韵律在语言加工中的作用及其神经机制

综述了近年来使用即时加工方法进行的韵律理解和作用机制方面的一些研究。首先, 介绍了韵律特征在句法加工中的作用, 从重音、韵律边界和韵律单元三个研究角度分析了韵律在句子理解中所起的作用及作用的时间点; 然后, 探讨了韵律加工的脑机制问题。论文最后提出未来的研究应在更广阔的视野中对韵律的加工阶段以及韵律与其他心理过程之间的关系进行探讨。     

言语情绪韵律加工的时间进程

有关情绪韵律加工的时间进程,现在的研究采用ERP技术在词汇和句子水平上进行探讨：在词汇水平,韵律情绪信息和语义情绪信息都存在自动加工,前者可在300ms内得以识别,受到性别、注意等因素的调节;在句子水平,语义情绪加工可能“制约”韵律情绪加工,二者具有交互作用。未来研究应进一步探索情绪韵律加工的时间进程以及与其他信息加工的相互时间关系等。     

中小学生生活满意度的调查与分析*

为了解中小学生的生活满意度状况,课题组用中小学生的愉快心境来定义生活满意度,对我国10249名中小学生进行了调查。结果表明:85%的中小学生生活得很愉快或比较愉快,72.3%的中小学生有烦恼,经检验存在明显的年级、性别及城乡差异;中小学生最烦恼问题排在前三位的分别是学习紧张、父母期望值高、同学中没友谊;中小学生最烦恼问题与愉快心境相关的排序依次是:父母期望值高、学习紧张、家庭气氛紧张和同学中没友谊。     

国外关于韵律特征和重音的一些研究

该文对韵律特征（包括其中的重音）这一研究领域近年的一些主要研究成果进行了一个小结。小结分两部分：（１）韵律特征及其作用;（２）关于重音的研究。文章对后者进行较详细的讨论,这个讨论分为重音的声学参数、重音的作用以及重音和其它韵律特征变量相互作用三个部分。     

Rhythmic information in working memory: effects of concurrent articulation on reproduction of rhythms

The study addressed a previously neglected issue in the concept of working memory, namely whether or not rhythmical information is coded and maintained in a phonological loop. Thirty subjects engaged in a task which required them to reproduce the temporal sequence of rhythm. The results showed that the reproduction of rhythm was dramatically reduced by a concurrent articulation, and that the deterioration of rhythm reproduction was larger than that obtained with a concurrent spatial task which would not diminish the activity of the phonological loop directly. An articulatory component of the working memory apparently plays an important role in memorizing rhythms. Furthermore, the sparse-dense rhythm (a pattern which started with sparse temporal structure and ended with a dense one) allowed better memorization than a dense-sparse pattern. The sources of the sparse-dense superiority effect are discussed in terms of the working memory for rhythmic information.     

Prosodic phrasing and attachment preferences

The attachment of a relative clause (RC) has been found to differ across languages when its head noun is a complex NP. One attempt to explain the attachment differences is the Implicit Prosody Hypothesis (IPH) proposed by Fodor (1998, 2002). The goal of this paper is to show how the default phrasing of a sentence (explicit prosody), defined phonologically, differs across seven languages (English, Greek, Spanish, French, Farsi, Japanese, and Korean), and how the prosodic phrasing of a sentence in each language, both default and nondefault, matches the interpretation of RC attachment by individual speakers. Observed tendencies show that there is a direct relationship between the prosodic phrasing and the interpretation of RC attachment, strongly supporting the IPH. In addition, the paper discusses the status of default phrasing and the factors affecting the default phrasing, including rhythmic and syntactic factors and their interactions.     

Valence specific laterality effects in prosody: expectancy account and the effects of morphed prosody and stimulus lead

The majority of studies have demonstrated a right hemisphere (RH) advantage for the perception of emotions. Other studies have found that the involvement of each hemisphere is valence specific, with the RH better at perceiving negative emotions and the LH better at perceiving positive emotions [Reuter-Lorenz, P., & Davidson, R.J. (1981) Differential contributions of the 2 cerebral hemispheres to the perception of happy and sad faces. Neuropsychologia, 19, 609-613]. To account for valence laterality effects in emotion perception we propose an 'expectancy' hypothesis which suggests that valence effects are obtained when the top-down expectancy to perceive an emotion outweighs the strength of bottom-up perceptual information enabling the discrimination of an emotion. A dichotic listening task was used to examine alternative explanations of valence effects in emotion perception. Emotional sentences (spoken in a happy or sad tone of voice), and morphed-happy and morphed-sad sentences (which blended a neutral version of the sentence with the pitch of the emotion sentence) were paired with neutral versions of each sentence and presented dichotically. A control condition was also used, consisting of two identical neutral sentences presented dichotically, with one channel arriving before the other by 7 ms. In support of the RH hypothesis there was a left ear advantage for the perception of sad and happy emotional sentences. However, morphed sentences showed no ear advantage, suggesting that the RH is specialised for the perception of genuine emotions and that a laterality effect may be a useful tool for the detection of fake emotion. Finally, for the control condition we obtained an interaction between the expected emotion and the effect of ear lead. Participants tended to select the ear that received the sentence first, when they expected a 'sad' sentence, but not when they expected a 'happy' sentence. The results are discussed in relation to the different theoretical explanations of valence laterality effects in emotion perception.     

Perceiving speech rhythm in music: Listeners classify instrumental songs according to language of origin

Recent evidence suggests that the musical rhythm of a particular culture may parallel the speech rhythm of that culture’s language (Patel, A. D., & Daniele, J. R. (2003). An empirical comparison of rhythm in language and music. Cognition, 87, B35-B45). The present experiments aimed to determine whether listeners actually perceive such rhythmic differences in a purely musical context (i.e., in instrumental music without words). In Experiment 1a, listeners successfully classified instrumental renditions of French and English songs having highly contrastive rhythmic differences. Experiment 1b replicated this result with the same songs containing rhythmic information only. In Experiments 2a and 2b, listeners successfully classified original and rhythm-only stimuli when language-specific rhythmic differences were less contrastive but more representative of differences found in actual music and speech. These findings indicate that listeners can use rhythmic similarities and differences to classify songs originally composed in two languages having contrasting rhythmic prosody.     

Recognition and evaluation of emotional prosody in individuals with generalized social phobia: a pilot study

Studies using facial emotional expressions as stimuli partially support the assumption of biased processing of social signals in social phobia. This pilot study explored for the first time whether individuals with social phobia display a processing bias towards emotional prosody. Fifteen individuals with generalized social phobia and fifteen healthy controls (HC) matched for gender, age, and education completed a recognition test consisting of meaningless utterances spoken in a neutral, angry, sad, fearful, disgusted or happy tone of voice. Participants also evaluated the stimuli with regard to valence and arousal. While these ratings did not differ significantly between groups, analysis of the recognition test revealed enhanced identification of sad and fearful voices and decreased identification of happy voices in individuals with social phobia compared with HC. The two groups did not differ in their processing of neutral, disgust, and anger prosody.