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71.
Ju Wang 《International Journal of Philosophical Studies》2017,25(2):210-226
According to radical scepticism, knowledge of the external world is impossible. Transcendental arguments are supposed to be anti-sceptical, but can they provide a satisfying response to radical scepticism? Especially, when radical scepticism is cast as posing a how-possible question, there is a concern that transcendental arguments are neither sufficient nor necessary for answering such question. In light of this worry, I argue that we can take a modest transcendental argument as a stepping stone for a diagnostic anti-sceptical proposal, and I use a Wittgensteinian modest transcendental argument to illustrate my point. 相似文献
72.
Priel B 《The International journal of psycho-analysis》2011,92(6):1617-1629
This essay explores the assumption that the sense of perplexity and surprise that characterizes the reading of many of Borges's works of fiction is related to these stories' direct and explicit exposition of transitive thoughts transcending caesurae (Bion, 1977). Borges presents a world in which diverse and even contradictory points of view or interpretations coexist. These texts allow for paradox to be acknowledged and to remain unresolved. The author suggests that Borges's writing style, the form of his stories and essays, allows for the containment of the anxiety that the possibility of evolutionary change may create. Borges's works of fiction symbolize the paradoxical nature of the caesura: inner continuity where there appears to be a break After reviewing Bion's concepts of caesura and transcendence of caesura, the stylistic devices that Borges uses in relation to the coexistence of different perspectives or interpretations will be discussed. A psychoanalytical reading of Borges's Theme of the Traitor and the Hero and The South enriches the understanding of processes of failure and success in transcending caesurae. The relevance of the transcendence of the caesura for analytic listening is underscored. 相似文献
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本文从社会过渡带和心理过渡带两个方面对"通勤悖论"进行解析,构建了通勤时间影响幸福感的理论模型。通过对广州市白领的追踪调查和多项式回归分析,结果发现:(1)婚姻状态(社会过渡带)具有调节作用,未婚员工通勤时间负向影响生活满意度,已婚员工通勤时间对生活满意度和快乐度有曲线影响;(2)恢复体验(心理过渡带)具有交互效应,心理解脱调节了未婚员工通勤时间与通勤效用的关系,放松体验调节了未婚员工通勤时间与快乐度的关系;(3)已婚员工通勤时间与通勤效用和快乐度的关系受放松体验调节,与生活满意度的关系受心理解脱调节;(4)通勤时间对生活满意度和快乐度的影响,以及婚姻状态和恢复体验的交互效应,以通勤效用为中介;(5)员工在"通勤时间陷阱"(1.75~2.75小时)的效用均衡。结论有助于分析"通勤悖论"的深层原因,对城市管理、企业管理和个人都具有积极启示。 相似文献
75.
亲子鉴定对于维护家庭应有的婚姻观念和伦理关系的积极意义是不言而喻的;但同时也带来一系列需要引起注意的新问题,如强化了男子亲权的意义而忽视了女子亲权的意义、强化性关系的生理和血缘伦理意义而弱化了性关系的社会伦理意义,容易因诱发和助长夫妻间的不信任情绪而导致婚姻和家庭信任危机等;因此,国家和社会应当对亲子鉴定进行必要的引导和限制。 相似文献
76.
Kiene Brillenburg Wurth 《创造性行为杂志》2019,53(2):127-132
In this introductory article to the special issue, I explore the trope of paradox to think through the idea of creativity. Traditionally, metaphor has been the favored trope to conceptualize creativity: the combination of two existing elements into something different, something new. In this special issue, we focus on the trope of paradox as a trope defined by juxtaposition and an apparently irresolvable conflict to delineate creativity. Glossing the usefulness of paradox for artistic as well as scientific creativity, I show how the idea of Janusian thinking or being in two minds holds great potential to bridge creativity research in the humanities and social sciences. This issue starts building that bridge with multidisciplinary perspectives on creativity that, first, deconstruct apparent dichotomies in creativity research and, second, approach creativity as a situated, distributed concept. 相似文献
77.
Vlad Petre Glveanu 《创造性行为杂志》2019,53(2):189-192
In this short epilogue, I reflect on a final, basic paradox when it comes to creativity: the fact that creators are simultaneously deeply immersed into their environment and their work and, at the same time, capable of taking distance from both in order to develop new perspectives on the situation or problem at hand. This particular state of “immersed detachment” is enabled by our existence as social and cultural beings, a condition that both constrains and frees our thinking and our action. Understanding this paradoxical condition and fostering it can have wide‐ranging benefits at a theoretical and practical level. Conceptually, it helps us understand why creativity depends, at once, on individuals and society, uniqueness and sameness, continuity and difference. Practically, it encourages those forms of immersion and connectivity that help rather than hinder creative agency. 相似文献
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当今世界人口老龄化带来的诸多影响日益受到人们的关注与重视,老化研究也逐渐成为心理学家关注的热点。社会情绪选择理论是基于老化问题而提出的一个新理论。总结这一理论的基本假设和理论框架,并对目前有关此理论的实证研究进行了整理概括,最后指出了该领域尚存在的一些问题,并对未来前景进行了展望。 相似文献
80.
Stavros A. Drakopoulos 《Journal of Happiness Studies》2008,9(2):303-315
There is a common empirical finding in many countries that substantial increases in real per capita income do not correspond
to equivalent increases of individual happiness. These findings have puzzled many economists that some have called the “paradox
of happiness”. There have been a number of explanations regarding this paradox. This paper attempts to tackle the paradox
of happiness by employing the idea of hierarchical choice. The hierarchical approach implies that there are some basic human
needs which must be satisfied before non-basic needs come into the picture. The paper argues that the hierarchical structure
of needs implies that the satisfaction of basic needs provides substantial increases to individual happiness compared to the
subsequent satisfaction of secondary needs. This might also be an alternative explanation of empirical findings showing a
positive relationship between income and happiness up to certain level of income. It can also be combined with existing explanations
of the paradox and thus enhance our understanding of the issue.
相似文献
Stavros A. DrakopoulosEmail: |