Subversive Redemption in Psychoanalysis

Subversive redemption—the sense of overturning the conventional order of things in order to recover lost parts of the self—is a virtually neglected topic in psychoanalysis. With free association, Freud empowered patients to harness unconventional thoughts and feelings. Patients who engage in subversive redemption frequently have a strong sense of agency prompting them to open up in new ways in lieu of “playing it safe.” When patients begin to express certain forbidden ideas, the boundaries of analysis are broadened, freeing the analytic pair to become fully authentic. Psychoanalysis provides patients with an arena to renew themselves as they risk “killing off” their status quo positions to achieve the paradox of living more dangerously in the safety of the analytic surrounds. Patients then feel more confident about undertaking the process of subversive redemption in the wider world.     

On not being able to enter Noah's Ark

The paper describes the psychoanalytic psychotherapy of a patient who had originally been referred at the age of 15 because of his social isolation. In fact, he suffered from high-functioning Asperger's syndrome and lived in an almost delusional world populated by a number of imaginary companions, which he used to counteract a deep void and sense of deadliness within him. After five years of therapy, the patient was able to move on, allowing him to be successful in his academic studies, and to abandon his imaginary friends. This paper focuses on a subsequent phase of the therapy when the patient, as a young man, began to show an interest in and attraction to the world of intimate relationships. The paper is grounded in Meltzerian theory, especially his ideas about the role of beauty in the mother–child relationship, and about the world of intimate links as opposed to conventional ones.     

What Can be Done with an Egg? Creativity,Material Objects,and the Theory of Affordances

This article offers a reflection on the role of material objects in the creative process and explores the potential links between creativity and the theory of affordances (Gibson, 1986 ), conceptualized from a sociocultural perspective. From this standpoint, creativity can be defined as a process of perceiving, exploiting, and “generating” novel affordances during socially and materially situated activities. Illustrations are offered for each of the above from a research project investigating traditional Easter egg decoration activities in rural Romania. This brief case study exemplifies the discovery of existing action potentials, the generation of objects with novel affordances, and the transgression of conventional procedures, all resulting in creative forms of expression. In the end, some conclusions are drawn regarding the ways in which an affordance theory of creativity can enrich our understanding of the phenomenon and contribute to the development of a new program of research concerned with situated and distributed creative acts.     

The Influence of Visually Dangerous Information on Imitation in Children

Abstract

Previous studies have demonstrated that when perceiving the actions of another agent, individuals will automatically imitate those observed actions. This study investigated how children’s imitation of physical actions was influenced by either visually neutral or visually dangerous information. Participants were presented with a series of pictures in which an agent was reaching towards either a neutral object or a dangerous object. Results showed that the imitation effect occurred when the agent was observed reaching and grasping a neutral object. However, this effect was not present when the agent’s hand was observed reaching towards or grasping, the non-handle side of a dangerous object. These results suggest children can predict potential behavioral consequences and adjust their imitative action depending on the perceived danger of the action.