The effect of frame figure type and frame size on the line and the circle Ponzo illusions

Abstract:   To examine the determinants of the Ponzo illusion, we compared the perceived size of lines and circles presented within three different frames: two converging lines, two circles, and two squares. Twenty stimulus figures, consisting of two types of objects (lines/circles) × three types of frame figures (Ponzo/circles/squares) × three sizes of lower frames (small/medium/large), and two control figures were presented on a personal computer display. Twelve students performed three measurements (upper-object/lower-object/illusion) for each stimulus figure using the method of adjustment. To analyze the relationship between single object perception and the Ponzo illusion, we compared the calculated values of overestimation magnitude differences between the upper and lower objects with the actual obtained illusion values of the six object-frame conditions. The calculated values of the circle and the square frame figures corresponded to the difference between the upper single object and the lower single object. In contrast, the results of the Ponzo figure need an additional factor to explain the differences between the obtained and the calculated values. These results indicate that two factors are involved in the Ponzo illusion: (a) the framing effect affects the perceived size of the individual single objects, and (b) the comparison factor affects the comparison process of the two objects within the converging lines.     

Imagination and the imaginary

This paper argues that real imagination depends on the capacity to acknowledge the absence of what is imagined from the world of material actuality. This leads on to a view of symbol formation as the operation of the transcendent function between the opposites of presence and absence. 'The imaginary' is contrasted with this as a defensive misuse of imagination that attempts to deny 'negation' where negation is defined as all those aspects of the world that constitute a check to the omnipotence of fantasy--e.g., absence, loss, difference, otherness etc. Parallels are drawn with theoretical antecedents in analytical psychology and psychoanalysis, with particular attention to papers published in the Journal of Analytical Psychology (JAP) in the 1960s on the relation between active imagination, transference and ego development. A clinical example is given to show the use of the imaginary as a means of warding off the unbearable pain of Oedipal disappointment.     

Grace and Imagination: From Fear to Freedom

Creative use of our imagination is essential if we are to live a vibrant life. Although our use of imagination is often blocked by various fears, D. W. Winnicott's insights into play, aggression, and the use of transitional objects open up paths towards greater freedom. The sacred texts, symbols, and liturgies of our religious traditions can then become the toys which engage us in profound and re-creating soul play. Through grace and the evocative examples of our teachers, we can find ways to use our imagination more freely to deepen our spiritual life and psychological wholeness.     

Effects of Local Muscular Fatigue Due to Isotonic and Isometric Exercise Upon Fractionated Reaction Time Components

Fractionated RT for a right knee-extension task was assessed on eight male and eight female Ss over eight treatment days. Following four consecutive days of 75 RT trials /day to insure stabilized strength and RT components, Ss were administered two days of bench stepping and two days of isometric exercise designed to induce muscular fatigue of the knee extensors. Significant strength decrements of up to 24% were induced by both the isotonic (bench stepping) and isometric exercise treatment conditions but no changes were observed in fractionated RT components. The results would seem to indicate that performance differences in fine-versus gross-motor skill tasks due to fatigue need to be more carefully examined.     

我观故我在？— 从橡胶手错觉对自我身体所有权的探讨

橡胶手错觉是一种能将非自我的肢体感知为自我的肢体的反应。继发现橡胶手错觉现象后,研究者通过操纵自变量以及观测不同的因变量,得到了大量新的研究结果。橡胶手错觉的出现与强度受到时间、空间和手姿势的影响。橡胶手错觉的产生机制为单纯的多感觉整合或多感觉整合与身体表征共同作用的结果。未来研究侧重于被试取样、研究策略以及医学领域中瘫痪患者的认知神经康复和截肢病人的假肢控制方面。     

通货膨胀、通货紧缩和产品类型对货币幻觉的影响

货币幻觉是指经济交易活动中,人们因倾向于以货币的名义价值而非实际价值思考从而对其消费和投资行为造成影响的一种认知偏差。本研究探讨了在通货膨胀和通货紧缩下以及产品类型对货币幻觉程度的影响。研究发现,在通货膨胀或通货紧缩下,大部分被试判断经济状况时不受货币名义价值的影响,而判断快乐程度和离职意向时受到货币名义价值的影响;在相同的涨价幅度下被试对日常消费品和昂贵消费品涨价幅度的判断差异显著,昂贵消费品引起人们更高程度的货币幻觉。     

Outgroup homogeneity effect in perception: An exploration with Ebbinghaus illusion

An outgroup homogeneity (OH) effect implies that outgroup members are perceived to be more similar than ingroup members. At present, however, it is not clear whether the OH effect is truly perceptual. Here, we used an Ebbinghaus illusion to demonstrate the OH effect in perception. Participants were presented with one central face that was surrounded by four surrounding faces. The central face was judged to be smaller as the size of the surrounding faces increased, thereby demonstrating an Ebbinghaus illusion. As predicted, however, this illusion was significantly greater when the faces allegedly belonged to an outgroup than when they allegedly belonged to an ingroup. This perceptual OH effect bore no significant relationship with cognitive OH measures. The perceptual versus cognitive OH effects might therefore be mediated by separate mechanisms.     

Pigeons perceive a reversed Zöllner illusion

Pigeons are susceptible to several size and length illusions, but in some cases the bias has been shown to be opposite to that seen in humans. To further investigate how their perceptual system works, we asked how pigeons perceive orientation illusions. We used the Zöllner illusion, in which parallel lines look non-parallel due to series of short crosshatches superimposed on the lines. First, we trained six birds to peck at the narrower (or wider) of the two gaps at the end of a pair of non-parallel target lines. After adapting the subjects to target lines with randomly oriented crosshatches (which result in no illusion at least to humans), we tested the pigeons’ responses on randomly inserted probe trials, in which crosshatches that should induce the standard Zöllner-like illusion for humans replaced the random-oriented ones. The results suggested that pigeons do perceive an illusion from Zöllner figures, but in the direction opposite to that of humans. We propose that pigeons, contrary to humans, may assimilate the two lines of different orientations (each main line and crosshatch), which results in underestimation of acute angles, and this in turn may lead to a reversed Zöllner illusion. Such assimilation dominance appears consistent with previous reports obtained for line length and size illusions in this species.     

Interdisciplinary Invigoration of Creativity Studies

The forces of globalization are magnifying the importance of interdisciplinary creative work. While the field of creativity studies always has been more open to interdisciplinary idea borrowing than many other fields, it can and should do more interdisciplinary synthesizing. This article begins with a discussion of the rationale for encouraging interdisciplinary work in the field and then explores several examples of constructs imported from various disciplines that can enrich theory and research in creativity studies. These constructs include market fundamentalism from economics, and networked science from various STEM fields. Some other candidates for importation also are discussed briefly.