Effects of orthographic consistency, frequency, and letter knowledge on children's vowel spelling development

This study investigated children's sensitivity to spelling consistency, and lexical and sublexical (rime) frequency, and their use of explicitly learned canonical vowel graphemes in the early stages of learning to spell. Vowel spellings produced by 78 British children at the end of reception year (mean age 5 years, 7 months) and 6 months later in mid-Year 1 were assessed. Regression analyses revealed that, at both test times, knowledge of sound-letter correspondences influenced spelling performance; however, unconditional consistency of vowel spellings affected children's spelling most strongly, over and above additional effects of word and rime frequency and the complexity of the target vowel grapheme. The effect of conditional consistency of vowel spellings given coda contexts was not significant. Thus, young children are sensitive to various statistical properties of the orthography from the earliest phases of spelling development and, in particular, to the unconditional consistency of the vowel spelling pattern.     

Informal versus formal mathematics

We discuss Kunen’s algorithmic implementation of a proof for the Paris–Harrington theorem, and the author’s and da Costa’s proposed “exotic” formulation for the P = NP hypothesis. Out of those two examples we ponder the relation between mathematics within an axiomatic framework, and intuitive or informal mathematics. The author is Visiting Researcher at IEA/USP, Professor of Communications, Emeritus, at the Federal University in Rio de Janeiro, and a full member of the Brazilian Academy of Philosophy.     

Consistency-based compliance across cultures

A field study investigated cross-cultural differences in choice-congruent behavior and its impact on compliance. U.S. and Asian participants received a request to complete an online survey and a month later they were approached with a larger, related request. Compliance with the initial request had a stronger impact on subsequent compliance among the U.S. participants than among the Asian participants. Despite their lower rate of compliance with the initial request, the U.S. participants who chose to comply were more likely than their Asian counterparts to agree to the subsequent request. Further analyses revealed that this effect was driven by differences in the individualistic/collectivistic orientation of the participants from the two cultures. Within both cultures, the more individualistic participants showed stronger consistency with their earlier compliance than the more collectivistically oriented participants.     

Consistency of synesthetic association varies with grapheme familiarity: A longitudinal study of grapheme-color synesthesia

Grapheme-color synesthesia is a condition in which the visual perception of letters or numbers induces a specific color sensation. The consistency of grapheme-color association has been considered as a fundamental characteristic of synesthesia. However, recent studies have indicated that this association can change across the adult lifespan, and it has become necessary to investigate the factors behind the changes within each synesthete. We conducted a longitudinal study of Japanese adult synesthetes to investigate long-term (5–8 years) changes in color responses to 300 graphemes (alphanumeric and Japanese characters). Graphemes with lower long-term consistency of synesthetic association also tended to have lower short-term consistency, indicating that grapheme-color association's consistency is determined for each grapheme. Further, less familiar graphemes had less consistent associations with their synesthetic colors. These findings suggest that a stronger grapheme-color association is formed for more familiar graphemes, leading to the consolidation of synesthetic color for such graphemes.     

The role of social relationships and culture in the cognitive representation of emotions

There are individual and cultural differences in how memories of our emotions are cognitively represented. This article examines the cognitive representation of emotions in different cultures, as a result of emotional (in)consistency in different cultures. Using a continuous semantic priming task, we showed in two studies that individuals who were less emotionally consistent across relationships have stronger associations of their emotions within those relationships. Further, we found (in Study 2) that in a culture characterised by higher levels of emotional inconsistency across relationships (Singapore), stronger associations between emotions within relationships were found than in a culture characterised by emotional consistency (USA). This cultural difference in cognitive representation was fully mediated by individual differences in cross-situational consistency levels.     

Assessing visual search performance differences between Transportation Security Administration Officers and nonprofessional visual searchers

Some visual searches depend upon accuracy (e.g., radiology, airport security screening), and it is important for both theoretical and applied reasons to understand what factors best predict performance. The current study administered a visual search task to both professional (Transportation Security Administration Officers) and nonprofessional (members of Duke University) searchers to examine group differences in which factors predict accuracy. Search speed—time taken to terminate search—was the primary predictor for nonprofessional searchers (accounting for 59% of their accuracy variability) and for the least experienced professional searchers (37% of variability). In contrast, consistency—how similarly (in terms of search speed) an individual spent searching from trial to trial—was the primary predictor for the most experienced professional visual searchers (39% of variability). These results inform cognitive theory by illuminating factors that differentially affect search performance between participants, and real-world issues by identifying search behaviours (consistency in particular) important to experienced professional searchers.     

Musical space synesthesia: Automatic,explicit and conceptual connections between musical stimuli and space

In musical–space synesthesia, musical pitches are perceived as having a spatially defined array. Previous studies showed that symbolic inducers (e.g., numbers, months) can modulate response according to the inducer’s relative position on the synesthetic spatial form. In the current study we tested two musical–space synesthetes and a group of matched controls on three different tasks: musical–space mapping, spatial cue detection and a spatial Stroop-like task. In the free mapping task, both synesthetes exhibited a diagonal organization of musical pitch tones rising from bottom left to the top right. This organization was found to be consistent over time. In the subsequent tasks, synesthetes were asked to ignore an auditory or visually presented musical pitch (irrelevant information) and respond to a visual target (i.e., an asterisk) on the screen (relevant information). Compatibility between musical pitch and the target’s spatial location was manipulated to be compatible or incompatible with the synesthetes’ spatial representations. In the spatial cue detection task participants had to press the space key immediately upon detecting the target. In the Stroop-like task, they had to reach the target by using a mouse cursor. In both tasks, synesthetes’ performance was modulated by the compatibility between irrelevant and relevant spatial information. Specifically, the target’s spatial location conflicted with the spatial information triggered by the irrelevant musical stimulus. These results reveal that for musical–space synesthetes, musical information automatically orients attention according to their specific spatial musical-forms. The present study demonstrates the genuineness of musical–space synesthesia by revealing its two hallmarks—automaticity and consistency. In addition, our results challenge previous findings regarding an implicit vertical representation for pitch tones in non-synesthete musicians.