The Arts and the Future City

The framework in which, better than in any other, cultural complexity becomes clear as a network of perspectives is the city: it is here that the greatest variety of subcultures, together with the widest range of contrasting modalities, seems able to handle its meaning. The city is at the same time an active place of cultural production and a passive and active place of memory keeping. It fuels styles and models of sensitivity also, and especially, through art and architecture. Therefore, it becomes itself a cultural model able to orient taste, but also to continually disorient it through agency. Starting from the revitalization of the cultural capital of the cities, art can play the important role of cultural magnet by catalyzing moods and emotions, conveying otherwise chaotic needs and languages, promoting new tolerance and social and cultural integration. However, in the meantime, from a secluded and distinct place that organizes the use of cultural and artistic products within recognizable boundaries, the city is becoming an undifferentiated place, a city-beyond, scattered and/or boundless. Characterized by the undifferentiated and the mutant, the uncertain and the liquid, the deformable and the relative, the space of art perception will be rethought within and without the city.     

论直接深入无意识的积极想象与内视方法——兼论作为单纯觉察的意识

运用现象学等研究方法,对积极想象、内视等方法及其共同要素单纯觉察的意识awareness做了探讨;提出把握单纯觉察的意识,是掌握积极想象与内视等方法的关键;而心身整体的调整,才是让无意识自由涌现的根本与保障。     

Sonu Shamdasani interviewed by Ann Casement

Abstract :  Sonu Shamdasani interviewed by Ann Casement about Jung's  The Red Book: Liber Novus  in the course of which they range over issues to do with what drew Shamdasani to Jung; how he came to be involved in editing, translating and publishing  Liber Novus ; why he is so passionate about it; where it stands in relation to Jung's other work; some of the central figures that appear in the book such as  Philemon  and  Izdubar ; what  Liber Novus  might offer training candidates and succeeding generations of Jungians; how it has changed Shamdasani's own impression of Jung and what he hopes this enormous project will achieve; why Jung did not publish it in his own lifetime and whether he was mistaken in not doing so; and what impact the publication of  Liber Novus  will have on Jung's reputation worldwide as well as within the Jungian community.     

On the nature of intuitive and delusional thought: Its implications in clinical work with psychotic patients

The author tries to differentiate intuitive imagination from delusional imagination and hypothesises that psychosis alters the system of intuitive thinking, which consequently cannot develop in a dynamic and selective way. Scholars of different disciplines, far removed from psychoanalysis, such as Einstein, Hadamard or Poincar, believe that intuitive thinking works in the unconscious by means of hidden processes, which permit a creative meeting of ideas. Thanks to Bion's work, psychoanalysts have begun to understand that waking thinking is unconsciously intertwined with dream‐work. The delusional construction is similar to a dreamlike sensorial production but, unlike a real dream, it remains in the waking memory and creates characters which live independently of the ‘dreamer's’ awareness. It is a dream that never ends. On the contrary, the real dream disappears when it has brought its communicative task to an end. In the analysis of psychotic patients it is very important to analyse the delusional imagination which dominates the personality and continuously transforms the mental state, twisting emotional truth. The delusional imagination is so deeply rooted in the patient's mental functioning that, even after systematic analysis, the delusional world, which had seemed to disappear, re‐emerges under new configurations. The psychotic core remains encapsulated; it produces unsteadiness and may induce further psychotic states in the patient. The author reports some analytic material of a patient, who, after a delusional episode treated with drugs, shows a vivid psychotic functioning. Some considerations are added on the nature of the psychotic state and on the therapeutic approach used to transform the delusional structure. This paper particularly deals with the difficulty in working through the psychotic episode and in ‘deconstructing’the delusional experience because of the terror connected with it. In the reported case, the analytic work changed the delusional construction into a more benign one characterised by phobic qualities. The analysis of the psychotic transference allowed the focus to be on the hidden work which had been continuously influencing the transferential picture of the analyst and the patient's psychic reality.     

The New Political Infamy and the Sacrilege of Feminism

Abstract: This essay is about women being crucial to the constitution of the state and the construction of the ideal of the nation. It argues that the role of actual women as reproducers of the nation and as iconic representations of mythological figures at the helm of nation building is bound up with a certain psychical fantasy of woman. It argues further that Women in Black and other political activist groups have developed embodied feminist politics that not only bring the feminine body into public view during wartime but also undermine the place of the good woman as the reproducer of the nation who mourns only for the lost soldiers of her people.     

想象膨胀范式下错误记忆的老化效应

通过2个实验探究想象膨胀范式下老年人的错误记忆特点及其认知机制。实验1采用经典想象膨胀实验范式, 考察老年人是否会产生比年轻人更大的想象膨胀错误记忆效应; 实验2引入情景特异性诱导技术, 进一步考察老年人的想象膨胀错误记忆可能的认知机制。研究结果表明：(1)老年人与年轻人均表现出显著的想象膨胀错误记忆, 但老年人并没有比年轻人产生更多的错误记忆; (2)当通过情景特异性诱导技术有效增加了老年人在事件想象过程中的内在细节数量后, 老年人的错误记忆显著上升。该结果揭示对事件情景的想象过程是想象膨胀错误记忆发生的关键环节, 老年人没有表现出明显的老化效应, 主要是由于该群体随年龄增长表现出在回忆/想象情景事件时内部细节缺乏这一特征所致。研究结果支持了建构性情景模拟假说和激活/监测理论。     

Imagination links with schizotypal beliefs,not with creativity or learning

Imagination refers to creating mental representations of concepts, ideas, and sensations that are not contemporaneously perceived by the senses. Although it is key to human individuality, research on imagination is scarce. To address this gap, we developed here a new psychometric test to assess individual differences in imagination and explored the role of imagination for learning, creativity, and schizotypal beliefs. In a laboratory‐based (N = 180) and an online study (N = 128), we found that imagination is only weakly associated with learning achievement and creativity, accounting for 2–8% of the variance. By contrast, imagination accounted for 22.5% of the variance in schizotypal beliefs, suggesting overall that imagination may be more indicative of cognitive eccentricities rather than benefit the accumulation of knowledge or production of novel and useful ideas.