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221.
Petri Laukka 《Journal of Happiness Studies》2007,8(2):215-241
A questionnaire was sent to a random sample of 500 community living older adults in Sweden (aged 65–75 years). The questionnaire
assessed uses of music in everyday life: frequency of listening, situations where music is encountered, emotional responses
to music, and motives for listening (i.e., listening strategies). Also, different facets of psychological well-being (e.g.,
affective well-being, life satisfaction, and eudaimonic well-being) and selected background variables (e.g., education level,
health status, activity level, and Big-5 personality characteristics) were assessed. Results showed that listening to music
is a common leisure activity encountered in many everyday situations, and that listening to music is a frequent source of
positive emotions for older adults. Also, the participants reported using a variety of listening strategies related to emotional
functions (e.g., pleasure, mood regulation, and relaxation) and issues of identity, belonging, and agency. The associations
between listening strategies and well-being were explored through correlation and multiple regression analyses where the influence
of background variables was controlled for. Health status and personality were the most important predictors of well-being,
but some listening strategies were also significantly associated with psychological well-being. The results give important
insights into older adults’ uses of music in everyday life and give clues regarding possible relationships between musical
activities and well-being. 相似文献
222.
音乐知觉涉及基于声音分析、听觉记忆、听觉场景分析、以及音乐的句法和语义加工的复杂的脑神经活动。同时,音乐知觉还潜在的影响情绪、自主神经系统、荷尔蒙以及免疫系统,并激活(前)运动表象。在过去的几年里,音乐加工及其神经关联方面的研究已取得了飞速的进展,主要体现为音乐知觉的神经认知模型、音乐的句法和语义加工、音乐和机体反应等领域的研究。 相似文献
223.
Jinglin Li 《Frontiers of Philosophy in China》2007,2(2):151-171
Edification 教化 is one of the central concepts of Confucianism. The metaphysical basis of the Confucian edification is the
“philosophical theory” in the sense of rational humanism rather than the “religious doctrine” in the sense of pure faith.
Confucianism did not create a system of ceremony and propriety owned by Confucians only. The system of ceremony and propriety
on which Confucians depend to carry out their social edification is that of “rites and music,” the common life style of ancient
China. After continual metaphysical explanation and elevation, the system of ceremony and propriety and that of rites and
music have undergone a sort of ever-evolving historical fluctuation, and evinced a sort of openness and forgiveness comparable
to that of any other religious form. Compared with typical religious practices, whose ceremonies and rituals that have their
own special fixity and exclusivity, Confucian ceremonies and rituals are fundamentally different. The edification of Confucianism
can be labeled as “edification in the sense of philosophy.” As a “philosophy”, Confucianism’s vision did not focus on cognition
but on completion and realization.
Translated by Lei Yongqiang from Tianjin Shehui Kexue 天津社会科学 (Tianjin Social Sciences), 2005, (6): 19–26 相似文献
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227.
音乐和语言加工神经基础的关系研究,近年来发展迅速,获得了越来越多的关注。“共享结构整合资源假说”主张音乐的句法加工和语言的句法加工具有较大程度的神经资源的共享。在听觉语言实验中反映句法违例的ERP ELAN与音乐句法违例引发的ERAN极为相似,唯一的区别仅在于它们的分布有所不同——ERAN就像是一个两半球对称的ELAN。而且ERAN的引发不受是否接受过音乐训练这一因素的影响,虽然音乐人被试引发的ERAN波幅更大。一些研究发现音乐语义加工的神经基础为N400和N500。前者可以由音乐和语言两种刺激引发,后者只能由音乐意义的加工引发。然而,音乐的音调感知和语言的音调感知是否共享了神经资源,却还没有确定的结论。 相似文献
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Nicolò Francesco Bernardi Maria Cristina Cioffi Roberta Ronchi Angelo Maravita Emanuela Bricolo Luca Zigiotto Laura Perucca Giuseppe Vallar 《Journal of Neuropsychology》2017,11(1):135-158
The study assessed whether the auditory reference provided by a music scale could improve spatial exploration of a standard musical instrument keyboard in right‐brain‐damaged patients with left spatial neglect. As performing music scales involves the production of predictable successive pitches, the expectation of the subsequent note may facilitate patients to explore a larger extension of space in the left affected side, during the production of music scales from right to left. Eleven right‐brain‐damaged stroke patients with left spatial neglect, 12 patients without neglect, and 12 age‐matched healthy participants played descending scales on a music keyboard. In a counterbalanced design, the participants' exploratory performance was assessed while producing scales in three feedback conditions: With congruent sound, no‐sound, or random sound feedback provided by the keyboard. The number of keys played and the timing of key press were recorded. Spatial exploration by patients with left neglect was superior with congruent sound feedback, compared to both Silence and Random sound conditions. Both the congruent and incongruent sound conditions were associated with a greater deceleration in all groups. The frame provided by the music scale improves exploration of the left side of space, contralateral to the right hemisphere, damaged in patients with left neglect. Performing a scale with congruent sounds may trigger at some extent preserved auditory and spatial multisensory representations of successive sounds, thus influencing the time course of space scanning, and ultimately resulting in a more extensive spatial exploration. These findings offer new perspectives also for the rehabilitation of the disorder. 相似文献
230.
This study aimed to elicit stereotypes about personality characteristics of young adults residing in South Africa, based solely on music genres. Participants were 941 undergraduate students at a South African university. They responded to a number of surveys about music genre preferences and personality traits. Data were analysed for trends and patterns in personality attributions based on music genre preferences. The results indicated that participants hold distinct stereotypes about the personality traits, so that those with who preferred Classical, Blues and Jazz music were seen to display higher openness to experience than comparison groups with other music genre preferences. Those with Rap, Reggae and Folk music genre preferences were stereotyped as artistic and unconventional. Young South African adults appear to use musical preference to define personality. 相似文献