story events was predicted by all four structural properties, but the effects of the two causal properties was stronger for comparison children than for children with ADHD. Further examination revealed that this difference was observed only when a competing activity was available during television viewing. These findings indicate that both groups of preschool children are able to benefit from causal structure when recalling television stories, but that children with ADHD lose this benefit when attention is divided. Consistent with previous findings for nonreferred children (P. W. van den Broek, E. P. Lorch, & R. Thurlow, 1996), in both diagnostic groups the effects of causal properties increased across age, and older children were more likely to include causally important protagonists' goals in their recalls than younger children.     

并列和偏正结构双字合成词的注视位置效应

采用EyeLink II眼动仪, 选取并列结构和偏正结构两种类型的目标词, 要求大学生被试阅读包含有目标词的句子, 以探讨两种双字合成词的注视位置效应。结果发现：在阅读并列和偏正结构的目标词时, 单次注视条件下读者往往将首次注视定位于词的中心位置, 多次注视时首次注视往往落在词的开端部分; 当首次注视落在词的开端时再注视该词的概率增加, 而且再注视往往落在词的结尾部分。结果提示：在单次注视条件下存在偏向注视位置; 双字合成词结构不影响偏向和最佳注视位置; 研究结果支持“战略-战术”模型。     

汉字笔画数对注视位置效应的影响

采用EyeLink 2000眼动仪,选取四种不同类型的双字词（首字和尾字均为多笔画汉字;首字为多笔画汉字,尾字为少笔画汉字;首字为少笔画汉字,尾字为多笔画汉字;首字和尾字均为少笔画汉字）,要求被试阅读包含有目标词的句子,以探讨汉字笔画数对注视位置效应的影响。结果发现,单次注视条件下,读者往往将首次注视定位于词的中心位置,多次注视时首次注视往往落在词的开头部分;但是当首字为多笔画汉字时,相较于首字为少笔画汉字,读者对目标词的首次注视更多地落在词的首字上。首字和尾字笔画数共同影响读者对目标词的再注视概率。研究结果支持“战略-战术”模型。     

Views On Happiness In The Television Series <Emphasis Type="Italic">Ally Mcbeal</Emphasis>: The Philosophy Of David E Kelley

This article contributes to our understanding of popular thinking about happiness by exploring the work of David E Kelley, the creator of the television program Ally McBeal and an important philosopher of happiness. Kelley's major points are as follows. He is more ambivalent than is generally the case in popular philosophy about many of the traditional sources of happiness. In regard to the maxim that money can't buy happiness he gives space to characters who assert that there is a relationship between material comfort and happiness, as well as to those that claim the opposite position. He is similarly ambivalent about the relationship between loving relationships and happiness; and friendships and happiness. In relation to these points Kelley is surprisingly principled in citing the sources that he draws upon in his thinking (through intertextual references to genres and texts that have explored these points before him). His most original and interesting contributions to popular discussions of the nature of happiness are twofold. The first is his suggestion that there is a lot to be said for false consciousness. He presents situations where characters choose wilfully to ignore reality and instead to live in fantasy worlds where they are happy. Rather than condemning such behaviour, Kelley presents it as understandable, attractive and perhaps even heroic. The second is his proposal that happiness should be seen as an effect of bodily performance rather than an expression of the authentic inner self -- if one forces oneself to smile, happiness may follow. Ultimately Ally McBeal presents a multifaceted popular account of the nature of happiness, where the various positions explored cannot all be reconciled; and where ironic ambivalence is the key tone.     

Influence of semantic consistency and perceptual features on visual attention during scene viewing in toddlers

Conceptual representations of everyday scenes are built in interaction with visual environment and these representations guide our visual attention. Perceptual features and object-scene semantic consistency have been found to attract our attention during scene exploration. The present study examined how visual attention in 24-month-old toddlers is attracted by semantic violations and how perceptual features (i. e. saliency, centre distance, clutter and object size) and linguistic properties (i. e. object label frequency and label length) affect gaze distribution. We compared eye movements of 24-month-old toddlers and adults while exploring everyday scenes which either contained an inconsistent (e.g., soap on a breakfast table) or consistent (e.g., soap in a bathroom) object. Perceptual features such as saliency, centre distance and clutter of the scene affected looking times in the toddler group during the whole viewing time whereas looking times in adults were affected only by centre distance during the early viewing time. Adults looked longer to inconsistent than consistent objects either if the objects had a high or a low saliency. In contrast, toddlers presented semantic consistency effect only when objects were highly salient. Additionally, toddlers with lower vocabulary skills looked longer to inconsistent objects while toddlers with higher vocabulary skills look equally long to both consistent and inconsistent objects. Our results indicate that 24-month-old children use scene context to guide visual attention when exploring the visual environment. However, perceptual features have a stronger influence in eye movement guidance in toddlers than in adults. Our results also indicate that language skills influence cognitive but not perceptual guidance of eye movements during scene perception in toddlers.     

阅读障碍儿童与其年龄和能力匹配儿童阅读空格文本的注视位置效应

采用EyeLink II眼动仪, 选取阅读障碍儿童及与其年龄相同、阅读能力水平相同的儿童为被试, 要求他们阅读正常无空格和词间空格句子。结果发现, 在阅读正常无空格和词间空格句子时, 阅读障碍儿童与年龄匹配组和能力匹配组儿童一样, 单次注视时往往将首次注视定位于词的中心, 多次注视时首次注视往往落在词的开头; 当首次注视落在词的开头时再注视该词的概率增加, 而且再注视往往落在词的结尾部分。我们认为, 中国儿童在阅读过程中采用的是“战略-战术”策略。