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41.
Past research on the role of appraisal purpose in the appraisal decision-making process has concentrated on the motivational role of purpose. Research has found that raters are less willing to give poor ratings when appraisals are to be used for some purposes rather than others. The present paper describes two experiments which explore how appraisal purpose might affect rater cognitive activities as well. The first experiment investigated how appraisal purpose and outcomes affect how raters differentially utilize information to make appraisal decisions. Few differences were found. The second experiment investigated how raters differentially search for performance information to make appraisal decisions for different purposes and outcomes. Raters were found to search for more comparative information when they had to select one of several ratees for some treatment. The results also indicated a discrepancy between how information is collected and how it is used. Implications for defining the role of purpose in the appraisal process, as well as for recent process approaches to performance appraisal, are discussed.  相似文献   
42.
I argue that John Mackie’s treatment of practical reason is both attractive and unjustly neglected. In particular, I argue that it is importantly different from, and much more plausible than, the kind of instrumentalist approach famously articulated by Bernard Williams. This matters for the interpretation of the arguments for Mackie’s most famous thesis: moral scepticism, the claim that there are no objective values. Richard Joyce has recently defended a version or variant of moral scepticism by invoking an instrumentalist theory like Williams’. I argue that this is a serious strategic mistake.
David PhillipsEmail:
  相似文献   
43.
I discuss Bernard Williams’ ‘integrity objection’ – his version of the demandingness objection to unreasonably demanding ‘extremist’ moral theories such as consequentialism – and argue that it is best understood as presupposing the internal reasons thesis. However, since the internal reasons thesis is questionable, so is Williams’ integrity objection. I propose an alternative way of bringing out the unreasonableness of extremism, based on the notion of the agent’s autonomy, and show how an objection to this proposal can be outflanked by a strategy that also outflanks the ‘paradox of deontology.’
Timothy ChappellEmail:
  相似文献   
44.
The mature visual system possesses mechanisms that enable invariant perception of the contrast of an object and its features as the object undergoes changes in distance. This phenomenon, which has been called contrast constancy, obtains at suprathreshold contrasts only. Some models of contrast constancy assume the presence of narrowband spatial-frequency channels. An implication of M.S. Banks, B.R. Stephens, and E.E. Hartmann (1985, Journal of Experimental Child Psychology, 40, 501-527) is that contrast constancy should not be observed at 6 weeks but may be observed at 12 weeks. We examined this implication by investigating the development of contrast constancy in 6- and 12-week-old infants. Two sine wave gratings, differing in spatial frequency by a factor of 3, were presented side-by-side. The contrast of one grating was varied in order to estimate the contrast at which preference for the two gratings was equal. The equal preference points for 6-week-olds were predictable from their contrast thresholds. The 12-week-olds' equal preference points for low-contrast stimuli were predictable from their contrast thresholds, but those for intermediate and high-contrast stimuli were not. Thus, if one accepts the assumption that equal preference in infants is analogous to apparent contrast matches in adults, these data imply that contrast constancy is observed at 12 weeks but not 6 weeks. The perceptual consequences of this developmental transition are discussed.  相似文献   
45.
    
Although absolute pitch (AP) is a rare skill in typical development, individuals with Williams syndrome (WS) are often referred to as possessing this musical ability. However, there is paucity of research on the topic. In this article, 2 studies were conducted to evaluate AP in WS. In Study 1, seven musically trained individuals with WS, 14 musically trained typically developing controls matched for chronological age, and 2 experienced musicians with AP completed a pitch-identification task. Although the task was a classical assessment of AP, it required participants to have musical knowledge, and the availability and accessibility of musically trained individuals with WS is very low. In Study 2, a paradigm suitable for evaluating AP in individuals without musical training was used, which made it possible to evaluate a larger group of participants with WS. A pitch memory test for isolated tones was presented to 27 individuals with WS, 54 typically developing peers matched for chronological age, and the 2 musicians with AP. Both individuals with WS and their controls obtained low results in the two studies. They showed an arbitrary pattern of response, and their performance was far from that of musicians with AP. Therefore, participants with WS did not appear to possess AP. Unlike what is usually claimed, results suggest that AP is not a remarkable ability in WS and that, as in the typically developing population, this musical ability is also rare in individuals with WS.  相似文献   
46.
    
This paper attempts to detect Tennessee Williams's psychological development in his last successful play The Night of the Iguana (1961) in comparison with his previous plays which pronounced his fragmented identity. A comparison between Tennessee Williams's Suddenly Last Summer (1958) and The Night of the Iguana detects a sudden shift of the dramatist's mind in the application of symbols and images employed. A psychoanalytical assessment and comparison of symbols, images and literary devices applied in both plays will depict the dramatist's constitution of his tenuous “I” and reconstruction of his distorted identity. Unlike the horrifying images of God, cannibalism and melancholia resulting from abjection that imposed a certain Gothic atmosphere in Suddenly Last Summer, the images and settings in The Night of the Iguana resonate with comfort and leisure which resemble the pre‐symbolic. The study therefore suggests that Williams's abundant use of natural symbols and images, particularly the God image in The Night of the Iguana presents the setting as the “chora” which Kristeva defines as the place where the infant's identity is merged with his/her mother before gaining an identity after the mirror stage and the learning of language which marks subsequent entry into the symbolic order. This analysis therefore helps to bring some clarity to the play, particularly in the light of prior criticism levelled against Williams for his excessive use of symbols and natural images. Copyright © 2014 John Wiley & Sons, Ltd.  相似文献   
47.
Abstract

1 1 I am grateful to audiences at the University of California, Riverside, the Joint Session of the Aristotelian Society and Mind Association at the University of East Anglia, and at Dalhousie University for helpful questions. Sincere thanks go to two anonymous referees and the editors of this Journal. For written comments, detailed discussion and encouragement, I am particularly grateful to Duncan MacIntosh, Susan Sherwin, Richmond Campbell, Lorraine Code, Steven Burns, Guy Longworth, Gary Watson, Margaret Chapman and Guy Blanchard. This paper makes a preliminary case for a central and radical claim. I begin with Bernard Williams’ seldom-faced argument that integrity cannot be a moral virtue because it lacks two key ingredients of moral virtues, namely a characteristic thought and motivation. Whereas, for example, generosity involves the thought that another could use assistance, and the motivation to actually give assistance, integrity lacks these two things essential to morally excellent responses. I show that several maneuvers aimed at avoiding Williams’ challenge fail and that others are likely to remain unpersuasive. The paper concludes by offering an argument to the best explanation: Williams’ important insight is best explained by the supposition that integrity is an epistemic virtue, and an epistemic virtue of a practical sort.  相似文献   
48.
We report a cross-syndrome comparison of the development of holistic processing in face recognition in school-aged children with developmental disorders: autism, Down syndrome, and Williams syndrome. The autism group was split into two groups: one with high-functioning children and one with low-functioning children. The latter group has rarely been studied in this context. The four disorder groups were compared with typically developing children. Cross-sectional trajectory analyses were used to compare development in a modified version of Tanaka and Farah’s part–whole task. Trajectories were constructed linking part–whole performance either to chronological age or to several measures of mental age (receptive vocabulary, visuospatial construction, and the Benton Facial Recognition Test). In addition to variable delays in onset and rate of development, we found an atypical profile in all disorder groups. These profiles were atypical in different ways, indicating multiple pathways to, and variable outcomes in, the development of face recognition. We discuss the implications for theories of face recognition in both atypical and typical development, including the idea that part–whole and rotation manipulations may tap different aspects of holistic and/or configural processing.  相似文献   
49.
Stories can be a valuable tool for the career researcher. Questions arise, though, about how best to approach stories analytically such that their insights can be fully realised. In this paper I apply cultural theorist Raymond Williams’ analysis of cultural processes as dominant, residual and emergent (1977) to the narratives generated in a recent study into the careers of research scientists. I examine how these overlapping meaning systems are elucidated in individuals’ career narratives and consider implications for developing understanding.  相似文献   
50.
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