天人合一心理研究范式发微

从学科本体对心理学做重新审视。在方法论上,把意识和物质等同犯了“范畴错误”; 在科学性上,心理学不该用证实主义而应用证伪主义的标准,且心理学难以成为自然科学意义的科学却有望成为胡塞尔“严格意义的科学”; 在认识论上,主客二分研究范式具有“‘主-客-间'双重障碍”。天人合一范式可解决双重障碍,并以直观内省体察普遍性定理。故汲取中国哲学中的观物取象法、虚壹而静原则、中国式内省并结合西方现象学提出天人合一研究范式的初步构想。     

The Editing Density of Moving Images Influences Viewers’ Time Perception: The Mediating Role of Eye Movements

The present study examined whether cinematographic editing density affects viewers’ perception of time. As a second aim, based on embodied models that conceive time perception as strictly connected to the movement, we tested the hypothesis that the editing density of moving images also affects viewers’ eye movements and that these later mediate the effect of editing density on viewers’ temporal judgments. Seventy participants watched nine video clips edited by manipulating the number of cuts (slow- and fast-paced editing against a master shot, unedited condition). For each editing density, multiple video clips were created, representing three different kinds of routine actions. The participants’ eye movements were recorded while watching the video, and the participants were asked to report duration judgments and subjective passage of time judgments after watching each clip. The results showed that participants subjectively perceived that time flew more while watching fast-paced edited videos than slow-paced or unedited videos; by contrast, concerning duration judgments, participants overestimated the duration of fast-paced videos compared to the master-shot videos. Both the slow- and the fast-paced editing generated shorter fixations than the master shot, and the fast-paced editing led to shorter fixations than the slow-paced editing. Finally, compared to the unedited condition, editing led to an overestimation of durations through increased eye mobility. These findings suggest that the editing density of moving images by increasing the number of cuts effectively altered viewers’ experience of time and add further evidence to prior research showing that performed eye movement is associated with temporal judgments.     

Who Is This God of Whom You Speak? Counseling Students' Concept of God

Many clients bring a belief in God or a Higher Power into counseling sessions. What is less clear, however, is how counselors conceptualize “god,” which may affect how spirituality is integrated in the counseling process. To explore this question, the authors conducted a concept map study of god images among counseling students. Results suggest that students harbor broad and diverse conceptualizations of god, which may affect the counseling process.     

Concept learning by monkeys with video picture images and a touch screen.

Two rhesus monkeys were trained in a same/different task to discriminate digitized computer-stored picture stimuli. The pictures were digitized from 35-mm slides and presented in pairs on a computer monitor. The monkeys were required to touch the pictures and then make a choice response to indicate whether the pictures were identical or nonidentical. The response areas and stimuli were located to the sides of the picture stimuli. Responses were defined and monitored by an infrared matrix touch screen. After learning the same/different task, both monkeys showed performance accuracy with novel picture stimuli similar to that with training picture stimuli. This accurate novel-picture transfer indicates that a same/different concept had been learned, a concept similar to the one they had previously demonstrated in a different apparatus with rear-projected slide stimuli and a response lever.     

The Sexuality of Elderly People on Film—Visual Limitations

During the last decade there has been a growing interest in images of aging in gerontology, but representations of elderly people's sexual lives still remain largely unexplored. This article attempts to elucidate the image of elderly people's sexuality in popular culture by analyzing representations of elderly people in mainstream feature films. Between 1990 and 1995, only 9 films out of a sample of 2000 in Swedish theatres cast elderly people as leading characters. In this article, these 9 films have been deconstructed in order to identify the rules of representation that guide and limit the depiction of elderly people's sexuality on film. One specific film is then analyzed in more detail to show how the rules were used to create a credible image of an elderly couple's sexuality, and a frame analysis is used to identify how elderly people's sexuality can be packaged on film to produce a slightly bolder representation of their sexuality.     

Motion as a natural category for pigeons: Generalization and a feature-positive effect

Three groups of pigeons were trained with a modified discriminative autoshaping procedure to discriminate video images of other pigeons on the basis of movement. Birds of all groups were shown the same video images of other pigeons, which were either moving or still. The group to whom food was presented only after moving images learned the discrimination very quickly. A second group, to whom food was given only after still images, and a pseudocategory group, to whom food was presented after arbitrarily chosen stimuli, showed no evidence of discrimination during acquisition training. Extinction conditions led to clear differences in peck rates to moving and still images in the second group but not in the pseudocategory group. The result is related to the feature-positive effect. Generalization tests showed that the discrimination performance was based on visual features of the stimuli but was invariant against changes of size, perspective, brightness, and color. Furthermore, discrimination was maintained when novel images of pigeons under different viewing angles and seven other types of motion categories were presented. It is argued that the discrimination is based not on a common motion feature but on motion concepts or high-order generalization across motion categories.     

Ideas and processes in mathematics: A course on history and philosophy of mathematics

This paper describes an attempt to develop a program for teaching history and philosophy of mathematics to inservice mathematics teachers. I argue briefly for the view that philosophical positions and epistemological accounts related to mathematics have a significant influence and a powerful impact on the way mathematics is taught. But since philosophy of mathematics without history of mathematics does not exist, both philosophy and history of mathematics are necessary components of programs for the training of preservice as well as inservice mathematics teachers.     

BODY-VESSEL-MATRIX: CO-CREATIVE IMAGES OF SYNERGETIC UNIVERSE

Abstract: In his essay "Goddesses of the Twenty-first Century," R. Buckminster Fuller's use of woman and goddess as metaphor suggests a fruitful source of images illuminating synergetic principles. Using five images, clustered as odyvessel-matrix, the article suggests an epistemology and a heuristic for connecting the personal-physical and the universal-metaphysical. These images are (1) the Egyptian goddess Nut, (2) the Greek earth goddesses, (3) Neolithic Maltese goddess temples, (4) the double spiral, and (5) the Apollo Mission's Earth photographs. These images are intended as transformational synergetic/ecofeminist figures to replace images of deprivation, alienation, and destruction with images of abundance, intimacy, and co-creation.     

"象思维"视野下的"易道"

"易道"的根本在于,观物取象,并进而在象的流动与转化中洞察出卦象,由卦象以尽意."象思维"的本质在于"非实体性",而这种非实体性使<周易>的象思维具有"原发创生"性,并且表现出与西方实体性的概念思维本质不同.从原发创生的视角观之,历史上和今天关于卦爻之象数与卦爻辞哪个根本的问题,可以归结为原发创生的"筑象"过程."原发创生",就是无极而太极之生,是"无中生有"和"有中见无"之生.