The embodied analyst: from Freud and Reich to relationality

This paper presents the impact of clinical supervision on once-weekly psychoanalytically-informed training psychotherapy. The development of Oedipus complex theory is presented, culminating in Britton's work on the triangular space that opens up by working through the complex. The geometry of psychic space is described to highlight the importance of supervision, especially when training in therapy. The theme of spiders and cobwebs emerging from the clinical material provides a powerful metaphor for the tensions in psychic space. In the course of this training, the trainee therapist was at times less able to benefit fully from supervision, and thus the third position partially collapsed. Vignettes from anonymised clinical work are presented in the three ‘phases’ of this therapeutic process, illustrating the impact of the presence – and relative absence – of supervision.     

Moses,Michelangelo and Freud: From an interlacement of stories in history to some suggestions for treatment theory

Abstract

The first part of this paper is inspired by Freud's interpretation of Michelangelo's Moses, which as the author shows, profoundly expresses Freud's subjectivity and personal features. With reference to clinical treatment, when the analyst “reasons” without considering his or her partner's position, the setting is lacking from a relational point of view. The consequence is that the analyst is missing a precious resource, that is, his or her patient and the documental sources he or she transmits in the analytic dialogue. In the second part of the paper, the author analyzes the nature of documental sources. This information pertains to both the patients’ pasts and their histories, expressing their rigid conservative needs, and to their evolution and transformational needs, in view of future possible change. Evolution needs are not visible, because they are implicitly present, and—according to the author—they could be recognized through the method of discrete details proposed by the Italian art critic G. Morelli. A broader vision of analytic listening is also considered: the past should be taken into account with the aim of interpreting the present and the future, as changing spaces. Change in therapy is announced through nonrepressed unconscious signals and by the language of the implicit. In the conclusion, the author exposes the connections of change, implicit, symbol, metaphorical language and waiting time.     

Mithraic iconography and ideology

L. Ron Hubbard created in Scientology an immense landscape of alternative worlds, realities, and possibilities. Scientology cosmology, mythology, and eschatology are inescapably linked to galactic events and Hubbard's retelling of human history is replete with science-fiction tropes – many of which found popularity in the early science-fiction tradition to which he belonged. In his therapeutic and religious teachings, Hubbard proposed a complex narrative that re-defined the essence of self and society in relation to the cosmos. For Scientologists, the fantastic becomes mundane as they position themselves within a vast and heavy quest to reshape themselves, the rest of humanity, and, for some, the entire universe. Understood within the science-fiction context from which Scientology emerged, one can better understand the grand nature of Hubbard's proposals as belonging to a specific tradition within the genre – namely, space opera. Consequently, this article analyses Hubbard's propositions using space-opera concepts, and argues that Hubbard re-defined a unique tradition in the course of creating a new reality.     

Reflections on the early stages of the Oedipus complex: The parental couple in relation to psychoanalytic work

The author refers to the parental couple as it appears in relation to the Oedipus complex at the various levels of development and psychical maturation. A 'pathological' Oedipus situation is differentiated from a 'normal' one. Accordingly the author distinguishes the primitive Oedipal fantasies about the parental couple represented in the myth by the parents of Thebes and the parents of Corinth (and the influence that these can have on the psychoanalytic work), from a couple who have reached truly creative functioning. Furthermore, it is pointed out how elements are activated in the therapist's mind: emotional qualities of a feminine maternal and masculine paternal kind that either collaborate in containing and promoting the psychoanalytic process and psychic development of the patient or else fail in this task.     

You can't miss what you've never had: Can you?: The challenges and struggles of single parenthood from a psychoanalytic perspective

The issue of the growth of single-parent families has been in the forefront of political, social and moral debate in recent years. Children from single-parent families tend to be over-represented in clinic populations. Yet this state of My being may be no more potentially pathological than the nuclear family, which can become conceptually idealized The aim of this paper is to look behind the statistics and examine the impact on children of life in a single-parent family, to explore how this may be managed, and to look for potentiating factors which can enable good-enough development to unfold. Case material is used to illustrate the theme.     

Thoughts about the development of a potential space in the psychotherapeutic treatment of infantile psychosis

This paper describes the usefulness for the child psychotherapist of some Winnicottian concepts in psychoanalytic treatment of very young psychotic children. Particular attention is given to the concept of ‘potential space’ as Winnicott has formulated it in his writings. Three clinical cases are presented, one of these includes a complete mother-child session in order to show how the therapist can work to create a space where psychic events can become possible.     

Approach bias for food cues in obese individuals

This study aimed to investigate the existence of an approach bias for food cues in obese individuals. A community sample of 56 obese women and 56 normal weight controls completed an approach–avoidance variant of the implicit association task. The obese participants were faster to respond to trials that paired food words with approach words, and trials that paired non-food words with avoid words, than the converse pairings, thus, demonstrating an approach bias for food. This bias was evident for both high caloric and low caloric food words, and was not attributable to a state of deprivation or feelings of hunger. By contrast, the normal weight controls did not show any such bias. The results are consistent with recent neurocognitive perspectives of obesity. At a practical level, approach biases for food may present a potential target for modifying (excessive) food intake.     

Step into liquid: Rites,transcendence and transgression in the modern construction of the social sacred

This essay looks at the construction and transformation of the notion of sacred space in the twentieth century. The notions of transgression and lived moments (or everyday rites), as put forth by numerous writers and architects, are examined as an alternative vision of the sacred and spatial ontology that relies upon material conditions and relations as its source. In particular, it focuses on the emergence of this social spatial category through the work of the Collège de Sociologie a group of ethnologists, philosophers, writers and artists (Georges Bataille was a founder) who convened bi-weekly at a Paris café between 1937 and 1939 in the hope of constructing a sacred sociology. This group's activity provides the groundwork for understanding how the social sacred emerges as a category of spatial practice in the late twentieth century, and how the categories of events and rites are explored by the youthful avant-garde in architecture that emerge from the 1960s. In particular, the architect Bernard Tschumi's writings on transgression and event provide a direct link to the sacred sociology of the Collège as he is a close reader of Bataille's, and the work of the European radical avant-garde in architecture from the late 1960s and early 1970s helps to elucidate how the Collegians call for a sacred sociology is manifest in what I call the sacred social. I proposes this new category of the ‘social sacred’ to explain a spatial category which emerges in the twentieth century, and which we can use to understand how space, architecture, and urbanism help to define and engender this new sacred category.     

Zapotec sacred places,enduring and/or ephemeral: Reverence,realignment and commodification at an archaeological-tourist site in Southern Mexico

The abundant and rightfully famous archaeological ruins of Mexico, besides attesting to the grand achievements of pre-Columbian Mesoamerican culture, also serve as foci for the preservation and/or reaffirmation of contemporary indigenous religion and identity. Additionally, those same ancient ruins have been, in many instances, tidied up and reconfigured variously as outdoor classrooms and museums for the dissemination of a narrative of Mexican national identity, as the country's premier tourist attractions, and thus as sites eventually prized far more as engines of economic development than as educational or religious contexts. Where indigenous peoples are often imagined as passive victims in this commodification of their sacred sites, the case study featured in this article, namely, the twentieth century management of the internationally renowned Zapotec site of Mitla, Oaxaca reveals a native community playing a very active role, arguably the lead role, in the exploitation of the economic potential of its famed ruins. Indeed, the Mitleyenos' entrepreneurially astute reconfiguration of their local sacred geography, a realignment that balanced unprecedented economic challenges with on-going devotional commitments, suggests that the designation of various sites and buildings as ‘sacred’, albeit an extremely pressing matter, is also much more contingent and more transient than is generally assumed.     

Understanding the multiframe caricature advantage for recognizing facial composites

Eyewitnesses often construct a “composite” face of a person they saw commit a crime, a picture that police use to identify suspects. We described a technique (Frowd, Bruce, Ross, McIntyre, & Hancock, 2007) based on facial caricature to facilitate recognition of these images: Correct naming substantially improves when composites are seen with progressive positive caricature, where distinctive information is enhanced, and then with progressive negative caricature, the opposite. Over the course of four experiments, the underpinnings of this mechanism were explored. Positive-caricature levels were found to be largely responsible for improving naming of composites, with some benefit from negative-caricature levels. Also, different frame-presentation orders (forward, reverse, random, repeated) facilitated equivalent naming benefit relative to static composites. Overall, the data indicate that composites are usually constructed as negative caricatures.