音乐节拍认知的研究评述

音乐节拍中的信息十分丰富,变化的方式也千差万别,因此节拍的加工是十分复杂的认知过程。国外神经认知领域对音乐节拍的研究从内容来看可归纳为:节拍违反的加工,节拍速度的加工,节拍类型的加工,以及节拍与节奏的区别等几个方面。目前关于音乐节拍的研究还处于初步探索阶段,未来的研究应明确时间间隔、速度变化、重音模式加工的神经基础,并就复杂节拍的加工,个体感受性差异等问题进一步展开研究。     

An interpretation of Babette's Feast as a parable of trauma

In this paper I use the film Babette's Feast as a parable to portray the impasse that often arises out of the experience of complex trauma. The experience of such trauma invokes a crisis of reality. It overflows the boundaries of rational containment. There are no mechanisms with which to apprehend such an event, and consequently it cannot be comprehended; because it cannot be comprehended it cannot be processed. The film Babette's Feast encapsulates the predicament of the individual ensnared in the web of trauma. Although removed from the location and events of her trauma, Babette remains the resident of an austere and colourless environment, her gifts repressed, her brilliance unseen. Healing comes to Babette through her willingness to revisit her true self, a self that has been crushed under the weight of grief and trauma. This revisiting costs her all she has. Yet, it is in this revisiting that she not only frees herself from the austerity of her environment but also engenders purpose and hope within the community who have taken her in. The dissonance of her life is paralleled by the dissonance of the life of the community in which she lives; it is the harmonizing of these dissonances which cannot be spoken that finally gives articulation to the incoherence of Babette's trauma.     

江户初期大众医学读物对中医学的吸收与传播——以日本医籍《袖珍医便》为中心

《袖珍医便》是日本医家芦川桂洲编撰于江户初期的大众医学书籍,撷取中医经典名方,内容简单实用,是中医学在日本大众化的产物。分析该书的学术特点和传播特征,可为当今中医药国际化提供一定的借鉴。通过研究发现,该书在内容上受后世派影响显著,吸收了部分中国传统儒家医学伦理思想,淡化抽象理论突出实用方剂。在传播特色上,吸取了最新的明代医学成果,将药材生产、风土饮食、医疗需求上与本土实际情况相融合,语言表达简洁易懂,方剂选取精炼,从而促进了江户时期中医学在日本大众中的传播。     

Music and melancholy: Marsilio Ficino's archetypal music therapy

Melancholy, to Ficino, is a state in which the mind, the realm of deep, abstract thinking, is cut off from the supply of the spirit. His concept of spirit corresponds to a kind of universal life-energy (libido, in Jungian terms). Individually, as the spirit of man, it appears as projected into the blood of the human body, collectively, as spirit of the world, into the spheres of the planets.
The spirit of man corresponds to the spirit of the world and can receive from it a great deal through the rays of the planets. To attract the 'spiritual' influence of a particular planet you may use animals, plants, food, scents, talismans. But music is what is recommended most strongly.
Ficino's intention is to temper the melancholic influence of Saturn. Consequently, his astrological songs are addressed to the compensating benign planets, the Sun, Jupiter and Venus. In modern terms it is an attempt, consciously, by active imagination, to re-establish the emotional relatedness with the archetypal realms of the planets from which Saturn has cut us off.
Ficino's ideas are related to Jung's rehabilitation of the feeling-function     

What Can Experiments Reveal About the Origins of Music?

ABSTRACT— The origins of music have intrigued scholars for thousands of years. In this article I discuss the role of experiments in discussions of these issues. I argue that potentially useful kinds of evidence are those that address the innateness and the specificity of different components of musical behavior. At present there is some evidence for innate influences on music, but little evidence for capacities that are clearly specific to music. Although future experiments could potentially alter this picture, there is currently little unambiguous support for the notion that music is an adaptation.     

What 4′33″ Is

What is John Cage's 4′33″? This paper disambiguates this question into three sub-questions concerning, respectively, the work's ontological nature, the art form to which it belongs, and the genre it is in. We shall see that the work's performances consist of silence (rather than containing environmental sounds), that it is a work of performance art (rather than music), and that it belongs to the genre of conceptual art. Seeing the work in these ways helps us to understand it better, and promises to assuage somewhat the puzzlement and irritation of those who are at first resistant to its charms.     

Going backstage: a psychoanalytically informed study with amateur musicians in adult mental health services

Many mental health service users engage in potentially therapeutic amateur music practice, though the role of this in the maintenance of mental health is largely unexplored. The application of psychoanalytic ideas to music-playing gives suggestions for how this activity could helpfully sublimate distress. For this study, six men who attend adult mental health services and play a musical instrument took part in three unstructured hour-long interviews. The material was analysed with a psychoanalytically informed method. Four inter-related themes emerged: ‘Left on the outside’; ‘Playing and linking’; ‘A beautiful gift to myself’; and ‘Frustrating play’. In the lives of these amateur musicians, music’s role as a transitional object and means of containing distress is explored. There is discussion of the narcissistic function of music and the dynamics around music as an exhibitionistic act. The value of paying attention to music in the life of a patient is considered.     

(Spi)ritual interaction in musical activity for infants in the church space – a qualitative analysis

Abstract

Early mother–infant interaction has been seen as very important for the development of religiosity and spirituality. This case study examines one specific musical activity for infants and mothers from the perspective of human interaction. The studied activity is ‘Babysalmesang’, or baby hymn singing (BHS), within the Evangelical Lutheran Church in Denmark. Meetings are held in church buildings and include singing hymns and other songs, playing in and exploring the church space. The qualitative empirical data on BHS activities were collected through video recording, observing and interviewing. The initial analysis on the data showed that four types of interaction can be found: mother–infant interaction, interaction between the participants, interaction between the participants and instructors and ritual interaction. BHS can be seen as a space for (spi)ritual interaction. In this context, nurturing spirituality combines with religious elements. Together with mother–infant interaction, also other types of interaction might nurture spirituality in early childhood.     

Competitive factors of electronic dance music festivals with Social Networking Service (SNS) citizenship behaviour of international tourists

This study examined the comparative advantages of prestige service labelling (VIP), online marketing, and image differentiation when applied as marketing strategies to build tourist loyalty as a component of citizenship behaviour. The participants were 220 African tourists attending the World Club Dome Korea 2017 festival event. Following data collection, we conducted a hierarchical regression analysis to determine how VIP, online marketing, and image differentiation influenced tourist social networking service (SNS) citizenship behaviour. The results suggest that VIP and image differentiation to positively predict SNS citizenship behaviour, whereas this was not the case for online marketing. VIP had a higher influence on tourist SNS citizenship behaviour than image differentiation. In summary, strategies to attract tourists with high purchasing power should include prestige service branding with clear image differentiation. This exclusivity could be applied to online ticketing services for their added value to tourism promotion.