汉语普通话声调加工的右耳优势及其机理：一项双耳分听的研究

采用双耳分听的任务探讨了汉语普通话声调加工的右耳优势问题,并引进反应手的因素,探讨了汉语声调加工的右耳优势的机制。结果表明,汉语母语被试对普通话声调的加工存在右耳、左脑优势,但这种优势是相对的,右脑也具备加工声调信息的能力,结果支持了直接通达模型。     

Hunger and love: Schiller and the origin of drive dualism in Freud's work1

The interpretation of dreams was the fi rst text in which Freud referred to the system of two drives (drive of self‐preservation and the sexual drive). In order to understand how this question was at work in Freud's mind, one has to go back to 1898, when Freud began to write the third chapter of The interpretation of dreams. One can then see, in contrast with Sulloway's assertions, how Freud was inspired by Schiller, whose shadow haunted his dreams between April and December 1898. The analysis of these dreams emphasizes how the references to Schiller's works and to the drive of self‐preservation cover sexual impulses, in particular, those connected with the relationship to the father. The food drive or drive of self‐preservation also enabled Freud to construct a heroic romance. He was thereby able to bury an internal criticism which was at odds with his persistence in describing the father as a seducer, and to conceal scenes in which he was defeated and sexually subdued by another boy.     

Identifying similarities in cognitive subtest functional requirements: An empirical approach

In the cognitive test interpretation literature, a Rational/Intuitive, Indirect Empirical, or Combined approach is typically used to construct conceptual taxonomies of the functional (behavioral) similarities between subtests. To address shortcomings of these approaches, the functional requirements for 49 subtests from six individually administered scales of cognitive ability (WISC-IV, WPPSI-III, SB-V, WJ-III, CAS, and UNIT) were typed on index cards. Forty-eight (48) in-service and/or pre-service school psychologists were asked to sort the cards into two, three, five, or eight functionally similar piles. A multidimensional scaling analysis was performed on a 49 × 49 matrix of similarity scores collapsed across all 48 subjects. Three dimensions were extracted from the data: Reproduction of Stimuli Sequences versus Picture Viewing (Dimension 1), Timed Speed versus Untimed Power (Dimension 2), and Verbal versus Performance (Dimension 3). A hierarchical clustering procedure was then applied to the matrix data, and results were compared to previous categorization schemes identified in the test interpretation literature.     

On the capacity to suffer one's self

Problems in the establishment of the sense of a ‘psychic’ skin, in the ways described by Bick and Meltzer for example, commonly give rise to distortions in the capacity for self‐experiences as a consequence of difficulties in relation to projective and identificatory processes. These latter may acquire a markedly adhesive character as a defence against the anxieties that arise. This makes for considerable technical difficulties in an analysis. This essay addresses the nature of these problems and considers some of the ways in which they may be approached clinically.     

汉语本体符号新释

汉语“本体”由“本”与“体”两个符号组成,截然不同于印欧语系的 ontology。汉语“本体”与“体”“本”构成一个内在统一的过程。中华先哲的问学之旅,即是立“本”生“道”、“本体”与“体”“本”的和合相生之旅。汉语本体构成了汉语思维进行诗性超越的根基,它独特的创新意识表现为追“本”溯源、返“本”开新,在这个意义上汉语本体与方法论是统一的。自现代以来,ontology 式本体之理解遮蔽了汉语“本体”的“本”来内涵,汉语“本体”符号亟待摆脱ontology 的“殖民”,而返回母语故乡。     

NARCISSISTIC DEFENSES IN THE DISTORTION OF FREE ASSOCIATION AND THEIR UNDERLYING ANXIETIES

This paper examines particular distortions in the process of free association characteristics of patients with narcissistic personality disorders. The author proposes that the dominant narcissistic transference developments typical of the early and middle phases of the analytic treatment of these patients are reflected in these distortions of free association. This paper gathers the various patterns that these defensive distortions present, along with technical interventions geared to deal with them.     

Two in one or one in two? Pushing off from Jung with Wolfgang Giegerich

This paper responds to a recent paper by Wolfgang Giegerich entitled ‘Two Jungs: apropos a paper by Mark Saban’. Giegerich disputes my assertion that the ‘rigorous notion’ at the heart of his psychology ‘finds no source in Jung's psychology, implicit or explicit’. In order to do this he posits the existence of two Jungs, an exoteric Jung and an esoteric Jung. The implications of Giegerich's binary scission of Jung are explored in this paper, and show that the tendency to exalt one Jung while disparaging the other betrays a comprehensive blindness toward the contradictory complexity of Jung's psychology as a whole. It is suggested that this blindness is the consequence of Giegerich's systematic prioritization of a neo‐Hegelian agenda that is in profound conflict with the telos of Jung's psychology.     

THE PAST IS IN THE PRESENT: READING THE WORK OF EDNA O'SHAUGHNESSY

Inquiries in Psychoanalysis: Collected Papers of Edna O'Shaughnessy. By Edna O'Shaughnessy; edited by Richard Rusbridger. London/New York: Routledge, 2014. 342 pp.     

Analysis of the Impact of Creative Technique on the Motivation of Physical Education Students in Dance Content: Gender Differences

The aim of this study was to learn about the effectiveness of two dance teaching techniques, the creative examination technique and the direct instruction technique, on the satisfaction of basic psychological needs, the level of self‐determination, the perception of usefulness, enjoyment and effort of physical education students. Likewise, it purports to analyze the gender difference in the psychological variables addressed in agreement with the teaching technique used, to guide and personalize the treatment of these contents in physical education. A quasi‐experimental design was carried out with four natural groups from two school centers. The direct instruction technique was applied with two groups and the creative examination technique with the other two, in a total of 12 sessions. An initial and final measurement was taken in both groups, and the results revealed the complexity to motivate students after 12 sessions. However, the gender‐dependent analyses offer methodological guidelines, as the creative technique causes adaptative consequences on the male gender and disadaptative consequences on the female gender. By way of conclusion, we can highlight the need to devote more sessions to dance teaching and to apply different treatments depending on the gender.