Patterns of abduction

This article describes abductions as special patterns of inference to the best explanation whose structure determines a particularly promising abductive conjecture (conclusion) and thus serves as an abductive search strategy (Sect. 1). A classification of different patterns of abduction is provided which intends to be as complete as possible (Sect. 2). An important distinction is that between selective abductions, which choose an optimal candidate from given multitude of possible explanations (Sects. 3–4), and creative abductions, which introduce new theoretical models or concepts (Sects. 5–7). While selective abduction has dominated the literature, creative abductions are rarely discussed, although they are essential in science. The article introduces several kinds of creative abductions, such as theoretical model abduction, common cause abduction and statistical factor analysis, and illustrates them by various real case examples. It is suggested to demarcate scientifically fruitful abductions from purely speculative abductions by the criterion of causal unification (Sect. 7.1).     

The Materiality of the Abstraction Voice

The comment on Bertau's paper underlines the importance of the internally social character of the dialogical self, which is not trivial and can not be taken for granted. A consistent theory of this internal character demands specific theoretical means native to a tradition of Leibniz' philosophy. In consequence the concept of dialogical self is presented as a non-empirical one based in an ethos. We, and not nature, are responsible for the modes of conceptualising.     

Number words in young children's conceptual and procedural knowledge of addition, subtraction and inversion

Three studies addressed children's arithmetic. First, 50 3- to 5-year-olds judged physical demonstrations of addition, subtraction and inversion, with and without number words. Second, 20 3- to 4-year-olds made equivalence judgments of additions and subtractions. Third, 60 4- to 6-year-olds solved addition, subtraction and inversion problems that varied according to the inclusion of concrete referents and number words. The results indicate that number words play a different role in conceptual and procedural development. Children have strong addition and subtraction concepts before they can translate the physical effects of these operations into number words. However, using number words does not detract from their calculation procedures. Moreover, consistent with iterative relations between conceptual and procedural development, the results suggest that inversion acquisition depends on children's calculation procedures and that inversion understanding influences these procedures.     

The Development of Infants' Spatial Categories

ABSTRACT— Early theories of how infants develop spatial concepts focused on the perceptual and cognitive abilities that contribute to this ability. More recent research, however, has centered on whether experience with spatial language might also play a role. The present article reviews how infants learn to form spatial categories, outlining the perceptual and cognitive abilities that drive this learning, and examines the role played by spatial language. I argue that infants' spatial concepts initially are the result of nonlinguistic perceptual and cognitive abilities, but that, as infants build a spatial lexicon, spatial language becomes an important tool in the spatial categories infants learn to form.     

Why modal fictionalism is not self-defeating

Gideon Rosen’s [1990 Modal fictionalism. Mind, 99, 327–354] Modal Fictionalist aims to secure the benefits of realism about possible-worlds, whilst avoiding commitment to the existence of any world other than our own. Rosen [1993 A problem for fictionalism about possible worlds. Analysis, 53, 71–81] and Stuart Brock [1993 Modal fictionalism: A response to Rosen. Mind, 102, 147–150] both argue that fictionalism is self-defeating since the fictionalist is tacitly committed to the existence of a plurality of worlds. In this paper, I develop a new strategy for the fictionalist to pursue in response to the Brock–Rosen objection. I begin by arguing that modal fictionalism is best understood as a paraphrase strategy that concerns the propositions that are expressed, in a given context, by modal sentences. I go on to argue that what is interesting about paraphrastic fictionalism is that it allows the fictionalist to accept that the sentence ‘there is a plurality of worlds’ is true without thereby committing her to the existence of a plurality of worlds. I then argue that the paraphrastic fictionalist can appeal to a form of semantic contextualism in order to communicate her status as an anti-realist. Finally, I generalise my conception of fictionalism and argue that Daniel Nolan and John O’Leary-Hawthorne [1996 Reflexive fictionalisms. Analysis, 56, 26–32] are wrong to suggest that the Brock-Rosen objection reveals a structural flaw with all species of fictionalism.

How Do You Say Nature?: Opening the Design Space with a Knowledge Environment

In this paper, we describe a design study on how families in Los Angeles experience nature, with a particular focus on how using alternative formats for research analysis and presentation can enrich a design research inquiry. Conducted in Pasadena, CA as a part of Super Studio, the year-long design research class emphasized knowledge building and sharing through design methods of analysis, exhibition, and concept prototypes. After conducting interviews and engaging participants with probes, the class built the results into an open-ended knowledge environment. The main observation from the exhibition – that Angelenos have a limited vocabulary for describing nature and their interaction with it – helped to define the opportunity for design intervention that created connection points between Angelenos and nature. There are few attempts to describe how probe returns evolve into design concepts. Showcased is a process that depends on the unique affordances of design as the vehicle for discovery and invention.     

From grammatical number to exact numbers: early meanings of 'one', 'two', and 'three' in English, Russian, and Japanese

This study examined whether singular/plural marking in a language helps children learn the meanings of the words 'one,' 'two,' and 'three.' First, CHILDES data in English, Russian (which marks singular/plural), and Japanese (which does not) were compared for frequency, variability, and contexts of number-word use. Then young children in the USA, Russia, and Japan were tested on Counting and Give-N tasks. More English and Russian learners knew the meaning of each number word than Japanese learners, regardless of whether singular/plural cues appeared in the task itself (e.g., "Give two apples" vs. "Give two"). These results suggest that the learning of "one," "two" and "three" is supported by the conceptual framework of grammatical number, rather than that of integers.     

THE ROLE OF CONSCIOUSNESS AS MEANING MAKER IN SCIENCE, CULTURE, AND RELIGION

Two hundred years ago, Friedrich Schleiermacher took critical issue with Immanuel Kant's intellectual notion of intuition as applied to human nature (Wellmon 2006). He found it necessary to modify—"hermeneutically," as he said—Kant's notion of anthropology by enabling it to include as human the new and strange human tribes Captain Cook found in the Pacific South Seas. A similar hermeneutic move is necessary if physics is to include the local contextual empirical syntheses of relativity and quantum physics. In this hermeneutical revision the synthesis is formed around the notion of a Hilbert Vector Space as the universal grammar of physics, adding to it the dynamic of the Schrödinger equation, and representing empirical "observables" by projection operators that map the subspaces of definite measurable values. Among the set of observable projection operators, some pairs share the same subspace, commute with one another, and share a common laboratory setting. Other pairs do not share this property and are described as being mutually complementary. Complementary symmetries introduce into the discursive language of physics the commonsense notion of contextuality. The new synthesis, proposed by Eugene Wigner, John von Neumann, and (in his own way) Paul Dirac, brought physics into the community of common language and established it as a work of general human achievement. ¹     

Physicalism and sparse ontology

A major stumbling block for non-reductive physicalism is Kim’s disjunctive property objection. In this paper I bring certain issues in sparse ontology to bear on the objection, in particular the theses of priority monism and priority pluralism. Priority pluralism (or something close to it, anyway) is a common ontological background assumption, so in the first part of the paper I consider whether the disjunctive property objection applies with equal force to non-reductive physicalism on the assumption that priority monism is instead true. I ultimately conclude that non-reductive physicalism still faces a comparable problem. In the second part, I argue, surprisingly enough, that what I call ‘fine-grained reductionism’, a particular version of which Kim proposes as an alternative to non-reductive physicalism, may work better in the monist framework than the pluralist one. I conclude that issues in sparse ontology, therefore, are more relevant to the debate about physicalism than one may have thought.

Comments on Jonathan Lear’s<Emphasis Type="Italic"> Radical Hope</Emphasis> (Harvard: 2006)

Cultural devastation, and the proper response to it, is the central concern of Radical Hope. I address an uncertainty in Lear’s book, reflected in a wavering over the difference between a culture’s way of life becoming impossible and its way of life becoming unintelligible. At his best, Lear asks the radical ontological question: when the cultural collapse is such that the old way of life has become not only impossible but retroactively unimaginable,––when nothing one can do (or did) makes sense anymore,––how can one go on? In raising this question, Lear’s book is a remarkable breakthrough; it comes close to raising the crucial ontological question of how to deal with the total collapse of a culture, and it may well become a classic by starting a conversation on the question: How should we live when our own culture is in the process of actually collapsing?

Lear suggests that

[w]hat would be required … would be a new Crow poet: one who could take up the Crow past and—rather than use it for nostalgia or ersatz mimesis—project it into vibrant new ways for the Crow to live and to be. (p. 51)

Later Heidegger had a similar suggestion for us and I try to spell it out briefly.