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281.
Judith A. Muskett 《Journal of Beliefs & Values》2016,37(1):1-15
A sample of 1131 members of the Friends associations of six English cathedrals (616 women and 515 men) completed the Francis Psychological Type Scales (FPTS) and a modified version of the Williams Religious Social Capital Index (WRSCI). The data demonstrated that higher levels of religious social capital were found among extraverts (compared with introverts), sensing types (compared with intuitive types), and feeling types (compared with thinking types). No significant differences were found between judging types and perceiving types. The finding that extraverts displayed higher levels of religious social capital poses a challenge for the cathedrals, given that introverts outnumbered extraverts by nearly 2:1 in the Friends groups. Since religious social networks are known to influence generosity with time and money, it is suggested that cathedrals not only develop strategies to recruit more extravert Friends but also devise novel ways of encouraging introvert types to participate in associational activities where social capital will be generated. 相似文献
282.
中学生人格特征与应对方式的相关研究 总被引:33,自引:2,他引:31
通过对782名中学生应对方式、人格特征(A型人格、自我价值感)的测试,探讨人格特征与中学生应对方式的相关以及不同人格中学生应对方式的特点。结果表明:(1)中学生的人格特质(A型人格和自我价值感)与应对方式有显著的相关。(2)不同人格特征中学生应对方式之间有显著差异。A型人格的中学生倾向于使用着重情绪的应对方式,相比B型人格的中学生较少使用着重问题的应对方式。高自我价值感的中学生更多使用问题解决和求助应对方式,低自我价值感的中学生更多采用幻想应对方式。 相似文献
283.
Roland Gustafson 《Aggressive behavior》1999,25(6):401-408
The present study tested the so‐called type‐of‐drink effect on aggression, that is, the idea that moderate acute alcohol intoxication elicits more aggression when the alcohol is drunk in the form of spirits than in the form of beer or wine. A computerized version of the Taylor “aggression machine” was used. Spirits‐drinking subjects drank 1.0 ml of 100% alcohol per kg body weight. To compensate for the lower alcohol concentration, beer‐ and wine‐drinking subjects drank 20% more. No significant differences were found between drinkers of different beverages in terms of blood alcohol levels. Results indicated that spirits elicited more direct physical aggression than either beer or wine. Three different possible explanations for this finding were discussed. Aggr. Behav. 25:401–408, 1999. © 1999 Wiley‐Liss, Inc. 相似文献
284.
This paper is an experimental study, the basic aim of which is to check whether the congruence between personality characteristics and task characteristics has positive effects for performance and satisfaction on individuals. The results obtained reveal that Type A behavior pattern individuals get better results in cases of congruence than in cases of incongruence, while the performance of Type B behavior pattern individuals is not related to the (in)congruence between personal needs/aims and the task's demands. Besides, we have found that Type A behavior pattern individuals also have greater levels of satisfaction in cases of congruence than in cases of incongruence. However, Type B behavior pattern individuals show the same levels of satisfaction in both cases. 相似文献
285.
刺激类型及表征关系对无意视盲的影响 总被引:1,自引:0,他引:1
通过考察刺激类型以及重叠呈现的图片流和词语流的表征关系对非注意刺激的捕获差异,试图考察刺激类型和表征关系对无意视盲(Inattentional Blindness)的影响。分别有20名中学生参加了词和图片基线水平测试,52名中学生参与了无意视盲实验。研究结果表明:(1)当词与图片重叠呈现时,不管注意刺激是词还是图片,也不管词与图片的表征是否一致,与基线水平相比,被试都出现了显著的无意视盲现象。(2)当词与图片的表征意义一致时,如果注意刺激是图片,而非注意刺激是词,那么被试更容易觉察到非注意刺激。(3)非注意刺激与注意刺激表征意义一致时更容易捕获观察者的注意 相似文献
286.
不同人际关系群体情绪调节方式的比较 总被引:13,自引:0,他引:13
研究比较了人际关系良好和人际关系不良高中生在8种情绪调节方式(情绪表露、情感求助、放松、认知应对、压抑、哭泣、情绪替代、回避)使用上的差异,以求了解高中生的情绪调节现状,并为高中生良好人际关系的建立提供有效借鉴。结果表明:高中生在情绪表露、情感求助、放松和哭泣4种情绪调节方式上存在显著的性别差异,女性多于男性。受欢迎的学生较多的使用情感求助、认知应对和情绪表露三种情绪调节方式,被拒绝和被忽视学生常压抑自身情绪。 相似文献
287.
288.
为了探讨视听双通道下的音乐情绪加工机制及音乐情绪类型和音乐训练背景对加工机制的影响,本研究采用表达开心和悲伤的音乐表演视频为材料,比较音乐组被试和非音乐组被试在单听觉通道、单视觉通道和视听双通道三种情境下的情绪评定速度、正确率和强度。结果发现:1)视听双通道与单视觉通道差异显著,与单听觉通道差异不显著。2)非音乐组被试对悲伤的评定正确率高于音乐组被试,对开心的评定正确率低于音乐组被试。说明音乐情绪加工的视听双通道整合优势仅相对单视觉通道存在;非音乐组被试对视觉通道情绪信息的变化更敏感,音乐组被试更依赖音乐经验;可在音乐表演时加入协调的视觉通道情绪信息帮助没有音乐训练经验的听赏者。 相似文献
289.
Donald Butler 《The Journal of analytical psychology》2020,65(2):444-463
The so-called ‘crisis in masculinity’ in the post-industrial/post-feminist world is not a new idea but in recent years it does seem to have forced its way back onto the agenda due to a lack of traditional employment, such as coal mining, thus robbing generations of men of their cultural identities. This collective ‘crisis’ has emerged through media attention on a succession of well-known men in the arts and sports worlds such as Bruce Springsteen, Stormzy, Professor Green and Rio Ferdinand, who share in common a strong sense of masculine identification. In addition, all have openly discussed the healing and relief experienced by embracing the vulnerable, emotional aspects of themselves, or what has been historically characterized as the anima archetype in Jungian psychology. This essay will recount some of their stories of struggle as they have bravely spoken up about their mental health issues, perhaps diminishing, by example, the erroneous notion of depression as a ‘woman's problem’. As noted, in recent times we have witnessed a proliferation of famous men speaking out about their emotional difficulties, often in the context of loss and depression, thus providing potential role-modelling for a more expanded view of contemporary masculinity. This paper attempts to consider the tendency amongst a particular type of modern man who is both traditionally macho and simultaneously emotionally articulate with the capacity to open up about the experiences of their inner worlds and the environmental pressures they face in a fast-paced and ever-changing world. Beginning with some brief stories about the men listed above, the primary focus will be on the work of the UK cross-dressing artist and Turner Prize winner (2003) Grayson Perry (b. 1960), by studying his unusual and highly creative clarion call to challenge modern men to recalibrate their emotional behaviour and to speak openly about loss and emotional difficulty. As readers will see, he has developed a unique method that includes filmed, televised interactional interviews with various individuals and groups and he then produces art pieces that embody what has transpired through his engagement with their suffering and real-life dilemmas. This highly creative process offers a double or even triple containment for those struggling with all-too-human pain via the holding interview with him directly; the artwork that he creates as a result; and then through the recording on film that is shared with television audiences who are deeply affected by what they witness and who perhaps find a form of healing via identification. 相似文献
290.
Karin Fleischer 《The Journal of analytical psychology》2020,65(3):558-583
Jung understood dissociation as a natural state of the psyche, capable of turning defensive through development. Based on this premise, and its conception on the equivalence between psyche and matter, the present work describes the un-doing of a dissociation expressed through a chronic enterocolitis disorder. When the symbol remains closer to the body and its most instinctive manifestations, we need to descend to that level in order to let the vertical axis connection be gradually restored through the therapeutic relationship – the horizontal axis. In other words, this un-doing requires that patient and analyst follow the unconscious path proposed by symbolic expressions that gradually emerge through the patient’s body and active imagination. Movement is our most primitive and fundamental experience. Many authors (Stern, Panksepp, Gallese) have agreed that, in addition to being first in terms of development, movement continues to have primacy over any other experience throughout life. This means that emotions, bodily concepts and, later, speech, evolve from a somatic basis. In the light of such neuroscientific findings, Jung’s vision of the correspondence of psyche and matter will be revisited in order to portray how the analytic bond provides a context for the re-establishment of the linking/creative function of the archetype, and allows the restoring of the ego-Self axis connection by including non-verbal approaches, such as body-based active imagination, also known as Authentic Movement. Authentic Movement is an amplification of Jung’s active imagination method that enables a dialogue between the ego and the diverse configurations of the unconscious. When such dialogue is grounded in the body, there is an easier access to the affective dimension stored in implicit memory. That which was relived through the body can gradually be remembered, and affects hitherto rejected, find other symbolic ways of being expressed and contained in the analytic vas. 相似文献