THE BEAUTIFUL AND THE SUBLIME IN NATURAL SCIENCE

The various aesthetic phenomena found repeatedly in the scientific enterprise stem from the role of God as artist. If the Creator is an artist, how and why natural scientists study the divine art work can be understood using theological aesthetics and the philosophy of art. The aesthetic phenomena considered here are as follows. First, science reveals beauty and the sublime in natural phenomena. Second, science discovers beauty and the sublime in the theories that are developed to explain natural phenomena. Third, the search for beauty often guides scientists in their work. Fourth, where beauty is perceived, feelings of the sublime often also follow upon further contemplation. This linkage of beauty in science with truth and the sublime runs counter to most aesthetic theory since Kant. Scholarship in theological aesthetics has recently argued that the modern and postmodern elevation of the sublime over beauty is merely a preference that reveals a bias against transcendence—against God. If doing and understanding science can show this sundering of the sublime from the beautiful to be in error, science also gives evidence of transcendence.     

不同自尊者在赌博情境下的风险规避行为

为了考察不同自尊水平的个体在赌博情境下的风险规避行为,263名大学生被试同时完成外显Rosenberg量表、内隐联想测验和21点赌博游戏。实验结果发现,(1)随着风险的增加,所有被试都表现出风险规避;(2)在高外显自尊水平的个体中,低内隐自尊水平个体比高内隐自尊水平个体表现出更多的风险规避行为;在低内隐自尊的个体中,高外显自尊个体比低外显自尊个体表现出更多的风险规避行为。风险规避行为间接地反映出个体的防御倾向,结果提示,在风险情境中,高外显低内隐自尊个体表现出较高的自我防御倾向。     

LES CULS-DE-SAC OF ENLIGHTENMENT AESTHETICS: A METAPHILOSOPHY OF ART

Abstract: This article charts the rise and fall of the Modern System of the Arts and the failure of the aesthetic theory of art to define membership in the so-called system, which, instead, I argue, is and has been, for a long time, merely a historically evolved collection. Rather than endorsing the continued attempt to define Art with a capital A in terms of aesthetic experience, I recommend alternative lines of research for contemporary philosophers of the arts.     

Philosophers on the "Art-of-Living"

Art-of-living is a classical notion in philosophy that is currently receiving renewed interest. Art-of-living refers to a kind of self-direction with a view to the good life. This paper surveys modern philosophical thought on this subject. This revised version was published online in August 2006 with corrections to the Cover Date.     

The Art of Living by Dispositionally Happy People

The cognitive and motivational processes by which happy people are able to artfully sustain their happiness are examined within a subjectivist construal approach. Individuals who perceive themselves as happy respond to ordinary experiences differently than their less happy peers. Research from our laboratory has revealed these differences in a variety of contexts, including people's responses to decisions, their reactions to social comparisons, and their interpretations of life events. Our research has also shown that, after experiencing failure, happy people tend not to engage in negative self-reflection and are able to perform subsequent tasks without dwelling. Although happy people experience negative moods and negative life events similar to those of less happy people, they evaluate these events less negatively and respond to them in more positive, affirming ways. These group differences suggest a number of possible ways to sustainably enhance happiness, and current experimental interventions designed to test the effectiveness of several intentional happiness-increasing strategies are discussed. This revised version was published online in August 2006 with corrections to the Cover Date.     

中学生自主学习的教学指导模式研究

国内外业已开发出众多旨在培养中学生自主学习的教学模式,基于理论和教学经验分析,我们概括出中学生自主学习教学指导的一般模式,本研究以330名中学生为被试,分别在初中和高中的若干学科对这一教学模式进行检验。结果显示,自主学习的一般教学模式能够在一定程度上增强中学生的自主学习能力,提高中学生的学习成绩,能够为任课教师接受和掌握,具有广泛的适用性。     

Eroticism for the masses: Japanese manga comiss and their assimilation into the U.S.

In this article, we describe translated Japanese comics or “manga” with sexual content. Because in the West comics have been treated as junk culture, they lack canons for critical analysis. We have developed methods for analyzing manga that focus on objective assessment of content, on reader subjectivity, and on how the emotional tenor of the artwork is created. We briefly review some history of Japanese art and culture, in which sexuality has always been a legitimate subject for art and which forms the cultural underpinnings of manga. We summarize the erotic themes and visions of manga with sexual content, including heterosexual courtship and consummation, female and male homosexuality, sadomasochism, transvestitism, incest, and bestiality. Critics of manga argue that it glorifies rape, a view we could not confirm. We identified 87 stories with rape or sexual assault; 80 (92.0%) show the woman or others taking violent, often murderous, revenge on sexual attackers. We also analyze visual modalities for depicting men and women. In common with older Japanese aesthetic traditions, the manga we have seen depict women as beautiful, powerful, and erotic. Finally, we suggest that manga functions as an art form by mobilizing the reader’s involvement with the characters, especially female characters, in a complex narrative framework in which sexuality is a positive virtue for men and, especially, for women. We conclude that manage contains some of the finest erotic art being produced in the world today for sheer power, elegance, and drama. Some of this material was presented at the Western Regional Meeting of the Society for the Scientific Study of Sexuality, San Diego, CA, April 6–9, 2000.     

记忆状态下儿童青少年脑波超慢涨落特点的研究

用ET技术对24名7—18岁的儿童青少年进行了静息状态和记忆状态下脑电超慢涨落特点的比较研究,结果表明,在记忆状态下：(1)被试S1、S2频率明显下降,记忆成绩好的被试这一特点更为明显;(2)男生左脑功率明显下降,女生右脑功率明显上升;(3)左脑优势被试左前脑功率下降,右脑优势被试右前脑功率上升。     

The Rothko Chapel Paintings and the ‘urgency of the transcendent experience’

Since the Romantic period, painters have no longer made use of traditional Christian iconography to express religious transcendence. Taking their cue from Schleiermacher’s Reden Über die Religion, painters have sought for new, personal ways to express religious transcendence. One example is Caspar David Friedrich’s Monk by the Sea. Rosenblum argues, in his Modern Painting and the Northern Romantic Tradition, that there is a parallel between Friedrich and the abstract expressionist Rothko with respect to the expression to religious transcendence. In this article I investigate how the experience of transcendence that Rothko’s paintings want to evoke is to be described. Is it an experience of the sublime in the Romantic tradition? Is it the evocation of the ultimate in accordance with Tillich’s broad concept of religion? Does it display affinity between Rothko and the first generation of abstract painters such as Kandinsky and Malevich? Or is it a transcendent experience that cannot be situated so easily within the options supplied? After determining Rothko’s understanding of transcendence, some issues will be brought up that could be fruitful for Christian theology.     

高焦虑特质的注意偏向特点

采用“同中选异任务”范式,通过两个实验,检测了高、低焦虑特质在平静和焦虑状态下的注意敏感性和锁定特点。发现高焦虑特质对威胁信息并非特别敏感,而是一旦注意了,则锁定其中,难以摆脱。低焦虑特质则对快乐信息更敏感,而且更容易锁定其中,给予了更多的关注。研究推测,较高的状态焦虑,较容易产生紧张和焦虑,与高焦虑特质对威胁信息较强的注意锁定特点有密切关系