Parental Choices and the Prospect of Regret: An Alternative Account

Is the question ‘will you regret it if you do (not do) this?’ helpful when people face difficult life decisions, such as terminating a pregnancy if a disability is detected or deciding to become a parent? Despite the commonness of the question in daily life, several philosophers have argued lately against its usefulness. We reconstruct four arguments from recent literature on regret, transformative experience and the use of imagination in deliberation. After analysis of these arguments we conclude that the prospect of regret remains a useful deliberative heuristic, provided four conditions are fulfilled. If the prospect of (the absence of) regret is arrived at via reflection on one’s values, in a non-coercive context, when well-informed about factual circumstances, and in a process of self-commitment, the question of what one will regret is a helpful device to get in touch with one’s deepest concerns that give reasons to act in a particular way.     

Obama's Interfaith Service Challenge: A Call for a New Theology of Service in American Higher Education

Abstract : President Obama's recent Interfaith Service Challenge issued to colleges and universities in the United States encourages schools to commit to year‐long interfaith service projects that engage constituencies across campus, across faith traditions, and across the wider local community. While they were included in pre‐challenge planning, university chaplains and religious life staff were omitted from the list of partners. This omission challenges college chaplains and campus ministers to articulate a theology of interfaith service that represents their enduring priorities to engagement across faith lines and in service to others. For Christians, such a theology could be based on the three key principles of imago dei, theologia crucis, and faith active in love.     

Associative dreaming: reverie and active imagination

The idea of countertransference has expanded beyond its original meaning of a neurotic reaction to include all reactions of the therapist: affective, bodily, and imaginal. Additionally, Jung's fundamental insight in 'The psychology of the transference' was that a 'third thing' is created in the analysis, but he failed to demonstrate how this third is experienced and utilized in analysis. This 'analytic third', as Ogden names it, is co-created by analyst and analysand in depth work and becomes the object of analysis. Reverie, as developed by Bion and clinically utilized by Ogden, provides a means of access to the unconscious nature of this third. Reverie will be placed on a continuum of contents of mind, ranging from indirect to direct associative forms described as associative dreaming. Active imagination, as developed by Jung, provides the paradigm for a mode of interaction with these contents within the analytic encounter itself. Whether the analyst speaks from or about these contents depends on the capacity of the patient to dream. Classical amplification can be understood as an instance of speaking about inner contents. As the ego of the analyst, the conscious component, relates to unconscious contents emerging from the analytic third, micro-activations of the transcendent function constellate creating an analytic compass.     

September 11th,an attack at the limits of thought

The paper deals with imagination and its failures from a psychoanalytic perspective. We offer a definition of imagination failures and suggest how they can be interpreted as an opportunity to learn from experience. In order to show that the topic has a concrete and not only speculative significance we consider the public report on September 11 as a case study. The report was published by the National Commission on Terrorist Attacks Upon the United States after a long investigation of the facts and circumstances relating to the September 11 attacks. The document has been the object of strong criticisms, as we argue in the paper. Both the document and some of the critiques that it received focus, however, on significant aspects of the debate about imagination, such us the fragility of imaginative thought, its dependence on unconscious desires and its plurality of outcomes: a plethora of imaginaries can in fact be developed at any time, from the same set of information about reality. We comment on these aspects and reinterpret them from a Bionian perspective. The concepts of ‘unthinkability’, ‘imagination failure’ and ‘depressive position’ are used to inform the necessity of dealing with an evolving and conflictual geopolitical scenario. Particular attention is paid to the proposal of ‘routinizing, even bureaucratizing, the exercise of imagination’ within the institutions that deal with National Defense. This possibility is discussed in depth in order to suggest how it may be concretely implemented. In conclusion, a strong case is made for the usefulness of psychoanalytic reflection in the arena of relationships among countries, with particular emphasis on the new terrorist challenges.     

THE TECHNOLOGICAL IMAGINARY: BRINGING MYTH AND IMAGINATION INTO DIALOGUE WITH BRONISLAW SZERSZYNSKI'S NATURE,TECHNOLOGY AND THE SACRED

Bronislaw Szerszynski's Nature, Technology and the Sacred (2005) offers a fresh look into the historical, cultural, and political implications of technology use in our contemporary situation. By challenging the standard interpretation of the secularization thesis, the book opens the door to a new kind of postmodern ordering of the sacred, which includes our ever‐developing perception of the environment and our ongoing use of technology. In my discussion of the text, I suggest that Szerszynski's argument could have been furthered by exploring the role played by both imagination and myth in creating the postmodern sacred that he describes. I argue that by giving consideration to Friedrich Dessauer's Christian theology of technology and the mythical imagination of contemporary science fiction literature and film, a more explicitly religious dimension of technology can be allowed to emerge in the form of the technological imaginary.     

SHAPING YOUR OWN LIFE

Abstract: A distinction is made between imagination in the narrow sense and in the broad sense. Narrow imagination is characterised as the ability to “see” pictures in the mind's eye or to “hear” melodies in the head. Broad imagination is taken to be the faculty of creating, either in the strict sense of making something ex nihilo or in the looser sense of seeing patterns in some data. The article focuses on a particular sort of broad imagination, the kind that has to do with creating, not a work of art, a scientific theory or a political vision but one's own life. We shape our lives through our actions, and these actions not only influence our future—a commonplace—but also determine our past, which is a new and more controversial perspective.     

Automatic skin lesions segmentation based on a new morphological approach via geodesic active contour

Automatic disease classification has been one of the most intensively searched in recent years due to the possibility of quickly providing a diagnosis to the patient. In this process, the segmentation of regions of interest of these diseases has a fundamental role in their subsequent classification. With skin lesions segmentation it is no different and in recent years many studies have achieved interesting results, becoming an important tool in aiding the medical diagnosis of skin diseases. In this work, a morphological geodesic active contour segmentation (MGAC) method is proposed with automatic initialization, using mathematical morphology which is a great partial differential equation approximation, with lower computational cost, no stability problems and fully automatic. The proposed method was tested in a stable and well-known dermoscopic images database provided by Pedro Hispano Hospital (PH2) and was compared with both methods that make use of machine learning or deep learning techniques such as fully convolutional networks (FCN), full resolution convolutional networks (FrCN), deep class-specific learning with probability based step-wise integration (DCL-PSI), and others, and also traditional methods like JSEG, statistical region merging (SRM), Level Set, ASLM and others. The MGAC showed good results in all similarity metrics compared in this work like Jaccard Index (86.16%), Dice coefficient (92.09%) and Matthew correlation coefficient (87.52%), and also achieves good results in sensitivity (91.72%), specificity (97.99%), accuracy (94.59%) and F-measure (93.82%). Thus, the proposed method presented better results in relation to all these metrics when compared to the traditional methods and still presented better results in relation to the methods that use machine learning or deep learning techniques in Jaccard Index, Dice coefficient and specificity. This confirm that the MGAC can efficiently segment skin lesions, presenting great potential to be applied in the aid of the medical diagnosis.     

Creativity and Wonder

The experience of wonder is often said to be at the origin of acts of creativity, both historical and mundane, from big breakthroughs in science to the everyday discoveries of children at play. And yet, wonder and wondering have rarely been theorized until now, at least in the psychology of creativity. Understood as one of the main ways in which we engage with the possible, wonder presents us, upon closer inspection, with a paradox typical for creativity—experiencing what is present (the here and now) through the lenses of what is absent (the not‐yet‐here). Wondering is grounded in the possibility of adopting multiple perspectives on a certain reality; many of which are yet unknown to the creator while anticipated and actively looked for. In this paper, the creative process fuelled by the experience of wonder is described as a cyclical interplay between awareness, excitement, and exploration of the possible. Thus, one of the main consequences of reflecting on wonder and wondering is not only a renewed focus on process in creativity research but, most of all, a new emphasis on the less “visible” and yet essential aspects of creative action as it bridges the actual and the possible.