王弼"得意忘象"解《易》方法辨析

对王弼解《易》的传统理解,学者多认为是"扫象"说。结合王弼《周易略例》和《周易注》进行分析,可以发现,这种看法明显偏颇。诚然,在解《易》的方法上,王弼主张"得意忘象",但他在解《易》过程中意在强调"象"的工具性和"意"的目的性。王弼此种解《易》路数并未"尽黜象数"。实际上,王弼对汉代以来之象数既有所扫,又有所保留。与其说王弼解《易》是"尽黜象数",不如说是"扫象阐理"。王弼"得意忘象"这一解《易》方法,开启了中国传统哲学对经典的解读思路,不但开义理解《易》之先河,也发宋明义理易学之先声。本文通过分析王弼解《易》的这一方法论内容与特点,进一步揭示其在中国哲学史与易学史上的理论意义。     

Erikson’s Case of the Theological Student

This article focuses on Erik H. Erikson’s case of a theological student on the borderline of psychosis. The case, presented in a lecture published in Insight and Responsibility (1964, pp. 47–80), was important to Erikson for two important reasons: It enabled him to gain confidence in his capacity to help young adults and convinced him that he was not being disloyal to Freud by focusing on patients’ religious experiences. His presentation of the case focuses on an enigmatic dream image that caused the patient to believe that he was losing his mind but that, when interpreted, led to a breakthrough in his therapy and eventual recovery of his mental health. The springboard for his study of Martin Luther, this case illustrates the three primary religious images that Erikson identifies in Young Man Luther (1958): the maternal matrix, the paternal voice, and the pure self. It also illustrates how the timely appearance of a new person in one’s life may have enormous therapeutic value.     

全元曲齐方言语词例释

元曲中零散地分布着许多今存于山东方言区的语词,系统梳理这些语词,对于元曲词汇和今天山东方言词汇的研究都有着重要的意义。本文遴选了30余个元曲中即已出现的山东方言语词,结合元曲和方言用例着力诠释语义,希望借此抛砖引玉。     

动态还是静态?成分图像呈现方式对感知产品功效的影响

产品包装元素是影响产品功效的重要因素。前人研究集中探讨包装元素的数量、尺寸等特征对感知产品功效的影响, 缺乏深入探察成分图像不同呈现方式(动态 vs.静态)对感知产品功效的影响。鉴于此, 本文聚焦包装上的成分图像, 在科技赋能动态设计的现实背景下, 探究包装上成分图像的呈现方式(动态 vs. 静态)对感知产品功效的影响。通过三个情景实验和一个实验室实验发现:成分图像呈现方式会显著影响感知产品功效, 且心理意象在上述过程中发挥显著的中介作用, 同时感知绩效风险为上述中介效应成立的边界条件。本研究不仅拓展了心理意象和感知绩效风险的内涵和应用领域, 还为企业如何利用包装设计提高感知产品功效提供营销实践启示。     

Accessing Digital Images

SUMMARY

This article discusses sources for and issues related to digital Christian art images available on the Internet. An annotated list of relevant Web sites is listed, along with advice on how to locate specific images. Also included in the article are discussions of vocabulary, fact verification, and copyright issues.     

也释《周易》卦爻辞中的“艰”——兼与廖名春先生商榷

"艰"有"难治"与"治难"两个基本意义范畴。"治难"意义范畴,后造"垦"字分担,造"垦"之前,"艰"字兼之。"垦"字分担了"艰"字"治难"之义后,"艰"字便只有"难治"之义,沿用至今。《周易》本经的六个"艰"字皆可训"垦",耕垦,开辟,拓荒之义,意即不畏艰难,知难而进,多用其力,掘进不辍。"艰"与"垦",字为古今,语同一源。训"艰"为"垦",乃"艰"字本有之义,无须假借为说。《噬嗑》、《大畜》、《明夷》卦爻辞的"利艰贞"体现了圣人"开拓进取,因时而变"的人生智慧;《泰》九三之"艰贞,无咎"、《大有》初九之"艰则无咎"、《大壮》上六之"艰则吉"诠释了圣人"自强不息,知难而进"的人生追求。     

涧水疗法要义——心理咨询的中国阐释

以周易哲学为基础,采西方咨询理论之精华,建构一套开放的本土心理疗法——涧水疗法。认为每个人都有一个心理调节系统,该系统有六个维度,即时间、意志、身体、爱心、参照和战略,并且每个维度均有阴阳两极。心理咨询可围绕这六个维度展开。咨询的指导思想是“真诚谦卑,镇定安详;以退为进,以柔克刚;因势利导,阴消阳长;惧以终始,笑对无常”。咨询过程分为“望”、“闻”、“问”、“辨”和“导”,五个部分分别与五行的“火”、“水”、“金”、“土”和“木”对应。     

本易理以诂易辞 由易辞以准易象——试论尚氏易学的特色及其对易学史的贡献

本文认为,本易理以诂易辞,由易辞以准易象,这是尚秉和先生注解《周易》的基本原则,也是他独辟蹊径所发明的注易新方法。依据此一原则和方法,尚先生一扫东汉以来易家注易迂曲立说、穿凿附会之风气,穷究易理,广搜易象,以易解易,以易证易,其对《周易》经、传的诠释,"六通四辟,若合符契"。由此不仅纠正了千百年来易家注易的诸多流弊和错误,而且也牢固地确立了尚秉和先生在易学史上的大师地位。