A technique for facilitating the creation of mind

There are two forces operating in people. One resists pain and violently opposes integration. The other force is slowly bringing coherence and integration to what is inside. There has been a tendency within psychoanalysis to focus on the former. In this paper the author focuses on the latter. The hypothesis here is that if the analyst focuses upon the signs of integration that this assists the process of growing self-awareness. The negative transference emerges as the undeveloped aspects of the psyche are recognized by the patient.     

TEILHARD DE CHARDIN'S EVOLUTIONARY NATURAL THEOLOGY

Pierre Teilhard de Chardin develops, as is well known, a model of evolution as a convergent progression from primordial multiplicity through increasing degrees of complexity toward a final Omega point of spiritual consummation. I explore how Teilhard fuses Darwinian and Lamarckian theories of evolution in developing his own, and in particular his defense of the view that Lamarckism is fundamental to a proper understanding of evolution's human phase. Teilhard's scientific interpretation of evolution is inspired by Christian cosmological insights derived from patristic theology and contemporary Pauline scholarship and cannot be separated from them. His integration of science and theology provides the basis for a renewed evolutionary natural theology that supplants the traditional static models developed by William Paley and others. Teilhard's natural theology also provides a framework for theological ethical reflection on how humanity should act in its capacity as created co‐creator with God. In later work, he considers the implications of his evolutionary theology for the wider universe. Teilhard thus presents an invigorated natural theology grounded in evolution that confirms and completes a dynamic and teleological view of the cosmos.     

THE SIGNIFICANCE OF EVITABILITY IN NATURE

Assessing the current situation of the religion–science dialogue, it seems that a consensus of nonconsensus has been reached. This nonconsensus provides a pluralistic context for the religion and science dialogue, and one area where this plurality is clear is the discourse on relational models of God and creation. A number of interesting models have gained attention in contemporary theological dialogue with science, yet there is an overriding theme: an emphasis on God's involvement with the world. In this article, I argue that theology has been preoccupied with this emphasis. It is suggested that the theme of the freedom of nature has been underrepresented. This theme of the freedom of nature I argue carries important theological implications. It is suggested that acts or events gain their significance largely by way of being contextualized by the fact that such acts or events could have been otherwise, a realization that might provide the various relational models of God and the world food for thought.     

EXTINCTION,NATURAL EVIL,AND THE COSMIC CROSS

Did the God of the Bible create a Darwinian world in which violence and suffering (disvalue) are the means by which the good (value) is realized? This is Christopher Southgate's insightful and dramatic formulation of the theodicy problem. In addressing this problem, the Exeter theologian rightly invokes the Theology of the Cross in its second manifestation, that is, we learn from the cross of Jesus Christ that God is present to nonhuman as well as human victims of predation and extinction. God co‐suffers with creatures in their despair, abandonment, physical suffering, and death. What I will add with more force than Southgate is this: the Easter resurrection is a prolepsis of the eschatological new creation, and it is God's new creation which retroactively determines past creation. Although this does not eliminate the theodicy question, it lessens its moral sting.     

SOUTHGATE'S COMPOUND ONLY‐WAY EVOLUTIONARY THEODICY: DEEP APPRECIATION AND FURTHER DIRECTIONS

Christopher Southgate offers a remarkable evolutionary theodicy that includes six affirmations and arguments; together they form a unique and very persuasive proposal which he terms a “compound evolutionary theodicy.” Here I summarize the arguments and offer critical reflections on them for further development, with an emphasis on the ambiguity in the goodness of creation; the role of thermodynamics in evolutionary biology; the challenge of horrendous evil in nature; and the theological response to theodicy in terms of eschatology, with its own severe challenge from cosmology.     

REDEEMING A CRUCIFORM NATURE

Christopher Southgate recognizes that the natural world is both ambiguous, mixing goods and bads, and simultaneously dramatically creative, such creativity resulting from just this ambiguous challenge of environmental conductance and resistance. Life is lived in green pastures and in the valley of the shadow of death. Perhaps this is the only way God could have created the values found on Earth, by means of such disvalues, as a Darwinian natural selection account suggests. Generating Earth's biodiversity requires struggle, success, and failure—and such an only way would constrain a powerful, loving God. But Southgate judges this too uncaring of suffering individuals, the products of evolution sacrificed to the systemic process. Perhaps God through Jesus redeems all the sacrificed individuals—pelicans in a pelican heaven—but redemption of all the bullfrogs and acorns becomes an incredible hope. Nature is a cruciform creation, where life persists in perpetual perishing. Life is forever conserved, regenerated, redeemed.     

A Complexity Approach To Co-Creating An Innovative Environment

The distinguishing characteristic of complex co-evolving systems is their ability to create new order. In human systems this may take the form of new ways of working or relating, new ideas for products, procedures, artefacts, or even the creation of a different culture or a new organizational form. This article will explore the creation of new order using the principles of complexity and the concepts of creativity and innovation. It will argue that innovation can be facilitated by an enabling environment based on the logic of complexity and describe how one organization (the Humberside Training and Enterprise Council) co-created an innovative environment and changed its culture, ways of working, thinking, and relating.     

HUMANS CREATED ACCORDING TO THE IMAGO DEI: AN ALTERNATIVE PROPOSAL

Classical approaches to the idea of the imago Dei in the theology of creation have tended to postulate a distinctive element of the human being not found in other creatures, with the possible exception of angels. This is often combined with attempts to use the imago concept as an organizing principle within Christian theology. Such approaches are now problematic not merely on account of their exegetical findings, but for methodological reasons. In light of recent exegesis, the imago Dei in Genesis 1:26–27 should be seen as a signifier of human life under God, rather than a single determining characteristic or essential attribute. Following the wisdom literature, the imago Dei can be understood, in a more diffused manner, as represented by human persons over long periods of evolutionary history in their characteristic quotidian forms of life, thus signifying the providential ordering of human life everywhere. The recent work of David Kelsey on theological anthropology is engaged in this context.     

Inheritance,Originality and the Will: Bergson and Heidegger on Creation

Abstract

In the work of Henri Bergson and Martin Heidegger we find different responses to traditional ideas of ‘creation’. Bergson advances a philosophy of creation, wherein ‘creation’ is presented as the production of a ‘radical’ or ‘absolute’ novelty, not only in art, but in all forms of human experience and biological life. Heidegger, in contrast, comes to criticise ideas of ‘creation’ in art as the expression of an alienated ‘humanism’ and ‘subjectivism’ essential to the modern age. This paper illuminates this divergence by showing how Bergson and Heidegger, despite appearances, grapple with the question of art-production – and with the attendant issues of inheritance and originality – in similar ways. It is only in recognising this proximity, I argue, that it is possible to perceive adequately what essentially distinguishes their approaches: Bergson’s conception of creation as a function of the will.