Portraits of Life: Patterns of Events Over the Lifespan

This explorative content-analytic study completes earlier studies on the lifespan distributions of number and affect of past and future life-events, collected by means of the Life-line Interview Method (LIM), for three age groups of men and women (young, middle and late adulthood). LIM events were classified into 40 subcategories divided over 9 categories: Relations, School, Work, Health, Growth, Home, Birth, Death and Other. Compression of the full data set by age group, gender, affect, decade, and time perspective, disclosed various patterns of events underlying the human life-course, e.g., the 'bump,' 'rosy view' and 'gender phase contrast' patterns. The compressed data set provided detailed material for the composition of three written group portraits of life, reflecting the modal life story of young, middle-aged and older men and women. Patterns and portraits show a content shift of past memories and future expectations over the lifespan, supporting a more dynamic view on the human life-course.     

Hamlet: plea for a measure of normality

The author first considers issues in psychoanalytic interpretations of literary characters, especially the question of treating the character as fiction (the aesthetic illusion) or as a real person. The position he adopts is to interpret Hamlet as a potential person, created by Shakespeare and an expression of Shakespeare’s actual – and intuitive – view of man.

With a synopsis of the tragedy and the context of its creation as background, the author then reflects on questions concerning the play. How does Shakespeare present the characters? Is Hamlet’s madness pretended or real? Which conflicts does he handle in the course of the play? Has Oedipal dynamics a role as motivational factor in his mind?

Hamlet is irrational, impulsive, emotional, inhibited, brooding, suspicious, revengeful, condemning and much more. But, in the view of the author, he is all this in a human, ‘normal’ way. There is nothing convincingly pathological or constricted in his character. ‘Un-normal’ is his intelligence and his wit. Hamlet – an intelligent, reflected, resourceful prince in late Renaissance – who has wrestle with a madhouse of political intrigues, family murders and deceitful friends.

Hamlet in Shakespeare’s text – a fairly normal person in quite a mad world.     

The spatial metaphor of Utopia in Russian culture and in analysis

The spatial metaphor of Utopia is considered from a Jungian perspective along with its role in Russian culture and in analysis. Such post‐Jungian concepts as the cultural complex and the archetypal story pattern of a victim are used in considering the desperate longing for a rescuer in patients' narratives and in Russian society. A clinical vignette is provided to illustrate these ideas.     

谈谈心理学研究设计的基本逻辑 ——答《关于两项样例学习心理实验研究报告的分析与评论》

对Ross1987年与1989年关于样例表面概貌影响原理通达与原理运用的两项研究以及莫雷2000年针对Ross关于“表面概貌不影响原理运用”的结论所进行的研究进行了分析,然后指出,莫雷2000年根据对Ross的研究结论的质疑所做的研究是逻辑严密的,根据莫雷的实验设计及结果,可以得出“表面概貌影响了原理运用”的结论。邵文对莫雷的研究的质疑,首先是由于对心理学因果研究的基本设计逻辑不了解,同时也由于对莫雷的实验逻辑不理解,其批评是难以成立的。     

A Journey into Grief

The experience of the death of her Grandmother immerses the author in an intimate experience of grief. She reflects on her journey into grief and presents insights into grief's impact on her personal story as well as her professional life, i.e., her clinical work as a young psychoanalyst-in-training. Other metaphors and dream images, such as life, death, home, homelessness, silence, speech, story, voicelessness, aloneness and loneliness echo throughout the reflection as the author attempts to articulate an understanding of the profound Self-change birthed by death, grief and loss.     

"象思维"视野下的"易道"

"易道"的根本在于,观物取象,并进而在象的流动与转化中洞察出卦象,由卦象以尽意."象思维"的本质在于"非实体性",而这种非实体性使<周易>的象思维具有"原发创生"性,并且表现出与西方实体性的概念思维本质不同.从原发创生的视角观之,历史上和今天关于卦爻之象数与卦爻辞哪个根本的问题,可以归结为原发创生的"筑象"过程."原发创生",就是无极而太极之生,是"无中生有"和"有中见无"之生.     

王弼易与伊川易之比较--关于《周易》的体例与原则

王弼在吸取<易传>乘、承、比、应、当位、中位等说的基础上,详细论述了<周易>的体例以及原则,进一步阐发了<易传>所蕴含的取义说、适时说,还提出了主爻说、初上不论位等说,确立了义理派解易的基本思想方法.尽管程颐在对<周易>体例的看法上基本上承袭王说,但亦有发展与创新之处.他在王氏"适时说"基础上强调<易>随时取义的观点,提出了中则正、乾坤卦变以及卦才说等,丰富了义理派解易的方法,增加了解释卦爻象和卦爻辞的灵活度.本文在论述以上观点时,还对前人之说提出了一些异议.     

Does text–picture integration also occur with longer text segments?

Text–picture integration is one of the most important cognitive processes when reading illustrated text. There is empirical evidence that text‐picture integration takes place when learning with pictures combined with single sentences. The present experiment investigated whether text–picture integration also takes place when the single sentences are embedded into longer text segments and hence when materials become more complex. In a within‐subjects design, 43 participants read an illustrated story, in which the different combinations of general and specific sentences and pictures, respectively, were embedded. In line with previous findings, participants were more likely to falsely recognize specific versions of the sentences after having studied their general versions combined with specific pictures. Thus, the experiment shows that text–picture integration also occurs when learners have to read longer text passages combined with pictures.