Crippled feet

Critics of Lars von Trier's film Antichrist have regarded the depicted woman's destructive fury as difficult to understand. In this paper, separation anxiety is discussed as a central unconscious motivation behind the aggressive interaction between husband and wife, and the child is discussed as an obstacle to the mother's exclusive relationship with her husband. The film powerfully conveys how sadistic aggression is unconsciously acted out between mother and son, as symbolized by the mother's crippling of her son's feet. The woman's violence is also a reaction to a her husband “therapist” who, wishing to correct her, fails to understand and contain her inner world, wherefore the therapeutic dialogue itself, disguised as help, is experienced as violently aggressive. This in turn engenders a wish for revenge. Against this background, the film is seen as a critique of cognitively oriented therapy.     

In sickness and in health?: Psychoanalysis and psychosomatics

Abstract

This article revolves around the question of physicality and its relationship to emotional health. Several different perspectives on the mind-body relationship, from within popular culture, philosophy and psychoanalytic literature, are compared and contrasted. The author then suggests ways in which psychodynamic insights might more effectively be brought to bear upon benign and beneficial aspects of bodily expression and offers illustrative clinical material.     

One Good Turn Deserves Another

Elizabeth Bucar has provided a service to the guild with her introduction to the emergent field of visual ethics. In this comment I undertake to expand the picture she presents. I argue that the visual dimension of ethics includes a “dark side” not addressed in her piece, and go on to consider a number of current avenues of inquiry in which religious ethics intersects with visual studies. After briefly considering some of the distinctive methodological challenges attending the visual turn in ethics, I conclude my survey of this new field with some comments on the moral qualities of cinema.     

Embodied female experience through the lens of imagination

Abstract: In 1971, I made a film entitled Self Portrait of a Nude Model Turned Cinematographer in which I explore the objectifying ‘male’ gaze on my body in contrast to the subjective lived experience of my body. The film was a radical challenge to the gaze that objectifies woman – and thus imprisons her – which had hitherto dominated narrative cinema. Since the objectification of women has largely excluded us from the privileged phallogocentric discourses, in this paper I hope to bring into the psychoanalytic dialogue a woman's lived experience. I will approach this by exploring how remembering this film has become a personally transformative experience as I look back on it through the lens of postmodern and feminist discourses that have emerged since it was made. In addition, I will explore how this process of imaginatively looking back on an artistic creation to generate new discourses in the present is similar to the transformative process of analysis. Lastly, I will present a clinical example, where my embodied countertransference response to a patient's subjection to the objectifying male gaze opens space for a new discourse about her body to emerge.     

Jung in Africa: the historical record

Blake Burleson's ninety-minute presentation was part one of 'A Passage to Africa' moderated by John Beebe. Eight individual filmed sequences from home movies taken by Helton Godwin Baynes during Jung's 1925 expedition to East Africa were shown. In addition to placing these clips in their historical, geographic, and cultural context, Burleson introduced the following cultural complexes revealed in the film and in travelling companion Ruth Bailey's commentary on the film: romantic primitivism, 'going black', self-conscious élite, 'furor Africanus', the 'black man's burden', racial inferiority, and the 'curse of Ham'.     

“Girls Can’t Play Ball”: Feminist Counseling Using A League of Their Own

This commentary reviews A League of Their Own, a film that provides a fictional account of the lives of women who played in the first year of the All-American Girls’ Baseball League. Set during World War II-era America, the film offers a look into the gendered lives of women seeking careers in traditionally masculine fields. The authors review the movie from a feminist media lens, with specific emphasis on how the two main characters, Dottie and Kit, ascribe to and defy gender stereotypes and gain voice and agency. Specific implications are pulled from the analysis to be used in the context of counseling women, including empowerment of female clients and establishing career identity.     

The chemical potential and the work function of a metal film on a dielectric substrate

The chemical potential and the work function of an aluminium metal film which is in the vacuum (1) and on a dielectric substrate (2) are obtained using the model of non-interacting electrons confined by an asymmetric rectangular potential well. For the first time, these two characteristics are calculated with correct taking into account the electroneutrality condition. As a result, the values of the chemical potential and the work function tend to their bulk values upon increasing the film thickness. The presence of a dielectric substrate leads to a small shift in the values of these characteristics.     

Representing Father–Son Relationships among African-American Muslim Men in Film and Television

African-American Muslims are well-known for their prison reform ministries and initiatives aimed at assisting disenfranchised men and women in inner city communities. In media discourse, the redemption narratives of young African-American Muslim men in these environments have often been stimulated by African-American Muslim leaders who function as highly influential fatherly figures that usually stress an importance of fatherhood in ameliorating juvenile delinquency and hopelessness. While fatherhood is a cherished institution among Muslim families, this analysis focuses on depictions of father-son relationships among African-American Muslim men in film and television. This study examines relationships between Muslim sons and non-Muslim fathers, Muslim fathers and non-Muslim sons, and fathers and sons who both embrace Islam throughout these visual narratives. In exploring these relationships, the article examines the impact of African-American Muslim fathers on their sons’ faith and spiritual development, negotiation of masculinity, management of racism, confrontation of Islamophobia, and maintenance of discipline, social mobility, and life skills.     

'Oh Rose, thou art sick!' Anti-individuation forces in the film American Beauty

The film American Beauty is used as a vehicle to explore difficulties in the individuation process, to look at a particular aspect of couple relationships in which mourning is avoided, and to make a general comment about the relationship between film and psychological experience. The thesis of the paper is that the individuation process is both an intra-psychic experience and an inter-psychic one which relies on relationships with external figures to enable development. The adult couple relationship is taken as one of the key areas of emotional life for the individuation process and as an area that can best show up false starts, successes, or even retreats in psychological development. Using the poetry of William Blake and the work of Michael Fordham, I show a process of anti-individuation going on in the relationship between the characters of Lester and Carolyn Burnham in the film.