What gaze adds to arrows: Changes in attentional response to gaze versus arrows in childhood and adolescence

From early ages, gaze acts as a cue to infer the interests, behaviours, thoughts and emotions of social partners. Despite sharing attentional properties with other non-social directional stimuli, such as arrows, gaze produces unique effects. A spatial interference task revealed this dissociation. The direction of arrows was identified faster on congruent than on incongruent direction-location trials. Conversely, gaze produced a reversed congruency effect (RCE), with faster identifications on incongruent than congruent trials. To determine the emergence of these gaze-specific attentional mechanisms, 214 Spanish children (4–17 years) divided into 6 age groups, performed the aforementioned task across three experiments. Results showed stimulus-specific developmental trajectories. Whereas the standard effect of arrows was unaffected by age, gaze shifted from an arrow-like effect at age 4 to a gaze-specific RCE at age 12. The orienting mechanisms shared by gaze and arrows are already present in 4-year olds and, throughout childhood, gaze becomes a special social cue with additional attentional properties. Besides orienting attention to a direction, as arrows would do, gaze might orient attention towards a specific object that would be attentionally selected. Such additional components may not fully develop until adolescence. Understanding gaze-specific attentional mechanisms may be crucial for children with atypical socio-cognitive development.     

I see what you’re saying: Voice signals influence children’s judgments of direct and averted gaze

Adults use gaze and voice signals as cues to the mental and emotional states of others. We examined the influence of voice cues on children’s judgments of gaze. In Experiment 1, 6-year-olds, 8-year-olds, and adults viewed photographs of faces fixating the center of the camera lens and a series of positions to the left and right and judged whether gaze was direct or averted. On each trial, participants heard the participant-directed voice cue (e.g., “I see you”), an object-directed voice cue (e.g., “I see that”), or no voice. In 6-year-olds, the range of directions of gaze leading to the perception of eye contact (the cone of gaze) was narrower for trials with object-directed voice cues than for trials with participant-directed voice cues or no voice. This effect was absent in 8-year-olds and adults, both of whom had a narrower cone of gaze than 6-year-olds. In Experiment 2, we investigated whether voice cues would influence adults’ judgments of gaze when the task was made more difficult by limiting the duration of exposure to the face. Adults’ cone of gaze was wider than in Experiment 1, and the effect of voice cues was similar to that observed in 6-year-olds in Experiment 1. Together, the results indicate that object-directed voice cues can decrease the width of the cone of gaze, allowing more adult-like judgments of gaze in young children, and that voice cues may be especially effective when the cone of gaze is wider because of immaturity (Experiment 1) or limited exposure (Experiment 2).     

The Mediating Effects of Facial Expression on Spatial Interference Between Gaze Direction and Gaze Location

Gaze direction is an important social cue that interacts with facial expression. Cañadas and Lupiáñez (2012) reported a reverse-congruency effect such that identification of gaze direction was faster when a face was presented to the left but with the eyes directed to the right, or vice versa. In two experiments, this effect is replicated and then extended to explore the relationship between this effect and facial expression. Results show that the reverse-congruency effect is replicable with speeded gaze-direction identification, and that the effect is mediated by facial expression. The reverse-congruency effect is similar for happy and angry faces, but was not found for fearful faces. Findings are discussed in relation to the similarity of processing of incongruent gaze direction and the processing of direct gaze.     

Embodied female experience through the lens of imagination

Abstract: In 1971, I made a film entitled Self Portrait of a Nude Model Turned Cinematographer in which I explore the objectifying ‘male’ gaze on my body in contrast to the subjective lived experience of my body. The film was a radical challenge to the gaze that objectifies woman – and thus imprisons her – which had hitherto dominated narrative cinema. Since the objectification of women has largely excluded us from the privileged phallogocentric discourses, in this paper I hope to bring into the psychoanalytic dialogue a woman's lived experience. I will approach this by exploring how remembering this film has become a personally transformative experience as I look back on it through the lens of postmodern and feminist discourses that have emerged since it was made. In addition, I will explore how this process of imaginatively looking back on an artistic creation to generate new discourses in the present is similar to the transformative process of analysis. Lastly, I will present a clinical example, where my embodied countertransference response to a patient's subjection to the objectifying male gaze opens space for a new discourse about her body to emerge.     

Gaze cueing elicited by emotional faces is influenced by affective context

When we observe someone shift their gaze to a peripheral event or object, a corresponding shift in our own attention often follows. This social orienting response, joint attention, has been studied in the laboratory using the gaze cueing paradigm. Here, we investigate the combined influence of the emotional content displayed in two critical components of a joint attention episode: The facial expression of the cue face, and the affective nature of the to-be-localized target object. Hence, we presented participants with happy and disgusted faces as cueing stimuli, and neutral (Experiment 1), pleasant and unpleasant (Experiment 2) pictures as target stimuli. The findings demonstrate an effect of ‘emotional context’ confined to participants viewing pleasant pictures. Specifically, gaze cueing was boosted when the emotion of the gazing face (i.e., happy) matched that of the targets (pleasant). Demonstrating modulation by emotional context highlights the vital flexibility that a successful joint attention system requires in order to assist our navigation of the social world.     

Modulation of reflexive orienting to gaze direction by facial expressions

Facial expression and gaze perception are thought to share brain mechanisms but behavioural interactions, especially from gaze-cueing paradigms, are inconsistent. We conducted a series of gaze-cueing studies using dynamic facial cues to examine orienting across different emotional expression and task conditions, including face inversion. Across experiments, at a short stimulus–onset asynchrony (SOA) we observed both an expression effect (i.e., faster responses when the face was emotional versus neutral) and a cue validity effect (i.e., faster responses when the target was gazed-at), but no interaction between validity and emotion. Results from face inversion suggest that the emotion effect may have been due to both facial expression and stimulus motion. At longer SOAs, validity and emotion interacted such that cueing by emotional faces, fearful faces in particular, was enhanced relative to neutral faces. These results converge with a growing body of evidence that suggests that gaze and expression are initially processed independently and interact at later stages to direct attentional orienting.     

头部朝向在社会性注意转移中的作用

注视指向是非常重要的社会性注意线索,但是在日常情境中,注视指向往往伴随着头部朝向信息,而且两者都包含空间指向信息.已有研究发现头部朝向会影响注视指向知觉的速度和准确性,为注视指向提供参照系,进而会影响注视指向诱发的社会性注意.头部朝向和注视指向加工的神经机制也存在着广泛的重合.因此,除眼睛注视以外,头部朝向也是建构和完善基于心理模型的社会性注意机制的一个关键因素.未来的研究应关注头部朝向与眼睛注视指向共同影响注意转移的作用机制,并且从功能整合的角度开展神经机制研究.     

Seductive eyes: attractiveness and direct gaze increase desire for associated objects

Recent research in neuroscience shows that observing attractive faces with direct gaze is more rewarding than observing attractive faces with averted gaze. On the basis of this research, it was hypothesized that object evaluations can be enhanced by associating them with attractive faces displaying direct gaze. In a conditioning paradigm, novel objects were associated with either attractive or unattractive female faces, either displaying direct or averted gaze. An affective priming task showed more positive automatic evaluations of objects that were paired with attractive faces with direct gaze than attractive faces with averted gaze and unattractive faces, irrespective of gaze direction. Participants' self-reported desire for the objects matched the affective priming data. The results are discussed against the background of recent findings on affective consequences of gaze cueing.