Creativity Research Overlooks the Study of Resilience among Young Children: A Bibliometric Network Review

Creativity researchers are increasingly interested in understanding when, how, and for whom creativity can be beneficial. Previous reviews have demonstrated that creativity research largely ignores the study of its impact on factors that promote health, and well-being among populations of adults. It is unclear, in fact, whether this gap in research also extends to creativity research among young children. This paper addresses this issue. Early childhood is a crucial stage for the cognitive development of young children who remain highly sensitive to stress, and adversity. It is therefore essential to identify and promote factors that are beneficial to early childhood resilience, thereby contributing to documenting more of the effects of creative activities on positive outcomes. This paper presents a review with a bibliometric analysis of 1000 randomly selected articles from the Web of Science, without bias towards any specific peer-reviewed journal. The analysis of 454 included articles shows that approximately 80% of the included studies focus on creativity as an outcome (replicating previous findings with a larger sample), with only 3.78% investigating creative activities as predictors among young children. In this small percentage, most of the studies addressed creative activities in young children related to resilience outcomes.     

顾客为什么参与创造？ ——消费者参与创造的动机研究

从消费者参与企业价值创造的角度研究了消费者创造动机与创造意愿之间的关系,结果说明,一般创造性理论所证实的认知需求并未对消费者创造意愿产生显著影响,而独特性产品需求、独特性体验需求以及创造激励对消费者创造意愿产生了显著的正面影响研究还发现,信任和创造激励分别调节了独特性产品需求和独特性体验需求与创造意愿之间的关系     

跨学科概念图创作能力与科学创造力的关系

采用科学领域的跨学科概念图创作任务, 探讨了跨学科概念图创作能力与科学创造力的关系。研究发现：（1）跨学科概念图创作能力与科学创造力显著正相关;（2）概念图创作的命题、交叉连接与创造力的流畅性、独创性、灵活性显著相关;交叉连接与独创性显著相关;（3）跨学科概念图创作能力的个体差异表现在科学创造力的各个方面。研究表明,跨学科概念图创作任务与科学创造力测验考察了学习者相似的心理能力;跨学科概念图创作不仅可以用于促进跨学科信息整合和知识建构,还可以作为理解学习者创造性思维能力的有效工具     

Creativity and dialectical phenomena From dialectical edge to dialectical space1

The seeds of creativity have the potential to germinate and flourish within the rich, ambiguous and unsettling tapestry of the core dialectical tensions related to the central organizing dialectic, life and death, generated in the patient‐analyst relating. The author introduces the concept of the ‘dialectical edge’ and describes it as the pivotal point in the dialectical struggle within these core dialectical dilemmas. This is a fluid, emotionally evocative threshold, where there is maximum potential for change, as well as for homeostatic stagnation. Drawing on Winnicott, the author illustrates how the presence of an edge within these dialectical dilemmas has the potential to open up into a creative, reflective space. He suggests that this, however, will depend on the therapist's capacity to contain/hold at this edge the arousing and intense affects‐such as anxiety, dread, excitement and passion‐that are inevitably generated at these pivotal relational moments. This will determine whether the patient will move forwards into the light of a creative, reflective, dialectical space, or backwards into collapsed, non‐reflective darkness, where fluid oscillation is transformed into rigid ossification. The author uses a clinical example to illustrate these dialectical phenomena, with a special focus on two clinically relevant dialectics, i.e. ‘ritual versus spontaneity’ and ‘closeness versus separateness’.     

小学儿童社会创造性与其同伴关系、学业成绩的关系

采用整群取样法, 选取387名小学儿童, 采用问卷法、同伴提名法和成绩评定, 考察了其社会创造性与其同伴关系、学业成绩的关系。结果表明:(1)小学儿童的社会创造性与学业成绩、社会喜好、社会影响, 学业成绩与社会喜好均呈显著正相关;(2)社会喜好在社会创造性与学业成绩之间、学业成绩在社会创造性与社会喜好之间、社会创造性在社会喜好与学业成绩之间均具有显著的中介效应, 社会影响在社会创造性对学业成绩的影响中具有显著的调节作用。     

社会认同理论视野下的社会认同威胁

社会认同威胁是指,在社会比较的情况下,由于群体地位的差异,某一群体的个体在认知、情感上,对自我、所属群体身份的不承认,而产生的一种心理上的疏离感和剥夺感、自卑感。社会认同威胁的结果包括3类：脱离群体、改变群体的状态、接受消极的社会认同结果。外显“社会威胁”的测量方法以问卷调查为主。测量“社会威胁”的内隐方法则以心脏血压和平均动脉血压作为测量指标。社会认同威胁的实验研究将群体分化为内群体和外群体,操纵群体地位的差异,通过模拟社会游戏来了解群体的社会认同威胁及其生理反应。未来的研究将重点关注下述问题：对社会认同威胁概念的建构、跨文化研究及其内隐过程的分析     

创造力与注意模式之间的关系

创造力可以看成是先前无关的心理成分之间的联结。注意作为一种基本的心理功能,影响着个体心理成分之间产生远距离联系的可能性以及对已形成的联系做出新颖性的选择。文章分析了,有关创造力与注意摸式之间关系的研究,分别阐述了去焦注意和集中注意这两种不同的注意分配模式在创造性观念或想法的产生和形成中的作用,     

情绪状态对学生创造性的影响

研究了情绪状态对学生创造性影响的问题。被试为上海师范大学第三附属中学初二的学生 2 2 0名 ,其中男生 10 4人 ,女生 116人 ,年龄 13～ 14岁。由于国外已有研究的结果并不统一 ,研究的方法也缺乏生态化效度 ,因此本文试图通过教学现场实验 ,运用实际教学情境中的刺激来诱发学生愉快—难过情绪 ,以探索在教学情境中学生情绪状态对其创造性影响状况。研究结果表明 ,学生在愉快情绪状态下的创造性总体发挥水平显著高于难过情绪状态 (t=2 0 2 5 ,p =0 0 4 5 ) ,且主要体现在流畅性和变通性两个方面     

Vincent van Gogh's early years as an artist

Vincent van Gogh (1853–1890) was an artist for 10 years, from 1880 to 1890. As a mature artist, he was capable of executing works in a rapid fashion, sometimes up to three a day and requiring less than an hour for each. But it took him 9 years of deliberate repetition to evolve the competencies with which to execute his works rapidly. This paper examines the first 2 years of his artistic development, a period when he consciously set about to establish the foundations for his later production, including having an overall plan, establishing a skill for drawing before proceeding to painting, experimenting judiciously in a controlled manner, and amplifying novelty by varied repetition. All these factors are considered as work objectivity, which is the notion that regardless of how far-ranging his motivations might have been, he was objective and planful in an approach to the creative enterprise.