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Stefan Morawski 《Studies in East European Thought》1992,43(2):117-137
Born in 1921, professor of philosophy at the University of Warsaw and art theory in the Polish Academy of Sciences; has published twelve books and more than three hundred articles (bibliography in volume 14 of A. Mercier (ed.).Philosophers on Their Own Work. Bern: 1990) ranging over the history of aesthetics, Marxist and Soviet aesthetics, and issues related to the status of the arts in contemporary Western culture. 相似文献
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Kenneth M. George 《The Journal of religious ethics》2016,44(1):51-67
Just as recognition and pursuit of the human good take place in language and action, so too do they unfold in encounter with the material and visual. The ethical crises, projects, and striving we see in everyday religious life are worked out not just in the intersubjective play and politics of language but also in encounter with, in dwelling with, material and visual substances and forms. This essay considers the material conditions that make possible the “ethical pleasures” sought by Indonesian painter A. D. Pirous in making and displaying contemporary works of “Islamic art,” most especially works that make “visual recitation” of passages from the Qur'an. 相似文献
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The present study investigated authentic leadership, psychological capital, and followership behaviour influences on work engagement of employees. Respondents were 901 South African employees within the healthcare industry organisation (n = 647) and mining industry (n = 254). The employees completed questionnaires on authentic leadership, psychological capital, and followership behaviour, and work engagement. Results following structural equation modelling and mediation analysis suggest work engagement to be explained by the psychological capital of the employee rather than by authentic leadership qualities. Improving employee psychological capital has the potential to enhance the levels of work engagement of employees. 相似文献
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Susan Hansen 《Qualitative research in psychology》2018,15(2-3):292-297
This paper describes the use of video installation as a creative means of engaging audiences in visual research. A detailed image-based overview of the project, 1247 Days on Whymark Avenue, is also presented. This interactive video installation offered viewers a level of phenomenological immersion in the compressed temporality and asynchronous dialogue captured by this visual research project. This film is part of a larger research project on the longitudinal photo-documentation of urban life (Hansen & Flynn 2015a). The project uses repeat photography to study street art and graffiti as visual dialogue. 相似文献
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对Tracy和Robins编制的真实自豪与自大自豪倾向量表进行中文版修订并初步考察我国大学生自豪感的特点,分别选取202名和484名大学生进行问卷预测和正式施测。验证性因素分析表明修订后量表仍保持英文版的双维结构,两分量表的α系数为0.785和0.743,重测信度为0.978和0.952。修订后量表具有良好的心理测量学指标,可以用于我国大学生的测试。进一步发现我国大学生的真实自豪显著高于自大自豪,大学生自豪感不存在性别差异,自大自豪存在显著的年级差异。 相似文献
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对本雅明文艺批评中"Aura"概念的梳理 总被引:1,自引:0,他引:1
“Aura”在本雅明的文艺批评中是一个非常重要的概念,本文采取文本细读的方式,对有关此概念的论述进行梳理,以对“Aura”进行多层次的界定,并以此作为契入点,来考察本雅明对现代艺术和古典艺术的看法。 相似文献
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