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排序方式: 共有177条查询结果,搜索用时 15 毫秒
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NOBUYUKI MORI 《The Japanese psychological research》1996,38(2):85-89
Abstract: It is natural to assume that the strength of an "Aha!" becomes stronger when an unexpected solution is correct. In this study, this assumption is examined experimentally through a list of possible correct solutions. In the experiment, subjects listed the possible correct solutions before solving the problems, and evaluated the strength of their "Aha!" experience after they solved the problems. It was shown that the strength of the "Aha!" experience was strongest if the correct answer had not been included in the list of possible correct solutions; if included, the strength of the "Aha!" experience corresponded to the answer's position in the list, that is, the later the correct solution listed, the stronger the feeling became. It is suggested that the strength of an "Aha!" experience can be used as an error function in the learning process. 相似文献
34.
Thomas A. Russman 《Argumentation》1995,9(1):123-135
Argument, in any full sense of the word, needs resources and assumptions that postmodernism does not provide. Postmodernism is not a phenomenon that emerged after modernism, as it were, to replace it; postmodernism is just an ultimate expression of the nihilistic tendencies of modernism, tendencies which were present from its beginning and have continued to the present. A radical critique of modernism undercuts postmodernism as well and clears the way for a revival of realist foundations for argument and rhetoric. 相似文献
35.
Hugh Gee 《The Journal of analytical psychology》1996,41(4):529-552
By the use of tape recordings, I attempt to understand the main ways in which a supervisor helps the supervisees to gain insights into their work with their patients. Through this research I became aware that insights come into being by way of a process involving unconscious identity and differentiation. I have use supervisory examples to illustrate the ways in which the supervisor interacts with the supervisee. 相似文献
36.
Personal Dispositions and Shift‐Work Tolerance: A Longitudinal Study of Municipality Shift Workers 下载免费PDF全文
Vegard Stolsmo Foldal Eva Langvik Ingvild Saksvik‐Lehouillier 《Journal of Employment Counseling》2016,53(4):174-186
The aim of this study was to investigate how dispositional resistance to change and neuroticism could predict shift‐work tolerance (SWT) over a period of 6 months. Electronic questionnaires were completed by 74 shift workers employed in a municipality in Norway in January 2013 (1st wave of data collection) and in June 2013 (2nd wave of data collection). The findings suggest that individual differences, especially neuroticism, can predict SWT over a period of 6 months. 相似文献
37.
A growing body of experimental work highlights the potential value of unstructured, interactive, or spontaneous motions, including gestures, dance, shifting body postures, physical object-manipulation, drawing, etc. to favorably impact creative performance. However, despite these favorable findings, to our knowledge, no systematic review has been conducted to explore the totality of evidence for embodied activities in this arena. Thus, the objective of this paper was to systematically evaluate the potential effects of embodied experimental manipulations on traditionally assessed creativity outcomes. A systematic review was conducted utilizing PubMed, PsychInfo, Sports Discus, and Google Scholar databases. The 20 studies evaluated employed a variety of methodological approaches regarding study design, embodied manipulation, and selection of specific creativity outcomes. Despite these variations, embodied movement robustly enhanced creativity across nearly all studies (90%), with no studies showing a detrimental effect. Based on the evaluation of the studies reviewed, several common themes emerged. These included the relevance of symbolic metaphors and distributed embodied cognitions, selection of embodied modality, specific measurement considerations, as well as the importance for implementing true, inactive control conditions in embodied creativity research. This review expands on these findings and places them in the context of improving future embodied creativity research. 相似文献
38.
Linda A. Ovington Anthony J. Saliba Carmen C. Moran Jeremy Goldring Jasmine B. MacDonald 《创造性行为杂志》2018,52(1):21-34
While there are well‐known anecdotes and documented insight cases by renowned scientists and inventors, little is known about the experiences of insight in the general population. The present study aimed to determine peoples' self‐reported experience of insight in their daily lives. Using an online questionnaire, responses were obtained from 1,114 respondents. Eighty‐percent reported having insights. These respondents reported demographic information and answered three open‐ended questions on where their insights occur, what insights are and other thoughts on insight. A greater percentage of those who have insights are, female, younger, highly educated, and involved in occupations including, management, sciences, arts and service professions. The qualitative results uncovered eight major themes, reflecting on the places people have insights: At night, work, shower, home, when it is quiet, transport, while exercising, and in nature. Two major themes emerged on what insights are: Something from the subconscious, and a result of (not) thinking. Finally, three major themes emerged from the third question on thoughts they would like to share on insight: The improvement of insight with age, the importance of analyzing the details of the problem, and the unexpectedness of the solution. Results are discussed in the context of the current experimental research on insight. 相似文献
39.
Mauro Maldonato 《World Futures: Journal of General Evolution》2018,74(3):158-174
Musical improvisation is the expressive capacity of a performer fostered by access to their own “productive” (creative) or “reproductive” (mnestic) tonal imagery: a field of consciousness that includes experiences, images that are internal, combined, distorted, associated, or in competition between themselves. In the highly original form of life that is jazz, narrating means directing time: a time of epiphanies and introversions, of intuitions and revelations, of syncopated rhythms and aesthetic insights, which appear and disappear on the edges of interference between consciousness and the unconscious. The performing urgency of gestures, voices, and sounds, although arranged in the same scene, highlights the difference in individual time. In this intense activity of opposition and resolution the experience becomes an unstable territory that rests on the capacity of the body to remember, decide, anticipate, and invent. The ego reveals itself to be an emerging representation of our nerve structures and, even if conscious organization continues to be attributed to it, its role is not at all crucial. Unity, if anything, means coordination. The conscious ego is the expression of the body. In its ultimate form its unity is a biological problem. 相似文献
40.
Imbesi L 《American journal of psychoanalysis》2002,62(2):145-161
Psychoanalysts rely on insight to promote therapeutic change. However, even when a great deal of insight has been attained, significant change may not be forthcoming in some patients, more often in borderline-level patients. The author examines such a case with particular reference to E. Kris' major points on insight, including the role of the ego's integrative functions in the attainment and utilization of insight. The author contends that failure to utilize insight is overdetermined and not necessarily owing to impairments in the integrative functions or to resistance in all its expressions. The author postulates that failure to make progress is due to a combination of the strength of the unmodulated drives, general ego weakness, poor early object relations, particularly preverbal experience, and constitution, in interaction. The whole of the personality is implicated in the inability to utilize insight. 相似文献