全文获取类型
收费全文 | 214篇 |
免费 | 21篇 |
国内免费 | 34篇 |
出版年
2023年 | 13篇 |
2022年 | 3篇 |
2021年 | 5篇 |
2020年 | 15篇 |
2019年 | 16篇 |
2018年 | 18篇 |
2017年 | 21篇 |
2016年 | 14篇 |
2015年 | 11篇 |
2014年 | 10篇 |
2013年 | 34篇 |
2012年 | 12篇 |
2011年 | 6篇 |
2010年 | 10篇 |
2009年 | 11篇 |
2008年 | 9篇 |
2007年 | 8篇 |
2006年 | 9篇 |
2005年 | 7篇 |
2004年 | 1篇 |
2003年 | 7篇 |
2002年 | 10篇 |
2001年 | 6篇 |
2000年 | 1篇 |
1999年 | 2篇 |
1998年 | 4篇 |
1996年 | 1篇 |
1994年 | 2篇 |
1991年 | 1篇 |
1987年 | 1篇 |
1980年 | 1篇 |
排序方式: 共有269条查询结果,搜索用时 31 毫秒
181.
182.
该文系统总结了乐谱阅读过程的眼动研究历史。该历史大致可分为三个阶段:第一阶段是基础研究阶段;第二阶段是中期研究阶段;第三阶段是深入研究阶段。在我国,乐谱阅读的眼动研究尚是一个全新的研究领域,加强这个方面的研究对于探索乐谱阅读的规律,提高有关人员的乐谱阅读水平具有重要意义。 相似文献
183.
音乐知觉期待的研究述评 总被引:1,自引:0,他引:1
音乐知觉期待是音乐时间知觉过程中重要的心理现象,它直接影响音乐作为时间艺术的本质特性。文章主要探讨了和音乐知觉期待相关的以下几方面问题:音乐知觉期待存在的范畴,音乐知觉期待依靠音乐元素的四种期待率,音乐知觉期待存在的两种类别和采用的五种研究范式,音乐知觉期待研究的主要领域(神经生理机制、记忆和启动效应等方面),以及音乐知觉期待通过音乐时间知觉和时间估计对音乐时间操作的影响。展望该领域今后研究的方向,可以认为,对音乐知觉期待的心理特征和存在条件在音乐时间操作中作用的进一步研究,将在很大程度上揭示音乐时间操作中的普遍现象——计时偏差的真正原因 相似文献
184.
Music: A Link Between Cognition and Emotion 总被引:5,自引:0,他引:5
Carol L. Krumhansl 《Current directions in psychological science》2002,11(2):45-50
185.
Hanna Soker-Schwager 《Journal of Modern Jewish Studies》2019,18(1):108-124
This article explores the poetic and political-theological nexus of power, violence and sovereignty in Meir Wieseltier's work. No poet seems to have inserted himself quite so powerfully into the narrow crack between the authority of the political sovereign and that of the divine sovereign, warning against the dangerous link between the theological and the political in Israel's messianic discourse. Wieseltier seems to draw inspiration from the theological-political sovereignty which relies on “an act of exception”, then to perform it poetically (“an exceptional verb”) to found his sovereignty and authority. Wieseltier's poetry arises from the divine music of catastrophe, based on a great intimacy with the ancient sources. It includes musical syntactic structures, like the mishnaic catalogue syntax, or the apocalyptic language of liturgical poetry in the prayers for the High Holy days with their outrageous “music of curses”. 相似文献
186.
187.
188.
Jennifer Cohn Karen Z. Kowalski Margaret Swarbrick 《Occupational Therapy in Mental Health》2017,33(2):168-178
Music is a meaningful occupation; a summary of current literature and the authors’ experiences regarding health and wellness benefits and potential for music as a therapeutic medium in occupational therapy practice is presented. An interview and a summary of the authors’ experiences illustrate the role for music and its benefits for occupational therapy. These benefits are described through three themes which emerged: (a) music as a means of increasing group cohesion toward common goals, (b) music as a means of increasing socialization, and (c) music as a meaningful occupation can empower individuals to enhance and embrace wellness and recovery. 相似文献
189.
Casady Bowman 《Cognition & emotion》2017,31(8):1610-1626
Nonlinguistic signals in the voice and musical instruments play a critical role in communicating emotion. Although previous research suggests a common mechanism for emotion processing in music and speech, the precise relationship between the two domains is unclear due to the paucity of direct evidence. By applying the adaptation paradigm developed by Bestelmeyer, Rouger, DeBruine, and Belin [2010. Auditory adaptation in vocal affect perception. Cognition, 117(2), 217–223. doi:10.1016/j.cognition.2010.08.008], this study shows cross-domain aftereffects from vocal to musical sounds. Participants heard an angry or fearful sound four times, followed by a test sound and judged whether the test sound was angry or fearful. Results show cross-domain aftereffects in one direction – vocal utterances to musical sounds, not vice-versa. This effect occurred primarily for angry vocal sounds. It is argued that there is a unidirectional relationship between vocal and musical sounds where emotion processing of vocal sounds encompasses musical sounds but not vice-versa. 相似文献
190.
Gianna Cocchini Maria Serena Filardi Marcela Crhonkova Andrea R. Halpern 《Memory (Hove, England)》2017,25(5):677-685
Studies investigating effect of practice on dual task performance have yielded conflicting findings, thus supporting different theoretical accounts about the organisation of attentional resources when tasks are performed simultaneously. Because practice has been proven to reduce the demand of attention for the trained task, the impact of long-lasting training on one task is an ideal way to better understand the mechanisms underlying dual task decline in performance. Our study compared performance during dual task execution in expert musicians compared to controls with little if any musical experience. Participants performed a music recognition task and a visuo-spatial task separately (single task) or simultaneously (dual task). Both groups showed a significant but similar performance decline during dual tasks. In addition, the two groups showed a similar decline of dual task performance during encoding and retrieval of the musical information, mainly attributed to a decline in sensitivity. Our results suggest that attention during dual tasks is similarly distributed by expert and non-experts. These findings are in line with previous studies showing a lack of sensitivity to difficulty and lack of practice effect during dual tasks, supporting the idea that different tasks may rely on different and not-sharable attentional resources. 相似文献