September 11th,an attack at the limits of thought

The paper deals with imagination and its failures from a psychoanalytic perspective. We offer a definition of imagination failures and suggest how they can be interpreted as an opportunity to learn from experience. In order to show that the topic has a concrete and not only speculative significance we consider the public report on September 11 as a case study. The report was published by the National Commission on Terrorist Attacks Upon the United States after a long investigation of the facts and circumstances relating to the September 11 attacks. The document has been the object of strong criticisms, as we argue in the paper. Both the document and some of the critiques that it received focus, however, on significant aspects of the debate about imagination, such us the fragility of imaginative thought, its dependence on unconscious desires and its plurality of outcomes: a plethora of imaginaries can in fact be developed at any time, from the same set of information about reality. We comment on these aspects and reinterpret them from a Bionian perspective. The concepts of ‘unthinkability’, ‘imagination failure’ and ‘depressive position’ are used to inform the necessity of dealing with an evolving and conflictual geopolitical scenario. Particular attention is paid to the proposal of ‘routinizing, even bureaucratizing, the exercise of imagination’ within the institutions that deal with National Defense. This possibility is discussed in depth in order to suggest how it may be concretely implemented. In conclusion, a strong case is made for the usefulness of psychoanalytic reflection in the arena of relationships among countries, with particular emphasis on the new terrorist challenges.     

THE TECHNOLOGICAL IMAGINARY: BRINGING MYTH AND IMAGINATION INTO DIALOGUE WITH BRONISLAW SZERSZYNSKI'S NATURE,TECHNOLOGY AND THE SACRED

Bronislaw Szerszynski's Nature, Technology and the Sacred (2005) offers a fresh look into the historical, cultural, and political implications of technology use in our contemporary situation. By challenging the standard interpretation of the secularization thesis, the book opens the door to a new kind of postmodern ordering of the sacred, which includes our ever‐developing perception of the environment and our ongoing use of technology. In my discussion of the text, I suggest that Szerszynski's argument could have been furthered by exploring the role played by both imagination and myth in creating the postmodern sacred that he describes. I argue that by giving consideration to Friedrich Dessauer's Christian theology of technology and the mythical imagination of contemporary science fiction literature and film, a more explicitly religious dimension of technology can be allowed to emerge in the form of the technological imaginary.     

SHAPING YOUR OWN LIFE

Abstract: A distinction is made between imagination in the narrow sense and in the broad sense. Narrow imagination is characterised as the ability to “see” pictures in the mind's eye or to “hear” melodies in the head. Broad imagination is taken to be the faculty of creating, either in the strict sense of making something ex nihilo or in the looser sense of seeing patterns in some data. The article focuses on a particular sort of broad imagination, the kind that has to do with creating, not a work of art, a scientific theory or a political vision but one's own life. We shape our lives through our actions, and these actions not only influence our future—a commonplace—but also determine our past, which is a new and more controversial perspective.     

Creativity and Wonder

The experience of wonder is often said to be at the origin of acts of creativity, both historical and mundane, from big breakthroughs in science to the everyday discoveries of children at play. And yet, wonder and wondering have rarely been theorized until now, at least in the psychology of creativity. Understood as one of the main ways in which we engage with the possible, wonder presents us, upon closer inspection, with a paradox typical for creativity—experiencing what is present (the here and now) through the lenses of what is absent (the not‐yet‐here). Wondering is grounded in the possibility of adopting multiple perspectives on a certain reality; many of which are yet unknown to the creator while anticipated and actively looked for. In this paper, the creative process fuelled by the experience of wonder is described as a cyclical interplay between awareness, excitement, and exploration of the possible. Thus, one of the main consequences of reflecting on wonder and wondering is not only a renewed focus on process in creativity research but, most of all, a new emphasis on the less “visible” and yet essential aspects of creative action as it bridges the actual and the possible.     

Peters' Non-Instrumental Justification of Education View Revisited: Contesting the Philosophy of Outcomes-based Education in South Africa

In this article I argue that Outcomes-basedEducation is conceptually trapped in aninstrumentally justifiable view of education. Icontend that the notion of Outcomes-basedEducation is incommensurable with anon-instrumental justification of educationview as explained by RS Peters (1998). Theprocess of specifying outcomes in educationaldiscourse lends itself to manipulation andcontrol and thereby makes the idea ofOutcomes-based Education educationallyimpoverished. In this article an argument ismade for education through rational reflectionand imagination which can complement anOutcomes-based Education system for the reasonthat it finds expression in a non-instrumentaljustifiable view of education.     

The swaying form: imagination,metaphor, embodiment

Phenomenology and the Cognitive Sciences - How is it that metaphors are meaningful, yet we have so much trouble saying exactly what they mean? I argue that metaphoric thought is an act of...     

PSYCHOLOGY AND LITERATURE: THE QUESTION OF READING OTHERWISE

By making literature the partner of a dialogue with psychology, with the aim of better understanding the psyche, psychoanalysis has truly altered our way of understanding the literary phenomenon. Thus, Freud resorted to literature in an attempt to validate his theories. At the same time, though, in striving for "natural" scientific status, he shifted the emphasis away from any possible deep comprehension of the literature. However, psychoanalysis, trying to delve deeper into literature, has elaborated a whole theory regarding the literary meaning that is still prevalent today. In this paper, the author examines the Freudian conception of literature that points beyond the intrapsychic and moves towards intersubjectivity.     

OF EAGLES AND CROWS, LIONS AND OXEN: Blake and the Disruption of Ethics

Why focus on the work of William Blake in a journal dedicated to religious ethics? The question is neither trivial nor rhetorical. Blake's work is certainly not in anyone's canon of significant texts for the study of Christian or, more broadly, religious ethics. Yet Blake, however subversive his views, sought to lay out a Christian vision of the good, alternated between prophetic denunciations of the world's folly and harrowing laments over the wreck of the world's promise, and wrote poetry as if poetry might mend the world. Setting imagination against the calculations of reason and the comfort of custom, Blake's poems inspire questions about the relationship of ethics to prophecy, and open the possibility that ethics itself would be markedly enriched could it find a place for what Thomas J. J. Altizer has called Christian epic poetry.