Nuanced aesthetic emotions: emotion differentiation is related to knowledge of the arts and curiosity

The ability to distinguish between emotions is considered indicative of well-being, but does emotion differentiation (ED) in an aesthetic context also reflect deeper and more knowledgeable aesthetic experiences? Here we examine whether positive and negative ED in response to artistic stimuli reflects higher fluency in an aesthetic domain. Particularly, we test whether knowledge of the arts and curiosity are associated with more fine-grained positive and negative aesthetic experiences. A sample of 214 people rated their positive and negative feelings in response to various artworks including positive and negative themes. Positive ED was associated with the embracing sub-trait of curiosity that reflects engagement and enjoyment of novelty and complexity, but was unrelated to artistic knowledge and perceived comprehension. Negative ED was associated with higher curiosity and particularly more knowledge of the arts. This relationship was mediated by appraised comprehension suggesting that deeper engagement with art, by those with more art knowledge, is associated with more fine-grained emotional experiences. This finding extends ED beyond well-being research and suggests that more nuanced emotional experiences are more likely for those with expertise in the arts and motivation for exploration.     

Constructing and contesting threat: Representations of white British Muslims across British national and Muslim newspapers

White British Muslims pose a challenge to racialised representations of British Muslims as non‐white, foreign and Other. By drawing on tools from Critical Discourse Analysis to develop Social Representations Theory on a micro‐analytic level, and making connections with other relevant social psychological theories on intergroup relations, this article examines the constructions of white British Muslims as a threat in six national and two Muslim British newspapers. It looks at how discourses are used to create, perpetuate and challenge the ‘hegemonisation’ of social representations in majority and minority press. The findings show that white British Muslims are portrayed as a threat not just despite of, but because of, their position as part of the ‘white British’ ingroup. Consequently, the threat they pose often leads to their Muslimness being emphasised. This was, at times, contested, however, either through direct challenges, or by making the threat ambivalent by drawing on their whiteness.     

神经美学——艺术的神经基础

什么是艺术？它为什么能成为所有社会都能接受的共同文化？随着神经科学的飞速发展,一门崭新的领域——神经美学,用于解释这个问题。神经美学研究目标是了解艺术创造、欣赏和审美的神经基础。神经美学研究将美术、音乐等艺术形式与神经科学研究手段结合起来探索其中的奥秘,神经美学研究必将为美学的发展做出革命性的贡献。     

The skillful means and meanings of philosophy: Attention and immersion in the philosophical art of writing

This response to Richard Shusterman's Philosophy and the Art of Writing focuses on his concern that philosophy is, first and foremost, a way of life, illustrated in the West by the Socratic ideal of the philosopher and in the East by the example of the scholar-artist-gentleman. This paper examines the process of Buddhist meditation and the process of creating novels, supplementing the authors Shusterman carefully examines with examples from Black American literature, the author's own teacher John Gardner, and artistic colleagues the author has known. The basic thrust of the response is that the skillful means used in writing can indeed be a form of self-creation, but it can also be a means of liberation from the self.     

Creative surrender: A Milnerian view of works by Y. Z. Kami

Born in 1900, Marion Milner started psychoanalytic training in 1940, following a trajectory which took her into territory later developed by Winnicott. She was an independent thinker who drew on a variety of sources to explore her own and her patients' creativity. She linked the creative process to psychic health and to the ability to achieve a level of perception that leads not to the re‐creation of lost objects but to the creation of what did not exist before. By linking Milner's theory of perception to works by Y.Z. Kami, I draw parallels between a psychoanalyst's perception of the creative process and that process as described and executed by an artist. Milner's lens and Kami's brush both articulate thoughts and feelings about what it means to be human, the condition of mortality and, after Freud, the illusions that sustain mankind through the creation of the gods. This study looks at how the work of an artist and a psychoanalytic thinker can be mutually reinforcing and inter‐animating, thereby broadening and deepening the insights gained from both.     

Nationalism and Its Explanations

This paper presents new terms for analyzing individuals' national attitudes and their conceptualization and operationalization, a universal psychological structure in which these concepts interconnect, and a nationalism explanatory model. Three empirical studies using anonymous self-administered surveys served to test and improve national attitude assessment and its developmental theory. These empirical studies were conducted in a well-established state (the Netherlands), a recently established state (Slovakia), and a region in which a considerable proportion of citizens are striving to develop a new independent state (the Basque Autonomous Community of Spain).     

Internalized transphobia: Exploring perceptions of social messages in transgender and gender-nonconforming adults

Background: Transgender and gender nonconforming (TGNC) individuals encounter a variety of minority stressors that have yet to be fully articulated or explored within the research literature. The purpose of this study is to better understand internalized stigma—the experience of accepting and internalizing negative social messages and experiences about one's identity—an underexplored minority stressor for TGNC people.

Method: We conducted in-depth interviews with 30 diverse TGNC participants using consensual qualitative research (CQR) methodology.

Results: Following data saturation and analysis, six distinct themes emerged across participants: (1) TGNC identities are regarded negatively by society; (2) social messages are perceived as originating from the media and religious ideology; (3) TGNC individuals report emotional distress; (4) negative self-perceptions in response to social messages; (5) TGNC individuals report resilience processes in response to negative social messages; and (6) social messages are perceived generally to differentially impact TGNC people of color.

Conclusion: Findings highlight the common experience of encountering social marginalization for TGNC individuals. Structural interventions that target pervasive sociocultural messages regarding TGNC identities are warranted.     

Self–Serving Perceptions of Terrorism Among Israelis and Palestinians

Definitions of political violence as terrorism are often tainted by self–serving motivations. Groups in conflict in particular tend to justify the use of indiscriminate violent means by highly regarded political ends. This study explores such self–serving perceptions of terrorism in the context of the Israeli–Palestinian conflict. In two surveys during December 2001, Israeli Jews, Israeli Arabs and Palestinians were asked whether 11 local and international incidents were acts of terrorism in their view, and whether they were considered acts of terrorism by the international community. Self–serving judgments on both sides were expected, but their extent is striking, and they extend also to the international incidents. Israeli Arabs judge all acts of violence as terrorism in high percentages. Israeli Jews and Palestinians' definitions present a mirror image; however, they do not project these definitions to the international community. Instead, they perceive an international norm largely divergent from their own point of view, inflating world judgment of their own acts of violence as terrorism and underestimating world judgment of the other side's violence, in what amounts to a hostile–world phenomenon.     

Can we still stand by words? or: Why rhetoric needs A pragmatic turn

Rhetorical theory has developed powerful criticisms of pretentions to objectivity, in the spirit of deconstruction and ideology critique. These critiques contain nihilistic tendencies when they become abstracted from the interactive social contexts upon which they depend for their own significance and efficacy. With a rich analysis of the social bases of communication sustained by its commitment to the project of deliberative democracy, the classic Pragmatism of John Dewey and G. H. Mead can provide an important corrective by orienting rhetorical theory toward reflective social-political engagement.     

What Can Be Learned from the Arts About Aging?

This brief article examines some of the theoretical questions raised by aesthetics. Paintings have not only form and content, but are underpinned by philosophical principles that connect art to gerontology. We examine specific theoretical messages of a trend in art that have important implications for conceptualizing humans, including their interactions and surroundings. Three artists are used to illustrate this trend: Cezanne, Picasso, and Pollock. These and other artists of this century foster a heightened awareness of humanistic concerns. Caught between abstract reason and expert systems on the one hand, and the life worlds of older people on the other, gerontology finds itself in a place where art can speak to its deeper concerns in unique ways.