自闭症者对音乐和言语音高的加工

自闭症是一种神经发展障碍,主要表现为社会互动障碍,语言交流困难以及刻板行为等症状。已有研究表明,在音乐方面,自闭症者不仅表现出较强的音乐音高知觉能力,而且在音乐表演方面也体现出某些优势。然而,在言语方面,自闭症者除了在言语音高轮廓分辨任务中得分较高外,对言语语调的知觉能力明显比正常人更差,同时,他们对言语语调的产生也存在障碍。本研究不仅可以推进音乐和言语对比研究,而且也为自闭症者言语康复提供借鉴。     

领导非工作时间电子通信预期影响下属工作绩效的多路径模型

领导预期下属非工作时间随时保持联系、并且及时回复工作信息已成为当下数字经济时代中的职场新常态。文章基于资源保存理论, 构建领导非工作时间电子通信预期(After-hours electronic communication expectations, AECE)影响下属工作绩效的多路径模型。通过实验研究, 以及多时点、多来源的问卷调查研究, 结果发现：(1)在资源获益路径, 领导AECE会通过增强下属组织自尊, 提升工作绩效; (2)在资源损耗路径, 领导AECE会增加下属的压力感知; (3)在资源威胁路径, 领导AECE会引发下属的名声担忧, 进而降低工作绩效; (4)自我领导调节资源威胁路径, 即当下属自我领导水平较高时, 领导AECE通过名声担忧降低工作绩效的间接效应被削弱。整合的理论框架为解释领导AECE对下属工作绩效的复杂影响提供更全面的解释, 这不仅丰富了AECE相关文献, 拓展了资源保存理论在数字经济管理背景下的应用, 同时也为“随时待命”这一职场新常态提供管理实践启示。     

Trying to be happier really can work: Two experimental studies

Does the explicit attempt to be happier facilitate or obstruct the actual experience of happiness? Two experiments investigated this question using listening to positive music as a happiness-inducing activity. Study 1 showed that participants assigned to try to boost their mood while listening to 12?min of music reported higher positive mood compared to participants who simply listened to music without attempting to alter mood. However, this effect was qualified by the predicted interaction: the music had to be positively valenced (i.e. Copland, not Stravinsky). In Study 2, participants who were instructed to intentionally try to become happier (vs. not trying) reported higher increases in subjective happiness after listening to positively valenced music during five separate lab visits over a two-week period. These studies demonstrate that listening to positive music may be an effective way to improve happiness, particularly when it is combined with an intention to become happier.     

Music and melancholy: Marsilio Ficino's archetypal music therapy

Melancholy, to Ficino, is a state in which the mind, the realm of deep, abstract thinking, is cut off from the supply of the spirit. His concept of spirit corresponds to a kind of universal life-energy (libido, in Jungian terms). Individually, as the spirit of man, it appears as projected into the blood of the human body, collectively, as spirit of the world, into the spheres of the planets.
The spirit of man corresponds to the spirit of the world and can receive from it a great deal through the rays of the planets. To attract the 'spiritual' influence of a particular planet you may use animals, plants, food, scents, talismans. But music is what is recommended most strongly.
Ficino's intention is to temper the melancholic influence of Saturn. Consequently, his astrological songs are addressed to the compensating benign planets, the Sun, Jupiter and Venus. In modern terms it is an attempt, consciously, by active imagination, to re-establish the emotional relatedness with the archetypal realms of the planets from which Saturn has cut us off.
Ficino's ideas are related to Jung's rehabilitation of the feeling-function     

Relative alpha desynchronization and synchronization during perception of music

Relative desynchronization (ERD) and synchronization (ERS) of the 8–10 Hz and 10–12 Hz alpha freqency bands elicited by music were studied in ten musically untrained right-handed subjects. The subjects listened to two five-minute musical excerpts representing two different musical genres, popular and classical, presented both foward and backward. ERD/ERS of the two alpha frequency bands was examined during the first four minutes of stimulus presentation using one-minute time windows. The results demonstrated that both the 8–10 Hz and the 10–12Hz frequency band exhibited reactivity to musical stimuli. The responses of the 8–10Hz and 10–12 Hz alpha frequency bands were dissimilar, dymanic and dependent on both time and stimulation type. The dynamics of these changes over time may explain some discrepancies in earlier EEG studies during listening to music.     

Internet Discussion Forum Summary

Articles Discussed in this forum:
'Symbolic attitude and reverie: problems of symbolization in children and adolescents' by Gustav Bovensiepen and 'Response to Gustav Bovensiepen' by Donald Kalsched     

The Contribution of Music to Positive Aging: A Review

Many people value music as an important part of their everyday lives. The published literature reveals that the role of music in life is varied: it can be recreational, educational, social, emotional, therapeutic, and spiritual. The importance and relevance of music depends on the life needs and interests of the individual and the social group within which he/she lives. It is now widely recognized that music for many older people is crucial in supporting a sense of well-being. The article reviews the evidence on the role of music in promoting health and well-being, and how it can produce positive psychological and physiological benefits for individuals. The aim of this article is to increase awareness among health professionals of the importance of music and discuss how it can be used to add to older people's lives.     

MUSIC AND METAPHYSICS

Abstract: In this article, I assume that musical works are abstract types, and I raise and address a new question concerning musical ontology that may take the types view at least a step further: When do musical works cease to exist? I then propound my view about musical works as types, which is somewhat like the Aristotelian Realist position concerning universals. Next, I address some objections to that view. Finally, I provide some grounds for rejecting alternative views that see Western classical musical works before 1950 (the sorts of musical works the discussion here is restricted to) either as classes or else as kinds.     

材料呈现方式对不同音乐训练经验的汉语儿童英语言语记忆的影响

选取受过音乐训练和未受过音乐训练的汉语儿童为被试,在同一呈现速率条件下以歌曲、韵律和朗读三种方式呈现一段英文材料,从单词、句子和篇章三个层面探讨音乐训练经验和材料呈现方式对第二语言言语记忆的影响。结果发现：1）音乐组的记忆成绩高于非音乐组;2）相比于朗读材料,儿童对于歌曲和韵律材料的记忆效果更好;3）在单词和句子层面,音乐组和非音乐组的差异主要体现在歌曲材料上,而篇章层面没有类似发现。该结果表明音乐训练和材料呈现方式均能影响儿童的第二语言言语记忆,并且音乐训练效应对材料呈现方式表现出选择性     

“There Must be Mouse Dirt with the Pepper”: A Lutheran Approach to Choosing Songs1

Abstract : This paper stems from my doctoral research on the question, “What is a good song?” It is a response to the Praise and Worship movement, which started within the charismatic churches, but also has spread to many mainline churches, including my own in South Africa. While I am supportive of much that is good in this movement, I am also critical of the content and theology of many of the songs. This paper focuses on what we as Lutherans can learn from our founder when it comes to choosing what and how to sing in our services.