(Un)Changing Menopausal Bodies: How Women Think and Act in the Face of a Reproductive Transition and Gendered Beauty Ideals

Biomedical literature suggests that menopause primarily represents negative change in women’s lives. Feminist literature on menopause proposes that it can represent positive change or is a neutral experience for individual women. Conflicting characterizations result from different empirical emphases; biomedical research has focused on bodily change, and feminist research has highlighted social contexts for menopause. Results from interviews with a snowball sample of 61 women in 2001 illustrate how a change discourse on menopause and gendered beauty ideals combine to create a context within which some women believe that changes in their physical appearances can be attributed to menopause and that bodily change is problematic. In addition, during focus groups and in-depth interviews, women suggested that, in the face of these discourses or ideologies and changing external bodies, they face a “category crisis.’’ Interviewees also discussed how they attempt to prevent/mask bodily change in order to remain attractive, visibly feminine, and desirable in the eyes of men. Findings from this qualitative study illustrate that we must continue to explore women’s perceptions and experiences of bodily change during menopause, as we lack a full understanding of this developmental transition and its biosocial contexts.     

Was Il’enkov an Aesthetician?

E. V. Il’enkov proceeded from the classical philosophical notion of Beauty considered in organic unity with Truth and Good. Following Marx, he regarded the sense of Beauty, the supreme mental feeling, as a product of history. Il’enkov insisted on the universal character of this feeling, for its basis is an activity of imagination which also lies at the root of any creative work. His criticism of modern art rested on analysis of the process of disintegration of personality, its capabilities within industrial civilisation to break the natural tie between Truth, Good and Beauty.     

Is moral elevation an approach-oriented emotion?

Two studies were designed to test whether moral elevation should be conceptualized as an approach-oriented emotion. The studies examined the relationship between moral elevation and the behavioral activation and inhibition systems. Study 1 (N = 80) showed that individual differences in moral elevation were associated with individual differences in behavioral activation but not inhibition. Study 2 (N = 78) showed that an elevation-inducing video promoted equally high levels of approach orientation as an anger-inducing video and significantly higher levels of approach orientation than a control video. Furthermore, the elevation-inducing stimulus (vs. the control condition) significantly promoted prosocial motivation and this effect was sequentially mediated by feelings of moral elevation followed by an approach-oriented state. Overall the results show unambiguous support for the proposal that moral elevation is an approach-oriented emotion. Applied and theoretical implications are discussed.     

The Worldwide Significance of Chinese Aesthetics in the Twenty-First Century

Through comparisons between traditional Chinese and Western aesthetics, this article tries to explain the worldwide significance of Chinese aesthetic tradition in the twenty-first century. In contrast to cognitive-rational spirit and the tendency to distinguish the subjectives and objectives of traditional Western aesthetics, traditional Chinese aesthetics shows a distinctive practical-emotional spirit and a tendency to harmoniously unite human beings with nature, and believes that beauty is, first and foremost, a free state or way (Dao) of human life; the most important thing for human beings is how to make their own lives and existence beautiful. Therefore, it puts forward some persuasive and valuable insights into beauty and art, thus playing an independent and constructive role in intercultural aesthetic dialogues of the twenty-first century. Translated from Journal of Xiaogan College, 2004:5     

THE SENSE OF BEAUTY

This paper proposes an integrative psychoanalytic model of the sense of beauty. The following definition is used: beauty is an aspect of the experience of idealisation in which an object(s), sound(s) or concept(s) is believed to possess qualities of formal perfection. The psychoanalytic literature regarding beauty is explored in depth and fundamental similarities are stressed. The author goes on to discuss the following topics: (1) beauty as sublimation: beauty reconciles the polarisation of self and world; (2) idealisation and beauty: the love of beauty is an indication of the importance of idealisation during development; (3) beauty as an interactive process: the sense of beauty is interactive and intersubjective; (4) the aesthetic and non-aesthetic emotions: specific aesthetic emotions are experienced in response to the formal design of the beautiful object; (5) surrendering to beauty: beauty provides us with an occasion for transcendence and self-renewal; (6) beauty's restorative function: the preservation or restoration of the relationship to the good object is of utmost importance; (7) the self-integrative function of beauty: the sense of beauty can also reconcile and integrate self-states of fragmentation and depletion; (8) beauty as a defence: in psychopathology, beauty can function defensively for the expression of unconscious impulses and fantasies, or as protection against self-crisis; (9) beauty and mortality: the sense of beauty can alleviate anxiety regarding death and feelings of vulnerability. In closing the paper, the author offers a new understanding of Freud'semphasis on love of beauty as a defining trait of civilisation. For a people not to value beauty would mean that they cannot hope and cannot assert life over the inevitable and ubiquitous forces of entropy and death.     

再论《周易》与中国画

本文对《周易》的直观意象思维和中正和谐思想与中国画的创作特点进行了深入的比较分析,表明了《周易》思维方式对中国画的深刻影响,同时,对《周易》的玩占与艺术家们的玩墨也作了比较研究,揭示了玩占与玩墨所体现的深刻文化意蕴。     

认知抑制对科学创造力和艺术创造力的影响

研究通过2个实验,考察不同高低抑制水平对科学创造力和艺术创造力的影响。通过安排不同难度的Simon任务（不一致试次占70%或10%）来消耗被试的认知资源,达到操纵被试的抑制水平,以侧抑制任务的前后测来评估被试抑制水平的变化情况,实验1和实验2分别以科学创造力测验和粘贴画任务测量被试的科学创造力和艺术创造力。结果发现,在科学创造力测验上,高抑制水平组被试的流畅性和灵活性得分显著高于低抑制水平组;在粘贴画任务中,低抑制水平组被试的创造性、可爱程度、综合印象得分以及总分均显著高于高抑制水平组。表明高认知抑制水平有利于科学创造力,低认知抑制水平有利于艺术创造力,认知抑制对科学创造力和艺术创造力的影响存在分离效应。     

两人和三人最后通牒博弈任务中嗓音吸引力对决策的影响

本研究用两人和三人最后通牒博弈任务探究男性嗓音吸引力对决策的影响。实验1发现, 高吸引力的嗓音会提高被试对不公平分配方案的接受率。实验2发现, 即使分配方案对第三方接受者公平, 对被试不公平, 第三方接受者的高吸引力嗓音仍然会提高被试对方案的接受率。综上, 嗓音吸引力可以诱发类似面孔吸引力的“美貌津贴”效应。     

Adorno and Schelling on the art–nature relation

When it comes to the relationship between art and nature, research on Adorno’s aesthetics usually centres on his discussion of Kant and Hegel. While this reflects Adorno’s own position – his comprehension of this relationship is to a large extent developed through a critical re-reading of both the Kantian and the Hegelian position – I argue that we are able to gain important insights into Adorno’s aesthetics and the central art–nature relation by reading his ideas in the light of Schelling’s conception of this relationship. The article focuses on the similarities between Schelling’s notion of nature’s productivity and Adorno’s understanding of natural beauty. It concludes with a discussion on Adorno’s re-evaluation of the reconciliatory power of the exemplary unity of the artwork in conjunction with Schelling’s comparison between artwork and organism, as well as his concept of the construction of nature.     

Gender differences existing in the general population in relation to body dissatisfaction associated with the ideal of beauty: a systematic review / Diferencias de género existentes en la población general en relación a la insatisfacción corporal asociada al ideal de belleza: una revisión sistemática

Abstract

Body dissatisfaction has been studied extensively due to its relationship with issues such as eating disorders, mainly in the female and adolescent population. However, it seems that there are differences in the type of body dissatisfaction that females and males manifest with respect to their body image. On this basis, the objective of this work was to review systematically the studies published from 2010 to July 2018 into gender differences in body dissatisfaction associated with the ideal of beauty in the general population. A total of 18 studies were selected from the MeSH/PubMed, Dialnet and DOAJ databases. The results obtained from the studies analysed showed that the female population continues to show greater body dissatisfaction associated with the ideal of beauty compared to the male population. However, the manifestation of body dissatisfaction is expressed differently for men and women.