The influence of alexithymia and music on the incidental memory for emotion words

Alexithymia is a multifaceted personality construct which encompasses difficulties in identifying and expressing feelings along with an externally oriented cognitive style. We investigated whether congruent vs. incongruent emotional musical priming (happy and angry music) during encoding would moderate the effects of alexithymia on recognition rates. We found that high alexithymia scorers recognized fewer joy and anger words than low scorers. Angry music decreased recognition rates in high alexithymia scorers compared to low alexithymia scorers. The congruency and incongruency effects between music and words depended on alexithymia level. The anger deficit in high alexithymia scorers and the possible support provided by happiness cues are discussed. Copyright © 2010 John Wiley & Sons, Ltd.     

孔、孟“乐”理念比较研究

本文对孔子和孟子的"乐"理念的各自特点及其异同之处进行了初步分析和评价。作者认为,孔子的"乐"理念具有明显的泛伦理化倾向。他所关注和注重的,乃是"乐"的社会教化、社会整合的伦理调节功能。孔子视"礼""仁"为"乐"之魂魄,视"至善"为"乐"之归宿和极致。"乐"的艺术审美特质被淡化和边缘化。孟子对孔子"乐"理念的最大修正,在于他将其"民本"的政治诉求贯彻于其"乐"理念之中,诉诸"与民同乐"的政治氛围,从而将"乐"理念平等化、平民化、感性化,扬弃了孔子对"乐"的种种宗法等级束缚,破除了对"乐"的雅俗之别的偏见,从而使"乐"理念向其平等的、感性的审美氛围迈出了重要的一步。同孔子泛伦理化的"乐"理念相比较,孟子的"乐"理念则具有泛政治化的理论倾向。     

Music interferes with learning from television during infancy

Infants are frequently exposed to music during daily activities, including free play, and while viewing infant‐directed videotapes that contain instrumental music soundtracks. In Experiment 1, an instrumental music soundtrack was played during a live or televised demonstration to examine its effects on deferred imitation by 6‐, 12‐, and 18‐month‐old infants. Transfer of information was indexed via deferred imitation of the target actions following a 24‐h delay. For half the infants, the music context was also reinstated at the time of test. Performance by experimental groups was compared to that of a baseline control group that participated in the test session without prior exposure to the demonstration. Imitation performance was above baseline for the live groups but not for the video groups regardless of age or the music context at test. In Experiment 2, we added matched sound effects to the video demonstration and infants performed above baseline. We conclude that the music track creates additional cognitive load, disrupts selective attention to the target actions and inhibits transfer of learning from television of the imitation task. Music may impair an infant's ability to translate information from a two‐dimensional to three‐dimensional world even if the auditory context remains the same. Copyright © 2010 John Wiley & Sons, Ltd.     

音乐节拍认知的研究评述

音乐节拍中的信息十分丰富,变化的方式也千差万别,因此节拍的加工是十分复杂的认知过程。国外神经认知领域对音乐节拍的研究从内容来看可归纳为:节拍违反的加工,节拍速度的加工,节拍类型的加工,以及节拍与节奏的区别等几个方面。目前关于音乐节拍的研究还处于初步探索阶段,未来的研究应明确时间间隔、速度变化、重音模式加工的神经基础,并就复杂节拍的加工,个体感受性差异等问题进一步展开研究。     

An interpretation of Babette's Feast as a parable of trauma

In this paper I use the film Babette's Feast as a parable to portray the impasse that often arises out of the experience of complex trauma. The experience of such trauma invokes a crisis of reality. It overflows the boundaries of rational containment. There are no mechanisms with which to apprehend such an event, and consequently it cannot be comprehended; because it cannot be comprehended it cannot be processed. The film Babette's Feast encapsulates the predicament of the individual ensnared in the web of trauma. Although removed from the location and events of her trauma, Babette remains the resident of an austere and colourless environment, her gifts repressed, her brilliance unseen. Healing comes to Babette through her willingness to revisit her true self, a self that has been crushed under the weight of grief and trauma. This revisiting costs her all she has. Yet, it is in this revisiting that she not only frees herself from the austerity of her environment but also engenders purpose and hope within the community who have taken her in. The dissonance of her life is paralleled by the dissonance of the life of the community in which she lives; it is the harmonizing of these dissonances which cannot be spoken that finally gives articulation to the incoherence of Babette's trauma.     

新入职护士职业认同叙事分析

深入探讨新入职护士职业认同现状,为职业认同培育提供新思路。从叙事角度出发,借鉴拉波夫的评议分析模式,从职业认知评价、职业社交技能、职业社会支持、职业挫折应对和职业自我反思五个维度对12名新入职护士进行深度访谈。新入职护士对职业有正向感知,而职业胜任能力较低;职业沟通技能不足,尚不能灵活应用于临床;能积极应对职业挫折,且自我反思促进职业发展。新入职护士有较高职业热情,但欠缺规范化培训指导,护理管理者及教育者应建立健全新入职护士规范化培训,注重职业认同及职业相关技能的培育。     

图像记忆对动态搜索的影响

通过三个实验考察了图像记忆对动态搜索的影响。实验1对静态和限制动态条件下的搜索效率进行比较, 以进一步检验视觉搜索的无记忆模型; 实验2通过比较限制动态和动态条件下的搜索效率, 考察了图像记忆在动态搜索中对注意的引导作用; 实验3考察了视觉搜索中新客体优势对搜索效率的影响。结果发现：(1) 在静态和动态条件下, 视觉搜索中均有记忆参与, 但两种条件下的搜索模式不同; (2) 在动态搜索中, 每当画面变化时被试可依据图像记忆将注意指向可能出现目标的新位置, 从而提高搜索效率; (3) 视觉搜索中新客体优势不显著, 这提示搜索过程中的注意指向主要受图像记忆的引导。     

推进新时代中国社区心理学新形态建设

建设中国特色的社区心理学是时代的呼唤和要求。在党的二十大精神指引下,新时代中国社区心理学需要坚持中国化时代化的马克思主义为指导以推进理论建设;以新时代社区心理建设为场域,助力社会主义核心价值观培育;构建新时代中国社区心理学服务路径,助推人民共同富裕。总体而言,中国特色社区心理学的理论建设与实践探索需要关注新时代社区发展中涌现出的新问题,提出解决中国社区发展问题的中国办法和中国方案,努力推进中国社区心理学新形态的建设。     

TEILHARD'S REFLECTIONS ON EASTERN RELIGIONS REVISITED

Abstract. References to Eastern religions are found throughout Teilhard's work. Often considered to be mainly negative, these need to be critically reassessed within the wider context of Teilhard's experience and thought. Primarily interested in the renewal of Christianity (criticized more sharply than Eastern religions), he emphasized the living branches of religion and the need for a gradual convergence toward a religion of action in order to bring about a global transformation of life and thought. He spoke of the “road of the West” or a “new mysticism” which, however, cannot come into existence without the contribution of Eastern religions.     

Music and melancholy: Marsilio Ficino's archetypal music therapy

Melancholy, to Ficino, is a state in which the mind, the realm of deep, abstract thinking, is cut off from the supply of the spirit. His concept of spirit corresponds to a kind of universal life-energy (libido, in Jungian terms). Individually, as the spirit of man, it appears as projected into the blood of the human body, collectively, as spirit of the world, into the spheres of the planets.
The spirit of man corresponds to the spirit of the world and can receive from it a great deal through the rays of the planets. To attract the 'spiritual' influence of a particular planet you may use animals, plants, food, scents, talismans. But music is what is recommended most strongly.
Ficino's intention is to temper the melancholic influence of Saturn. Consequently, his astrological songs are addressed to the compensating benign planets, the Sun, Jupiter and Venus. In modern terms it is an attempt, consciously, by active imagination, to re-establish the emotional relatedness with the archetypal realms of the planets from which Saturn has cut us off.
Ficino's ideas are related to Jung's rehabilitation of the feeling-function