Do you see what I’m singing? Visuospatial movement biases pitch perception

The nature of the connection between musical and spatial processing is controversial. While pitch may be described in spatial terms such as “high” or “low”, it is unclear whether pitch and space are associated but separate dimensions or whether they share representational and processing resources. In the present study, we asked participants to judge whether a target vocal note was the same as (or different from) a preceding cue note. Importantly, target trials were presented as video clips where a singer sometimes gestured upward or downward while singing that target note, thus providing an alternative, concurrent source of spatial information. Our results show that pitch discrimination was significantly biased by the spatial movement in gesture, such that downward gestures made notes seem lower in pitch than they really were, and upward gestures made notes seem higher in pitch. These effects were eliminated by spatial memory load but preserved under verbal memory load conditions. Together, our findings suggest that pitch and space have a shared representation such that the mental representation of pitch is audiospatial in nature.     

Everyday executive function in standard-risk acute lymphoblastic leukemia survivors

Although absolute pitch (AP) is a rare skill in typical development, individuals with Williams syndrome (WS) are often referred to as possessing this musical ability. However, there is paucity of research on the topic. In this article, 2 studies were conducted to evaluate AP in WS. In Study 1, seven musically trained individuals with WS, 14 musically trained typically developing controls matched for chronological age, and 2 experienced musicians with AP completed a pitch-identification task. Although the task was a classical assessment of AP, it required participants to have musical knowledge, and the availability and accessibility of musically trained individuals with WS is very low. In Study 2, a paradigm suitable for evaluating AP in individuals without musical training was used, which made it possible to evaluate a larger group of participants with WS. A pitch memory test for isolated tones was presented to 27 individuals with WS, 54 typically developing peers matched for chronological age, and the 2 musicians with AP. Both individuals with WS and their controls obtained low results in the two studies. They showed an arbitrary pattern of response, and their performance was far from that of musicians with AP. Therefore, participants with WS did not appear to possess AP. Unlike what is usually claimed, results suggest that AP is not a remarkable ability in WS and that, as in the typically developing population, this musical ability is also rare in individuals with WS.     

Dialectal differences in hemispheric specialization for Japanese lexical pitch accent

Language experience can alter perceptual abilities and the neural specialization for phonological contrasts. Here we investigated whether dialectal differences in the lexical use of pitch information lead to differences in functional lateralization for pitch processing. We measured cortical hemodynamic responses to pitch pattern changes in native speakers of Standard (Tokyo) Japanese, which has a lexical pitch accent system, and native speakers of ‘accentless’ dialects, which do not have any lexical tonal phenomena. While the Standard Japanese speakers showed left-dominant responses in temporal regions to pitch pattern changes within words, the accentless dialects speakers did not show such left-dominance. Pitch pattern changes within harmonic-complex tones also elicited different brain activation patterns between the two groups. These results indicate that the neural processing of pitch information differs depending on the listener’s native dialect, and that listeners’ linguistic experiences may further affect the processing of pitch changes even for non-linguistic sounds.     

Absolute pitch in boreal chickadees and humans: Exceptions that test a phylogenetic rule

This research examined generality of the phylogenetic rule that birds discriminate frequency ranges more accurately than mammals. Human absolute pitch chroma possessors accurately tracked transitions between frequency ranges. Independent tests showed that they used note naming (pitch chroma) to remap the tones into ranges; neither possessors nor nonpossessors were accurate at octave (pitch height) naming. Boreal chickadees discriminated frequency ranges less accurately than other birds; they tracked reward across several lower frequency ranges but failed at frequencies over 4000 Hz. The results revealed the error of describing species differences solely in terms of their discrimination of frequency ranges. Exceptions to the rule disappear when the rule is restated in terms of underlying mechanism: birds are superior to mammals in the ability to use absolute pitch height perception to discriminate pitches and ranges of pitches.     

Predicting lexical accent perception in native Japanese speakers: An investigation of acoustic pitch sensitivity and working memory

Spoken language perception may be constrained by a listener's cognitive resources, including verbal working memory (WM) capacity and basic auditory perception mechanisms. For Japanese listeners, it is unknown how, or even if, these resources are involved in the processing of pitch accent at the word level. The present study examined the extent to which native Japanese speakers could make correctness judgments on and categorize spoken Japanese words by pitch accent pattern, and how verbal WM capacity and acoustic pitch sensitivity related to perception ability. Results showed that Japanese listeners were highly accurate at judging pitch accent correctness (M = 93%), but that the more cognitively demanding accent categorization task yielded notably lower performance (M = 61%). Of chief interest was the finding that acoustic pitch sensitivity significantly predicted accuracy scores on both perception tasks, while verbal WM had a predictive role only for the categorization of a specific accent pattern. These results indicate first, that task demands greatly influence accuracy and second, that basic cognitive capacities continue to support perception of lexical prosody even in adult listeners.     

Relative Difficulty of Understanding Foreign Accents as a Marker of Proficiency

Foreign‐accented speech is generally harder to understand than native‐accented speech. This difficulty is reduced for non‐native listeners who share their first language with the non‐native speaker. It is currently unclear, however, how non‐native listeners deal with foreign‐accented speech produced by speakers of a different language. We show that the process of (second) language acquisition is associated with an increase in the relative difficulty of processing foreign‐accented speech. Therefore, experiencing greater relative difficulty with foreign‐accented speech compared with native speech is a marker of language proficiency. These results contribute to our understanding of how phonological categories are acquired during second language learning.     

《黄帝内经》二十五音和经络调理的再思考

通过古琴的启发,对2000多年传抄文字的考量,根据当代物理声学对声音频率的定律,更正了既往研究的错误,最终发现《黄帝内经》二十五音的排列和经络调理之间存在严谨的客观规律,声学部分与当代物理学完全相同,从而为中医听声辨痛提供了一个坚实的科学基础。     

重读对语篇表征中的信息的激活的影响

考察在口语语篇表征中重读是如何影响新信息和旧信息的激活.结果表明,与无重读的基线条件相比,重读条件下,新信息和旧信息在语篇表征中的激活水平都提高.无论其信息结构如何,重读会提高它所标识的概念节点在语篇表征中的激活.     

Contribution of upper trunk rotation to hand forward-backward movement and propulsion in front crawl strokes

The study aims to test three hypotheses: (a) the rotation of the upper trunk consists of roll, pitch and yaw of frequencies harmonic to the stroke frequency of the front crawl stroke, (b) the rotation of the upper trunk generates back-and-forth movements of the shoulders, which enhances the movements of the stroking arms, and (c) the angular velocities of roll, pitch and yaw are associated with hand propulsion (HP). Front crawl strokes performed by twenty male swimmers were measured with a motion capture system. The roll, pitch and yaw angles about the three orthogonal axes embedded in the upper trunk were determined as three sequential Cardan angles and their angular velocities were determined as the three respective components of the angular velocity. HP and the drag and lift components of HP (HP_D and HP_L) were estimated by the hand positions and the data from twelve pressure sensors attached on hands. The roll, pitch, and yaw angles were altered in frequencies harmonic to the stroke frequency during the front crawl stroke. Shoulders alternately moved back and forth due to the upper trunk rotation. In the pull phase the angular velocity of roll was correlated with HP_L (r = −0.62, p = 0.004). Based on the back-and-forth movements of the shoulders and roll motion relative to a hand movement, the arm-stroke technique of the front crawl swimming was discussed in terms of increasing the hand velocity and HP.     

The brain generates its own sentence melody: a Gestalt phenomenon in speech perception

Brain processes underlying spoken language comprehension comprise auditory encoding, prosodic analysis and linguistic evaluation. Auditory encoding usually activates both hemispheres while language-specific stages are lateralized: analysis of prosodic cues are right-lateralized while linguistic evaluation is left-lateralized. Here, we investigated to what extent the absence of prosodic information influences lateralization. MEG brain-responses indicated that syntactic violations lead to early bi-lateral brain responses for syntax violations. When the pitch of sentences was flattened to diminish prosodic cues, the brain's syntax response was lateralized to the right hemisphere, indicating that the missing pitch was generated automatically by the brain when it was absent. This represents a Gestalt phenomenon, since we perceive more than is actually presented.