The influence of alexithymia and music on the incidental memory for emotion words

Alexithymia is a multifaceted personality construct which encompasses difficulties in identifying and expressing feelings along with an externally oriented cognitive style. We investigated whether congruent vs. incongruent emotional musical priming (happy and angry music) during encoding would moderate the effects of alexithymia on recognition rates. We found that high alexithymia scorers recognized fewer joy and anger words than low scorers. Angry music decreased recognition rates in high alexithymia scorers compared to low alexithymia scorers. The congruency and incongruency effects between music and words depended on alexithymia level. The anger deficit in high alexithymia scorers and the possible support provided by happiness cues are discussed. Copyright © 2010 John Wiley & Sons, Ltd.     

孔、孟“乐”理念比较研究

本文对孔子和孟子的"乐"理念的各自特点及其异同之处进行了初步分析和评价。作者认为,孔子的"乐"理念具有明显的泛伦理化倾向。他所关注和注重的,乃是"乐"的社会教化、社会整合的伦理调节功能。孔子视"礼""仁"为"乐"之魂魄,视"至善"为"乐"之归宿和极致。"乐"的艺术审美特质被淡化和边缘化。孟子对孔子"乐"理念的最大修正,在于他将其"民本"的政治诉求贯彻于其"乐"理念之中,诉诸"与民同乐"的政治氛围,从而将"乐"理念平等化、平民化、感性化,扬弃了孔子对"乐"的种种宗法等级束缚,破除了对"乐"的雅俗之别的偏见,从而使"乐"理念向其平等的、感性的审美氛围迈出了重要的一步。同孔子泛伦理化的"乐"理念相比较,孟子的"乐"理念则具有泛政治化的理论倾向。     

An interpretation of Babette's Feast as a parable of trauma

In this paper I use the film Babette's Feast as a parable to portray the impasse that often arises out of the experience of complex trauma. The experience of such trauma invokes a crisis of reality. It overflows the boundaries of rational containment. There are no mechanisms with which to apprehend such an event, and consequently it cannot be comprehended; because it cannot be comprehended it cannot be processed. The film Babette's Feast encapsulates the predicament of the individual ensnared in the web of trauma. Although removed from the location and events of her trauma, Babette remains the resident of an austere and colourless environment, her gifts repressed, her brilliance unseen. Healing comes to Babette through her willingness to revisit her true self, a self that has been crushed under the weight of grief and trauma. This revisiting costs her all she has. Yet, it is in this revisiting that she not only frees herself from the austerity of her environment but also engenders purpose and hope within the community who have taken her in. The dissonance of her life is paralleled by the dissonance of the life of the community in which she lives; it is the harmonizing of these dissonances which cannot be spoken that finally gives articulation to the incoherence of Babette's trauma.     

Music interferes with learning from television during infancy

Infants are frequently exposed to music during daily activities, including free play, and while viewing infant‐directed videotapes that contain instrumental music soundtracks. In Experiment 1, an instrumental music soundtrack was played during a live or televised demonstration to examine its effects on deferred imitation by 6‐, 12‐, and 18‐month‐old infants. Transfer of information was indexed via deferred imitation of the target actions following a 24‐h delay. For half the infants, the music context was also reinstated at the time of test. Performance by experimental groups was compared to that of a baseline control group that participated in the test session without prior exposure to the demonstration. Imitation performance was above baseline for the live groups but not for the video groups regardless of age or the music context at test. In Experiment 2, we added matched sound effects to the video demonstration and infants performed above baseline. We conclude that the music track creates additional cognitive load, disrupts selective attention to the target actions and inhibits transfer of learning from television of the imitation task. Music may impair an infant's ability to translate information from a two‐dimensional to three‐dimensional world even if the auditory context remains the same. Copyright © 2010 John Wiley & Sons, Ltd.     

The relative importance of math‐ and music‐related cognitive and affective factors in predicting undergraduate music theory achievement

Based on research identifying relations between math and music, we aimed to identify the group of cognitive and affective factors related to math and music theory that best explained undergraduate music theory achievement. Using dominance analysis, we predicted the music theory course grades of 230 undergraduate music majors. Potential predictors were narrowed from measures of knowledge, aptitude, experience, confidence, and anxiety in both music theory and math as well as spatial skills and reading test scores. Results suggested that ACT math scores and music theory confidence were important predictors for Music Theories I and II grades. Music Theory I was also predicted by aptitude‐based music theory skills, and Music Theory II was also predicted by math course experience. These findings provide evidence for a relation between math and music theory and support the use of several readily available measures for college‐level music instructors to identify students who may struggle in music theory.     

REACTING TO CONSECRATING SCIENCE: WHAT MIGHT AMATEURS DO?

In Consecrating Science: Wonder, Knowledge, and the Natural World, Lisa H. Sideris makes a compelling case that a new cosmology movement advocates for a new, universal, creation story grounded in the sciences. She fears the new story reinforces elite power structures and anthropocentrism and thus environmental degradation. Alternatively, she promotes genuine wonder which occurs in experiences of the natural world. As Sideris focuses on the likely logical outcome of the assumptions and arguments of the new cosmologies, she does not investigate whether and how people react to these new myths. I suggest that methods of documentary studies, applied to popular book reviews on Amazon and Goodreads, shed light on the ramifications of the new cosmologies among the general public. While many reviewers exhibit attitudes and behaviors that would concern Sideris, responses are far from univocal. Using this case as a guide, I suggest that attention to the experience of laypeople could contribute productively to religion and science research in general.     

Preferences and Children's Use of Gender-Stereotyped Knowledge About Musical Instruments: Making Judgments About Other Children's Preferences

A developmental model of gender-stereotype acquisition (Martin, 1989) proposes that by the age of 8 years children draw upon information about gender-stereotyped interests as well as other children's sex when deciding how much other children would like different activities; younger children rely on sex only when making such decisions. We examined whether the judgments that children made about other children's preferences were different from those that they made about their own preferences for masculine and feminine musical instruments. Three hundred twelve children aged 8–9 years ranked 6 instruments in order of preference, and rated on a 4-point scale how much they would like to play each one. Children were then asked to decide how much other children would like to play each instrument. Only girls' own preferences for feminine instruments differed according to the gender-stereotyping of their most-preferred instrument. Judgments about how much other children would like masculine and feminine instruments did not differ according to those children's gender-stereotyped interest. Children made stereotypical predictions about the preferences of children of unknown sex who played either a masculine or feminine instrument. Implications for a theoretical account of the development of children's gender-stereotypes are discussed.     

Views On Happiness In The Television Series <Emphasis Type="Italic">Ally Mcbeal</Emphasis>: The Philosophy Of David E Kelley

This article contributes to our understanding of popular thinking about happiness by exploring the work of David E Kelley, the creator of the television program Ally McBeal and an important philosopher of happiness. Kelley's major points are as follows. He is more ambivalent than is generally the case in popular philosophy about many of the traditional sources of happiness. In regard to the maxim that money can't buy happiness he gives space to characters who assert that there is a relationship between material comfort and happiness, as well as to those that claim the opposite position. He is similarly ambivalent about the relationship between loving relationships and happiness; and friendships and happiness. In relation to these points Kelley is surprisingly principled in citing the sources that he draws upon in his thinking (through intertextual references to genres and texts that have explored these points before him). His most original and interesting contributions to popular discussions of the nature of happiness are twofold. The first is his suggestion that there is a lot to be said for false consciousness. He presents situations where characters choose wilfully to ignore reality and instead to live in fantasy worlds where they are happy. Rather than condemning such behaviour, Kelley presents it as understandable, attractive and perhaps even heroic. The second is his proposal that happiness should be seen as an effect of bodily performance rather than an expression of the authentic inner self -- if one forces oneself to smile, happiness may follow. Ultimately Ally McBeal presents a multifaceted popular account of the nature of happiness, where the various positions explored cannot all be reconciled; and where ironic ambivalence is the key tone.     

语言和音乐层级结构的加工

语言和音乐在呈现过程中, 小单元相互结合组成更大的单元, 最终形成层级结构。已有研究表明, 听者能够将连续的语流和音乐切分成层级结构, 并在大脑中形成层级表征。在感知基础之上, 听者还能将新出现的语言和音乐事件整合到层级结构之中, 形成连贯理解, 最终顺利地完成交流过程。未来研究应剖析边界线索在层级结构感知中的作用, 考察不同层级整合过程的影响因素, 进一步探索语言和音乐层级结构加工的关系。     

Effects of Verbal Processing on Psychiatric Patients’ Proactive Coping Skills Using Recreational Music Therapy

Psychiatric patients who are able to cope with life stressors and appropriately use leisure time are less likely to be rehospitalized. The purpose of this study was to examine how verbal processing of recreational music therapy affected psychiatric patients’ knowledge and use of coping and leisure skills. The researchers utilized a quasirandomized controlled design and collected data at pretest, immediately before discharge, and at one month postdischarge. The researchers isolated verbal processing within recreational music therapy sessions to determine if the verbal-processing component affected proactive coping and patients’ use of coping and leisure skills. Using the Proactive Coping Scale, the researchers measured patients’ proactive coping before and after attending recreational music therapy sessions. Results indicated no significant between-group differences in patients’ proactive coping scores. Difficulties conducting research in psychiatric settings, clinical implications, limitations, and suggestions for future research are discussed.